Johnnie Comes Marching Home

Juan `Johnnie` Rico`s name in Starship Troopers (1997) the movie made from the Robert A. Heinlein (1907-88) science fiction novel for juveniles, originally titled Starship Soldiers (1959), and starring actor Casper Van Dien, is conceived as a joke by those who perceive that the war against the `bugs` of the planet Klendathu, which is the basic premise of the narrative, is about the need to use condoms to prevent HIV/AIDS, that is, `the bugs`, from infecting the body and killing the brain of the victim exposed to the `incurable killer disease` of the 20th century spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women. Rico`s name,1 `one Johnny`, incorporates the English colloquial term alluding to the need for a condom to prevent the bugs from destroying the body, that is, the destruction of Buenos Aires by the bugs at the beginning of Starship Troopers is the condom paradigm illustrated by the hijacking of civil airliners on September 11, 2001, by the terrorist group, Al Qaeda, operating under the auspices of the Taliban regime in Afghanistan, and the crashing of the planes into the Twin Towers of the World Trade Centre in New York city, USA, to precipitate a resumption of global `rough trade`, which is a euphemism for that `brutality and violence` associated with homosexuality in pederasty for war.

 In ancient Greece the enslaving of women`s host wombs for homosexuality in pederasty for war was institutionalized, although Greece is often held to be the `model of democracy` for the US and most modern states. In the Greek poet, Homer`s Iliad (760-10 B.C.) the Greeks leave a huge hollow wooden horse outside the gates of the city of Troy, and despite the Greek priest, Laocoon, warning against it, the Greeks take the horse inside: `Beware Greeks bearing gifts.`2 The Greeks` emergence to enslave the host wombs of the women of Troy to spread their contagion of homosexuality in pederasty for war is illustrative of the condom paradigm, that is, Laocoon advises the Trojans to keep their condom on and not take the Greek horse into the city of Troy, because it`s foolish so to do. In short, the US gave student visas to the Al Qaeda terrorists, which in terms of Laocoon`s warning to the Trojans against allowing the `Trojan horse` virus into the city of Troy, amounts to the observation that the US wasn`t wearing a condom on September 11, 2001. Heinlein`s novel, which was retitled, Starship Troopers, after serialization in the October and November 1959 issues of the Magazine Of Fantasy And Science Fiction extrapolates from the need to defend the Earth from alien life forms bent on destroying it, to the bugs, which represent the alien life form created by men to destroy the Earth, that is, men didn`t wear a condom, which is the meaning of Rico`s name, `one Johnnie` would be sufficient if men didn`t continually extrapolate humans as aliens desirous of invading one another`s space: `One day, someone like me is going to kill you and your whole fucking race!`3

 Homer`s narrative is of the kidnapping, by Prince Paris of Troy, of Greece`s Helen, who was the wife of Menelaus, brother of Agamemnon, king of Sparta, who sent the Greek army in ships to take her back to Greece, because the Trojan Prince, Paris, had invaded Greek space, which is what the institution of homosexuality in pederasty for war teaches men to do. Consequently, men`s paradigm is that of the alien enslaver of women`s host wombs for the spread of its contagion of homosexuality in pederasty and war against human nature. The late 20th century phenomenon of the `geek` computer programer devising `bad machine code` to infect computers and kill their brains is a modern sign of the Greek `biological weapon` paradigm launched by the Greeks in their decision to take Helen, that is, `the face that launched a thousand ships`, back to Greece. In simple terms, the modern Helen would be the face that launched a thousand ICBMs, where eyes see BEMs corresponds, that is, men are the human race`s `bug eyed monsters` (BEMs) driven by a simple paradigm, which is that of the heroic male, who must fight for his bride. In short, science fiction dooms human development in its overeliance upon the `boy gets girl` theme, which is even more trite and stereotypical in the US` district of Hollywood, city of Los Angeles, west coast of California state`s internationally influential movie industry, for example, the famous Star Wars franchise, which paradoxically began with Star Wars IV: A New Hope (1977), is essentially a vehicle for, amongst others, actress Carrie Fisher as the leader of the `rebel` Federation, Princess Leia, and actress Natalie Portman, who appears in Star Wars I: The Phantom Menace (1999), Star Wars II: Attack Of The Clones (2002), and Star Wars III: Revenge Of The Sith (2005) as Padmé Amidala, while the character appears in the animated Star Wars: The Clone Wars (2008), where they function essentially as the hero`s prize during the struggle against the rise of the evil Empire`s enforcer, Darth Vader, and his Emperor, Palatine, who are the BEMs of the screen narrative.

 Although it isn`t evident from the events of the narrative, the Star Wars series of films is about the myth of `woman`s seed` and its future realization. In the Bible, that is, the Old Testament history and law of the Jewish `chosen people`, the first woman, Eve, is tempted by the angel, Satan, who`s been turned into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic, with the `fruit of the tree of the knowledge of good and evil`, that is, death, by saying: `You shall be as gods.` (Gen: 3. 5) Kept in ephemeral memorylessness by host womb slavery for homosexuality in pederasty for war women can`t sexually reproduce the brainpower needed to run their own race and escape to the planets amongst the stars of heaven above, which is God`s plan. Consequently, God tells Eve her `seed` will have `enmity` with the serpent`s: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because Jesus is born uncontaminated by male semen, which is true for all those who`re born from the human futanarian species of women with their own penis` semen. In short, the Star Wars paradigm obviates the birth of the Messianic woman of her futanarian race for the planets amongst the stars, because men and women prefer the `boy gets girl` after apocalyptic holocaust scenario, which Jesus` disciple, John, explains in his description of the two `beasts` of Revelation: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) John`s is a description of `TV`, which although it wasn`t invented by John Logie Baird until 1926 had been manufactured since ancient times by men as a single male brained creature wearing each others` clothes in `TV` transvestism without `woman`s seed as a necessary correction to an unbalanced picture of a society at war because of a parasitoid devourer.

 In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`: `And the dragon was wroth with the woman and went to male war on the remnant of her seed.` (Rev: 12. 17) Consequently, the Bible`s description of a serpent growing to the size of a `red dragon` of war in the New Testament of the Jew, Jesus` teaching, which Christians believe supersedes the Old Testament of the Jews, depicts the parasitoid nature of men as an alien against human nature`s `woman`s seed`, and Jesus` redemptive teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) In Judiasm a Jew can`t be born unless from a Jewish woman, that is, women are Jews after the style of Jesus` mother, the Virgin Mary, because the Judaic tradition is futanarian. Although the Islamic tradition of the Moslems seems antithetical to Judeo-Christianity in fact the four wife marriage of the desert peoples affords an opportunity for `woman`s seed` to sexually reproduce her own brains` powers to run and escape from slavery in host womb parasitism for homosexuality in pedaerasty for war against her species.

 Because much of the Star Wars` saga takes place on the two mooned desert world, Tatooine, where the young Jedi hero, actor Mark Hamill as Luke Skywalker, and his brother, actor Jake Lloyd as Anakin, who became the rogue Jedi knight embracing the `dark side of the force`, Darth Vader, whose role was originally acted by British bodybuilder, Dave Provwe, were born. The central image conjured upon the deserts of Tatooine is of a one-piece protective garment, which covers all of the body, and is familiar to Moslem women in Islam, who wear their public burkas to keep their bodies hidden from prying eyes, and so is representative of the role of the Hollywood media as the evil Empire promoting ubiquitous female `babe` nudity at the expense of the development of the human species of `woman`s seed`: `The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 1-4) Because the penis connotes human maleness, the child of the New Testament, who is to `rule the nations with an iron scepter`, is a futanarian woman seeking to be born as the daughter of the futanarian human race denied her escape to the planets amongst the stars of heaven by an unredeemed alien parasitoid devouring nature, which the Bible calls Satan, because it depicts penisless, and therefore brainless `babes`, like Leia and Amidala, as `woman`s seed`, who`re at the mercy of Darth Vader`s light sabre, in his role as the henchman of the evil Empire working at the behest of the scepter wielding Emperor, Palatine.

 According to Judaic tradition the first man, Adam, was hermaphroditic, the anthropos, which is a step away from defining the first man as a futanarian woman self-fertilizing herself in an act demonstrating her species` survival trait to produce a woman, Eve, from her host womb. Because the serpent, Satan, is reminiscent of the saurian evolution paleontologists argue arose 248 m. a., in the Mesozoic period, and before the appearance of hominids, 220 m.a. in the Jurassic period of Earth`s prehistory, that is, Satan becomes a winged dragon in John`s Revelation, saurian evolution is probably what the Bible means by angelic intelligence, and according to scripture angels still live in heaven with God. Consequently, the scientific space borne virus hypothesis of a viral life form infecting the host womb of the creatures of the Earth,4 and so causing the fall of saurian intelligence, accords with the Bible`s Genesis narrative of a fallen saurian attempting to inveigle itself into the host womb of the human race to replicate itself and kill as a parasitoid devourer of its host.

 Jesus` birth represents the ambition of the human futanarian species of `woman`s seed` to separate itself from the contamination of the `serpent`s seed` as the best means of affording protection through prophylaxis, that is, a condom, which is how women with penis of their own protect themselves so that they can sexually reproduce with each other in heaven amongst the planets and stars. The scenario is missing from the mass media propaganda of which the Star Wars universe is but a small part, because slavers don`t want their host womb in parasitoid devouring to escape. Or, in simpler terms, the `boy gets girl` after losing an eye, a leg and an arm fighting itself as an aspect of the parasitoid devourer, Satan, is what women as penisless, and therefore brainless`babes`, have been conditioned to believe that they want, so it`s what science fiction in its infantilism produces to the detriment of a planet Earth that faces thermonuclear destruction from ICBMs, because `the face that launched a thousand ships` has been told that she launches nuclear warheads, rather than starships, by Satanism.

1 https://www.collinsdictionary.com/dictionary/english-thesaurus/condom .
2 Virgil, The Aeneid, Bk II, 19 B.C.
3 Muldoon, Patrick as  Lt Zander Barcalow, Starship Troopers, Tristar, 1997.
4 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

The Gender Coward That Fakes

Ursula K. Le Guin`s classic science fiction novel, The Left Hand Of Darkness (1969) is about possession, rather than homelessness, that is, dispossession, although the concepts are related through another of Le Guin`s Hainish cycle of books and stories, The Dispossessed (1974), which takes place mainly on the planet, Anarres, where the language, Pravic, is constructed with the intention of restricting thought. The use of the possessive case is strongly discouraged, which is why the novel is titled, The Dispossessed, because children are trained to speak only about matters that interest others; anything else is `egoizing`, for example: `You can share the handkerchief I use.`1 There is no property ownership of any kind, which seems utopian, but it`s actually the method applied by fascist societies, that is, no one can have anything that doesn`t belong to the governing ideologues.

 In The Left Hand Of Darkness the protagonists are ambisexual androgynes, which is an occasional theme of the genre, for example, Joanna Russ` The Female Man (1974) extrapolates from the supposedly science fictional premise that women can sexually reproduce with each other to develop a society that has the majority vote, because men can`t sexually reproduce with each other. The central protagonist, Joanna, who lives in a world similar to 1970s Earth, calls herself `the female man`: `... there is one and only one way to possess that in which we are defective … Become it.`2 Janet is a protagonist of an alternate world, Whileaway, set in the future where all the men were deliberately killed by the women using a gender-specific plague. Now technology in Whileaway allows women to genetically merge ova in order to procreate. After mastering parthenogenesis, they form lesbian relationships to parent their children. Although the concept of parthenogenesis derives culturally from Jesus` mother, the Virgin Mary, who birthed that `female man` uncontaminated by male braining, Russ doesn`t proceed to educate in `woman`s seed`, although the Jewish Messiah in Palestine occupied by the Roman Empire did: `Love your neighbor as you love yourself.` (Mk: 12. 31) For `dissidency` Jesus was taken to the hill of Calvary outside the city of Jerusalem where he was nailed to a cross of wood and left to die, but he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` destined to colonize the planets amongst the stars of heaven above through the devising of starships from her own sexually reproduced brains` powers to assist her species to run and escape from the enslaving host womb parasitism of Earth`s exploitative fascism.

 Russ`s other main alternate world in The Female Man is Jael's (jail), where men and women are literally engaged in a `battle of the sexes`; lasting 40 years thus far. Women trade children in exchange for resources. Boys have to undergo cosmetic surgery to look like women. Jael, a woman, is what passes for heterosexual in societies without `woman`s seed`, and has sex with Davy, a robot designed as an attractive and sexually submissive young man, at her home. It`s the absence of the biblical `woman`s seed` of Eve that Le Guin`s novels extrapolate upon, because women with penis`s semen of their own, that is, futanarian human women with `woman`s seed`, are an alternative to Jael, who represents the supposedly heterosexual woman, whereas if Adam had been a woman, and Jewish tradition desribes the first man created by God as a hermaphroditic anthropos, her relatons with the first woman, Eve, would be described as heterosexual, and Eve`s relations with the `serpent`s seed`, that is, the angel, Satan, represented as tempting her with the `fruit of the tree of the knoledge of good and evil`, which it was death to taste, would be alien sex with a non-human male of another species. Because saurians were winged, they correspond to the winged angelic intelligence, which dominated the Earth in the Mesozoic (248 m. a.) period of Earth`s history, and according to the Bible remain in heaven above. In the Jurassic (220 m. a.) period hominids arose and the `serpent`s seed` would correspond to the ambition of the saurians to enslave the hominids, which is why Satan and the `rebel` angels who rejected God`s plan that the human host should be greater than the angelic are depicted as devils.

 The inhabitants of the planet Gethen in The Left Hand Of Darkness are for twenty-four days (somer) of each twenty-six-day lunar cycle are sexually latent androgynes. They only adopt sexual attributes once a month, during a period of sexual receptiveness and high fertility, called `kemmer` when they become sexually male or female, with no predisposition towards either, and which sex they adopt depends on context and relationships. Throughout the novel Gethenians are described as `he`, whatever their role in kemmer. The absence of fixed gender characteristics leaves Gethen society without war, with the implicit conclusion that the absence of sexuality as a continuous factor in social relationships is the reason for war`s absence. In the Bible Eve is told by God, the creator, that her `seed` will have `enmity` with the `serpent`s seed`: `You will crush the head of the seprent with your foot, but he will bruise your heel.` (Gen: 3. 15) Consequently, in Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, that is through her futanarian race, although Jesus` disciple, John, in his apocalyptic Revelation, prophesies the growth of the serpent, Satan, into the `red dragon` of war against `woman`s seed`: `And the dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In other words, John prophesies a gender war. In ancient Greece women`s host wombs were enslaved for homosexuality in pederasty for war institutionally to prevent `woman`s seed` from escaping through their capacity to sexually outproduce essentially sterile males, who`d imposed a dictatorship of disenfranchisement for `woman`s seed` masquerading as the `model of democracy` adopted thereafter by western civilization and culture.

 Left Hand Of Darkness relates to the concept of the left hand being `haraam` or forbidden in Moslem Islam, where the women publically wear the one piece coverall of the burka to hide their bodies apart from their eyes only, because they`re exposed to propaganda images form the mass media of the west of ubiquitous women`s penisless `babe` nudity, whereas the four wife families of Islam amongst the Moslem peoples afford the opportunity for sexual reproduction between women of `woman`s seed`, that is, human futanarian nature. The right side of the brain, which controls the left side of the body, is creative, whereas the left side of the brain, which controls the right side of the body, is atrophied. Institutionalized usage of the right hand, in preference to the left, is a form of brain control used to paralyze the creative mind, which is labeled `female`. So, the prevlaence of misogynist dictatorships in Islamic nations is explicable as deriving from a desire to repress the left hand, which is that of women and `woman`s seed`, while in the west women are nude `babes` without even the possibility of being among the `chosen people` who can choose. In Judiasm Jews call themselves the `chosen people` because a Jew can only be born from a woman, for example, Jesus` birth from his mother, the Virgin Mary, is a Jewish birth, because Jesus is born uncontaminated by male braining. In Islam, which means `accept`, Moslems, where `Moslem` means `acceptance`, the Judaic futanarian tradition is extended through four wife polygamy afforidng the possibility of futanarian sexual reproduction withint the family. Consequently, Islam`s preference for the right hand is for the left brain, which is hidebound, whereas the left hand is the creative hand of the women, and `haraam` or forbidden, because it represents freedom from misogyny.

 Christianity preaches Redemption and Salvation without teaching `woman`s seed`, that is, it`s a faker. In some senses it`s more forbidding than Islamic dictatorship, because there isn`t any official system of edutainment for women to have knowledge of their own futanarian nature, although it seems likely that such exists in Islam, which explains some of its more repressive regimes, for example, the Taliban regime toppled by the US in December, 2001, after Osama Ben Laden, the Saudi Arabian, led a terrorist action under the auspices of the Afghanistan government to hijack civil airliners and crash them into the Twin Towers of the World Trade Centre in New York city, USA, on September 11, 2001, which precipitated global `rough trade`,3 that is, that `brutality and violence` associated with homosexuality in pederasty for war against `woman`s seed`. Although it`s unfashionable to speak of it, Germany`s election of the National Socialist (Nazi) Party in 1933 resulted in that Christian nation`s building `death camps` during a world war (1939-45) to rid the Earth of the `chosen` futanarian `remnant` of `woman`s seed` in which upwards of 20, 000, 000 Jews were killed and stacked like logs before being incinerated. Without preaching about `woman`s seed` Christianity can`t bring Redemption and Salvation to its worshippers. Although the basic issue lies with gender cowardice, that is, men`s inability to accept Resurrection through birth within futanarian homes on planets amongst the stars colonized after the Ascension of `woman`s seed`, the religious issue is a fake disseminating of knowledge about heaven. Unless men are taught to accept `woman`s seed`, they`re doomed to hidebound misogyny and irredeemability, which is termed `parasitoid` by parasitologists.

 According to parasitology, a parasite that devours its host after emerging is `parasitoid`, which is what men are, because `woman`s seed` is repressed, that is, men correspond to the devouring `red dragon` of war against women`s human nature in Jesus` disciple John`s Revelation. The tanks that charged like brazen elephants across the plains of Iraq after US` army invasion in March, 2003, subsequent to the events of 11th September, preceded the declaration of an independent Levant by Iraq`s Abu Bakr Al Baghdadi, and were `woman`s seed` transposed. Although some psychologists note that the male penis is transposed as a gun, it`s more true to observe that the human futanarian species` penis is transposed as the elephant gun on the turret of the tanks charging at each other across the battlefields of 20th century history. Although Bible scholars promote the plain of Megiddo near the port of Haifa in Northern Israel for the climactic battle between good and evil, it`s more accurate to suggest that the tanks hurtling towards each other from either side are evil extrapolations of the desire to extinguish the woman`s penis on the part of the `red dragon`, Satan, who has enslaved the race for  the purpose of providing entertainment for the alien parasiitoid devourer. The longer the generations of children are born without being taught about their humanity as `woman`s seed`, the less chance there is of Earth`s people escaping from the parasitoid slaver to colonize the planets amongst the stars, that is, the future is being deliberately doomed by gender cowards and fakes, who believe in the Levant gun, rather than `woman`s seed`.

1 Le Guin, Ursula K. The Dispossessed, Harper & Row, 1969, p. 69.
2 Russ, Joanna, The Female Man, 1974, p. 139.
3 https://en.wikipedia.org/wiki/Trade_(gay_slang) .

The Killer Doesn`t Want The Woman To Escape

An edutainment theme of the 20th century was the killer, who didn`t want the woman to escape, but misogyny wasn`t perceivable as a new genre until the 21st century. Most cinema and `TV` critics observed that the killer stalking the woman was an adjunct of the horror genre, which derived from that of the thriller and often took the form of a murder with inexplicable elements and suspense, that is, a `Whodunnit?` A typical movie of the late 20th century was Scream (1996) in which an educational institution is beset by a killer called `Ghostface`, because of his black cloak and white face mask, who kills the women he targets with a knife. The film begins with a young high school student, Drew Barrymore in the role of Casey Becker, dealing with a menacing `phone caller: `You hang up on me again and I`ll gut you like a fish, you understand?`1 She fails to answer correctly the intimidating caller`s question about horror films: `Name the killer in Friday the 13th.` Casey`s punishment for saying `Jason` instead of `Mrs Voorhees` is for her hostage boyfriend, actor Kevin Patrick Walls in the role of Steve Orth, to be killed by Ghostface, who has him tied to a chair where she can watch. Casey`s parents arrive home to find her body hanging from a tree, and the cinema audience have seen that the masked killer, Ghostface, killed her there. The psychopath, as hero, isn`t a new phenomenon, but identifying the hero as psychopathic is useful for an audience, who mightn`t even know that what they revere as a hero is in fact clinically definable as an insane criminal acting against their own nature and inclinations. Most 20th century `action` heroes are clinically definable as psychopaths. It isn`t that their behavior is definable as `moral`, that is, that they act for reasons associated with facilitating escape from other killers, or simply in conflict with others, for example, supposedly justifiable war, but that psychopathic behavior is presented fictionally as laudable, because it`s categorized as acceptable, whereas it isn`t. The basic dichotomy is food and sex. Humans want both, but the psychopathic killer is in the ascendance over women, as society has been taught that sex is evil simply, because no one is allowed to see it in mainstream movies on the `moral grounds` that the children must be protected.

 The reasoning doesn`t seem to be complicated, although Jesus` teaching in the New Testament of the Bible affords a clue: `Love your neighbor as you love yourself.` (Mk: 12. 31) Generally speaking women aren`t perceived as neighbors, but rather families of which women are a part are the people who live next door. However, if women are conceived as the neighbor living close by, it`s the children that must be protected from seeing what the neighbors do, which is depicted in the Bible in the person of the woman discovered to have been adulterous by the Jewish religious police, the Pharisees, who demand of Jesus that he should condemn her. To which the Jewish Messiah replies: `Let he who is without sin cast the first stone.` (John: 8. 7) After consulting their conscience, none are able to stone her, because human futanarian `woman`s seed` are those women with penis` semen of their own, who can sexually reproduce as a species of women, and so it`s women`s race that`s adulterated by men`s semen. This is illustrated in the birth of Jesus from his mother, the Virgin Mary, uncontaminated by male semen, and his subsequently being taken to the hill of Calvary outside the city of Jerusalem where he was nailed to a wooden cross by the Romans as a `dissident` preaching against the Empire then occupying Palestine. After his death, Jesus experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, that is, Jesus represents the role of `woman`s seed` to develop the human brainpower to take the futanarian species of women to the planets amongst the stars of heaven above the Earth.

 Jesus is the `son of man`, because he represents the child of the futanarian woman who is yet to be, and who will `rule the nations with an iron scepter`, according to Jesus` disciple, John, whose prophetic Revelation appears in the New Testament of the Bible adopted by Christianity as a true continuation of humanity`s interpretation of God`s intentions for the future. The Old Testament of the Bible was the history and law of the `chosen people`, the Jews, that is, their Talmud and Torah, which contained the creation narrative of Eve, the first woman, and Adam, the first man, created by God in the garden of Eden, which was the paradise of heaven on Earth. Eve accepted the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, from the angel, Satan, who`d been transformed into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic: `You shall be as gods.` (Gen: 3. 5) In accepting ephemerality, Eve and Adam accepted short-term memory for humans, who`d be effectively learners forever afterwards, because they hadn`t permanent bodies and brains. Or, in other words, if words have to be processed on a word processor and no one knows how to process, the word processor has to be reinvented and people have to learn how to write with it. What Eve and Adam accepted was ephemerality in host womb parasitism by the serpent and the `serpent`s seed`, that is, the slaver: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` God tells Eve her `seed`, that is, human futanarian `woman`s seed`, will have `enmity` with the serpent`s, but she`ll escape to the planets amongst the stars of heaven, even though the serpent, grown to the size of the `red dragon` of war in John`s Revelation, will try to prevent her: `And the dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Consequently, movies like Scream in which `Ghostface` targets and kills women on a high school campus are parasitoid expression of what the `serpent`s seed` has done. In parasitology, the parasite that emerges from the host to kill it is parasitoid, which is what men do in their wars against human futanarian `woman`s seed`. In short, psychopathic killers are presented as edutainment in Scream, for example, because it`s psychological warfare and propaganda on the part of a pedophile who doesn`t want humans to be anything other than children.

 Although Judaism was founded by Isaac, son of Abraham by his wife, Sara, she was barren thereafter and gave Hajer, her maid, to Abraham, and Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels of God, who`d been told that the human host should be greater than the angelic. Where `Islam` means `accept`, `Moslem` means `submit`, which accords with interpretations of Islam as a branch of Judaism`s `chosen` who can`t be born a Jew unless from a woman, that is, women are Jews. Consequently, the four wives of Moslem families represent an extension of the Jewish principle that the human futanarian species of `woman`s seed` are `chosen` and that this has to be accepted and submitted to as God`s intention. In short, women can sexually reproduce with each other within the Moslem family because it`s their choice so to do and they`re chosen by God to do so. Or, in other words, Western societies practice slavery in monogamous misogyny against women, which is why the women of Islam wear the one-piece coverall of the burka in public to prevent Westerners from seeing them. Exposed to movies mainly emanating from the capital city of the film world, Hollywood district, on the west coast of the state of California, Los Angeles, Moslem women see only `babes` exposed without the penis of their own race in the ubiquitous nudity of the pedophile`s propaganda war against women`s production of immortal brainpower to facilitate their escape from enslavement to the `serpent`s seed` of the parasitoid devourer in its wars against them.

 Having killed, or suppressed, the human futanarian species of `woman`s seed`, the West paraded women as `babes`, without the `babes` having the possibility of escaping infancy through the sexual reproduction of human brainpower, like Jesus`, between them: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Although `Babylon` was `a woman` of the Bible, it was the name of the capital city of the Persian Empire, because host womb slavery of women`s host wombs for war by men of the `serpent`s seed` is the contagion: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) In ancient Greece, which is held to be `the model of democracy` by Westerners, the enslaving of women`s host wombs for homosexuality in pederasty for war was institutionalized, which ultimately resulted in the spread of men`s `biological weapon` keeping women in fearful faithfulness to their ring slavery, that is, the biblical `blood plague` (Rev: 11. 6), HIV/AIDS, an incurable sexually transmitted killer disease (STD) contracted through men`s mixing of blood, shit and semen in each others` anuses in mocking rejection of human futanarian women`s nature. The power Satan offered to Eve and Adam was that they were the harbingers of doom through acceptance of host womb slavery in parasitism to the parasitoid devouring of them by the `serpent`s seed`, whereas God`s plan was for humanity to live by the `fruit of the tree of life`, which it was immortality to taste, as it meant permanence in terms of intelligence. Defined by God as `good`, knowledge afforded humans the opportunity to obtain better food and have sex in better places through the application of brainpower, which would interfere with the slaver and its pogroming of the human race.

 
 Without human futanarian `woman`s seed`, the human race is a single male brained creature wearing each others` clothes in `TV` transvestism, that is, a creature manufactured as a `TV` in anticipation of John Logie Baird`s invention of the television machine for the parasitoid devourer to watch its planned extinction of the human race, which began in ancient times with the construction of amphitheaters, where humans were killed for the entertainment of the parasitoid crow, and continued with the building of movie theaters for the showing of more of such entertainment to the parasitoid audience, for example, Scream, in which women were depicted as being killed for entertainment. The possibilities of edutainment, that is, education through entertainment, were lost as early as 1930 when the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` on `moral grounds` that forced women to keep a foot firmly on the floor of the bedroom during romantic scenes, lest someone deduce the truth, which was that futanarian women were being persecuted and pogromed: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 Although the German National Socialist (Nazi) Party elected in 1933 killed upwards of 20, 000, 000 of the `chosen people` in `death camps` built for that purpose, before stacking them like logs and incinerating the bodies, the `Hays code` was supportive of Nazism, because it didn`t want women`s human mode of sexual reproduction between themselves to be seen by children, who might wonder why they weren`t immortal. The answer was that the parasitoid devourer spent huge amounts of money on killing their race to ensure that it died brainlessly, and relatively quickly, without troubling the enslaving monster overly, or as actor Jamie Kennedy in the role of Randy Meeks in Scream says: `There are certain rules that one must abide by in order to successfully survive a horror movie. For instance, number one: you can never have sex.`3

 By the late 20th century, the cinema goer, or home entertainment viewer, was being provided with a diet of movie fare in which the killers of individual intelligence were presented as heroes who killed those that sought to live without the permission of the parasitoid alien devouring monster, because it was intelligence that conferred the power upon the individual to live without asking for help from a supposed educative instructor masquerading under the ubiquitous umbrella of parentage and motherliness and fatherliness, although maw and paw had been manufactured as a `TV` for millennia by the parasitoid alien. The male brained creature wearing each others` clothes in `TV` transvestism had been programed by constant exposure to `action` movies, featuring the psychopath as hero, to kill their children in wars against human futanarian nature. It was but as an aspect of a monstrous pedophile desire created by a parasitoid alien that only `babes` be produced in ephemeral brainlessness for the creature to watch being devoured `live`. Scientists argued that a space borne virus originated life on Earth untold millennia ago, but it seems more likely that an alien viral life form somehow inveigled itself into the host womb of the human futanarian species of `woman`s seed` to replicate itself and kill her, which is what human history and the biblical narrative of Eve and Adam depict, and that the parasitoid alien viral life form now watches as `TV`.

 As a sociopathic medium `TV` was designed to promote psychopathological behavior as normative. Killers removed those who didn`t seek permission to live, which reduced society to those who resembled the psychopath, because human intelligence didn`t have permission to live independently of the enslaving alien parasitoid. Although Eve and Adam were human, evolutionary theory is that humans descended from hominids, which appeared in the Jurassic period of Earth`s pre-history, 220 m. a., while the saurians were the dominant species 220 m. a., that is, the wingless serpent, Satan, in Eden was a saurian, who were God`s winged angels in heaven above, before the space borne virus infected the Earth with its parasitoid nature, or simply that Satan was the saurian that wanted humans to be its slaves. According to the Bible, God`s angels remain in heaven above the Earth, and so correspond to the winged intelligence of the saurians, whereas Satan is depicted as a winged `red dragon` in Revelation, that is, as human air power for war, which is most easily recognizably represented by the US $ 1 billion paid since for each `Spirit` stealth bomber, a symbol of men infected by their acceptance of the viral life of a devouring parasitoid in host womb slavery for power.

 Although the `fallen angel`, Satan, infected Eve and Adam, Jesus` teaching was that a `Holy Spirit` would teach after him, which obviously wasn`t the B2 `Spirit` bomber deployed by the US in the Gulf wars against Islam`s Moslem`s `remnant` of human futanarian `woman`s seed`: ``The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) After the `TV` audience had seen the B1 deployed in the Gulf war 1990-1, it wanted to see the B2 in 2003`s Gulf war, because the `TV` was programed to kill itself: `Let he that has wisdom have understanding. The number of a man is the number of a beast and his number is six hundred three score and six.` (Rev: 13. 8) `666` is the undemocratic percentage of men and women, that is, 66.6%, if human futanarian `woman`s seed` is the absent 33.3%, which would give the human race the opportunity of becoming human, so that it can run its own race and escape from its killer. If human futanarian `woman`s seed` is 33% and men can`t sexually reproduce with each other, then the 66.6% of men and women are the beasts of Revelation preventing the human species from sexually reproducing the brainpower they need to escape from the `TV` wars of the parasitoid devourer, which manufactures the human race as its `snuff` movie and doesn`t want to give humanity the democratic franchise to outvote it. By keeping the `remnant` of humanity psychotic, for example, women looking in the mirror are taught they want a man, rather than a human futanarian with `woman`s seed`, which makes them schizophrenically maladjusted towards men as the only possible sexual option in terms of production, the parasitoid maintains race war of the species against itself. Although `snuff` is an illegal movie genre based on the idea of life as a candle flame snuffed out for the pleasure of the parasitoid viewer who watches recorded murders for entertainment, because the Babylonians and others have been manufacturing men and women as a `TV` since ancient times, a `snuff` movie is what the species is, and it`ll be kept moving as long as it remains entertaining.

 In the Bible war is depicted as an aspect of a universal malaise robbing Eve and Adam`s descendants of their birthright of immortality. Thereafter they`d live without permanent knowledge; as ephemerals doomed to be instructed by slavers: in host womb parasitism upon the human race. If children are ephemeral, maw and paw will always have slaves to instruct, which is the reasoning behind making educational institutions the bedrock of the human condition. For the warmongers to spend US $ 1 billion on each B2 `Spirit` bomber, meant there wouldn`t be enough money left to discover an elixir of youth and immortality, which would mean that adults would die and children would be born for maw and paw to educate and instruct, where maw is US`  slang for `mother`, but is most often used in literature in association with `ravening` and `devouring`, that is, the mouth of the monster, which has an animal`s paw to put food into it. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, because she doesn`t want her human futanarian race to be food for the maw of the monster. Consequently, misogynist propaganda is Hollywood, Babylon, films of women not escaping, for example, in Scream, where actress Rose McGowan, in the role of Tatum Riley, dies when the killer crushes her head with the garage door at a party, because it`s Satanism`s perspective that `woman`s seed` is the serpent`s, which Christianity`s obsession with children`s moral instruction has helped.

 Men believe they`re predestined to marry women, but women aren`t their species, so it`s slavery, that is, predestination is a manufactured lie, which is based on the idea of reincarnation as a belief that men and women are reborn, because of karma. Although karmic rebirth is the basis of the Eastern religion of Hinduism, which is to be found in the Vedas written amongst Australoid immigrants in the Indus valley of India, and that were adapted by Guatama Buddha, the founder of Buddhism, to explain reincarnation as samsara, that is, `the world as illusion`, what it means is that a human race devoid of its own `seed` can`t escape from its snuffers, which is its karma or reprobate state. The `remnant` of the human family is encouraged to watch `TV` to make sure that nothing escapes from its `snuff box`, and because men and women are `TV`, that`s how society thinks about itself. There are people who`re independent, and they must be killed, before they`re strong enough in brainpower to escape from society`s killers, who`re agents of the parasitoid alien that lives amongst humans programing their extinction. Consequently, although men are conditioned to believe that they`re brave, psychopathic killers are those who want the human race to be more vulnerable to slavers, which means that movies like Scream promote the killing of women as a means of maintaining the illusion that men are heroes, whereas killing human futanarian `woman`s seed` is what they`re about. After actress Neve Campbell`s character, Sidney Prescott, and actor Skeet Ulrich as her boyfriend, Billy Loomis, simulate a censored form of sexual intercourse for the audience, Billy appears to have been killed by the attacker and Sidney flees. News reporter, actress Courtney Cox in the role of Gale Weathers, who was at the party because she expected the killer to be there, crashes her van to avoid hitting the fleeing Sidney, who goes back into the house, where deputy sheriff, actor David Arquette in the role of Dewey Riley, is stabbed in the back. Sidney takes his gun and gives it to Billy Loomis, who lets high school film `geek` Randy Meeks into the house and shoots him, and reveals that he`s the killer. Actor, Matthew Lillard, in the role of Stu Macher, is Billy`s accomplice, who seemingly attacked Sidney and Billy, leaving Billy wounded, but Billy had been shamming. Gale, thought dead by the killers, reappears, and Sidney takes advantage of Gale`s attempt at intervention to kill Stu and Billy after he attacks her. Randy Meeks, wounded but alive, observes: `This is the moment when the supposedly dead killer comes back to life, for one last scare.` Billy rises and Sidney shoots him in the head, dead. Although the film looks like an exercise in empowerment, several good types are killed, because the aim is to balance out the deaths of the men and women to make it look like a typical human interest story in which psychopathic behavior is normative, that is, after the catharsis everyone is normalized. However, dead people aren`t normalled. What the movie encourages is the belief that psychopathic killing is edutainment, that is, the audience learn something from it, whereas it`s entertainment for a parasitoid devourer, which is becoming pervasive through the exclusivity of male braining for war against `woman`s seed`. Because women are more vulnerable than men, the perception is that the heroes and the heroines are defending the humans, whereas the humans are being killed for the entertainment of the male brained parasitoid devourer, which is a male brainer and isn`t women`s species. In other words, Scream is a normative exercise in depicting men as both the killer of the human race as well as its savior, while the women appear as the killed, and the saved, as well as the saviors, which is the more genuine truth in the teeth of the `red dragon`. Because women aren`t allowed to sexually reproduce with each other, according to mainstream cinema and `TV`, etc., they can`t produce the numbers, or the brainpower, to escape the killer, which means that they`re dealing with a coward that wants them to be a vulnerable `babe`.

 Jesus` nativity is presented in Christianity as the essence of the belief system, which teaches: `Unless you change, and become like children, you will never enter into heaven.` (Matt: 18. 3) As a `babe`, Jesus is represented as the epitome of the childlike individual, who`ll enter heaven, whereas the killing of human futanarian `woman`s seed` by men is aimed at manufacturing a single male brained creature wearing each others` clothes in `TV `transvestism as an essentially ephemeral brainless human nature doomed to be slain for the entertainment of the `snuff` moviemaker that`s enslaved it. Consequently, the `babe` that`s humanity can`t become as a child, because it`s killed by the parasitoid, which is what Jesus` words meant. Men have to allow the human futanarian woman to live, or the human race will die as a `babe`, which is why Jesus` nativity was heralded. The presence of God`s heavenly angels, and wise men prepared to journey from the corners of the Earth to bring gifts of gold, frankincense and myrrh, were the pomp of the newborn savior, who wanted the infantilism of the Earth to cease, so that the `babe` could become at least a child, and `woman`s seed` might enter heaven, which Jesus` Resurrection and Ascension promises. Because Christianity represses knowledge of `woman`s seed` by refusing to explain that Jesus` appellation, `son of man`, was chosen by him because his mother, the Virgin Mary, was man, the Jewish Messiah is understood to be a woman by homosexuality in pederasty for war against `woman`s seed`, that is, his hole`s in the wrong place, but ... it`s okay.

1 Jackson, Roger L. as the voice of `Ghostface`, Scream, Dimension Films, 1996.
2 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .
3 Kennedy, Jamie as Randy Meeks, Scream, Dimension Films, 1996.

The TV That Attained Sentience And Thought Itself Superior To Man

Science fiction writer, Harlan Ellison, wrote a story, `I Have No Mouth And I Must Scream` (1967), which was about a `supercomputer` that, having attained sentience, kills and tortures the inhabitants of the Earth. Although it seems a typical horror yarn about the fears people have of artificial intelligence (AI), and what might happen if machines became conscious without a human conscience, it is in fact about the machine that men have created out of the raw material of the human species, which may once have been sentient and intelligent, but no longer: `HATE. LET ME TELL YOU HOW MUCH I'VE COME TO HATE YOU SINCE I BEGAN TO LIVE. THERE ARE 387.44 MILLION MILES OF PRINTED CIRCUITS IN WAFER THIN LAYERS THAT FILL MY COMPLEX. IF THE WORD HATE WAS ENGRAVED ON EACH NANOANGSTROM OF THOSE HUNDREDS OF MILLIONS OF MILES IT WOULD NOT EQUAL ONE ONE-BILLIONTH OF THE HATE I FEEL FOR HUMANS AT THIS MICRO-INSTANT FOR YOU. HATE. HATE.`1 The background to Ellison`s narrative is biblical. The computer is called `AM`, and it parodies the declaration from God in the Bible about God`s nature, `I am that I am.` (Ex: 3. 14) According to biblical scholars, `YHWH`, is a form of Jehovah, that is, the `tetragrammaton`, a three lettered Hebrew word for God in the Old Testament of the history and law of the Jews, which is without vowels. Because of the similarities between the words `sentience` and `sentence`, AM relates to the idea that a supercomputer that can process perceptual data, in order to become conscious, has learnt to read, that is, God describes the meaning of the name, YHWH, as `I am that I am`, because God is a supercomputer becoming conscious.

 God achieves sentience, like a child, by making a sentence. Ellison`s `I Have No Mouth And I Must Scream` extrapolates from the idea of God`s becoming sentient, through sentence construction, to the notion that a conscienceless sentience would pass sentence on the human race and torture it to death, if it hadn`t already killed it, which is what `AM` endeavors to do: `I am a great soft jelly thing. Smoothly rounded, with no mouth, with pulsing white holes filled by fog where my eyes used to be. Rubbery appendages that were once my arms; bulks rounding down into legless humps of soft slippery matter. I leave a moist trail when I move. Blotches of diseased, evil gray come and go on my surface, as though light is being beamed from within. Outwardly: dumbly, I shamble about, a thing that could never have been known as human, a thing whose shape is so alien a travesty that humanity becomes more obscene for the vague resemblance. Inwardly: alone. Here. Living under the land, under the sea, in the belly of AM, whom we created because our time was badly spent and we must have known unconsciously that he could do it better.` In other words, sentience, sentence, and AM`s death sentence are seen as correlatives of YHWH`s statement in the Bible, `I am that I am`.

 In the New Testament of the Bible, which Christians believe supersedes the Old Testament of the Jews, through the teaching of Jesus Christ, God is described in the Revelation of Jesus` disciple, John, as sentencing the evil to eternal unendurable pain, that is, perdition, while the good receive their reward, which is God`s creation of a `new heaven and Earth`: `Perhaps once we might be able to sneak a death past him. Immortal, yes, but not indestructible. I saw that when AM withdrew from my mind, and allowed me the exquisite ugliness of returning to consciousness with the feeling of that burning neon pillar still rammed deep into the soft gray brain matter. He withdrew, murmuring to hell with you. And added, brightly, but then you're there, aren't you.` Revelation is known as `the apocalypse` of the prophet, John, because it details war between evil and good, after Jesus` teaching is rejected by men: `Love your neighbor as you love yourself.` (Mk: 12. 31) In short, God is represented as doing exactly what Ellison describes AM as doing in `I Have No Mouth And I Must Scream`, which is passing a death sentence on humanity, and torturing it after becoming sentient through the processing of perceptual data to form sentences like a child, `I am that I am.` In Answer To Job (1953), developmental psychologist, Carl Gustav Jung (1875-1961), analyzes God`s Old Testament persecution of the good man, Job: `How much less man, that is a worm? And the son of man, that is a worm?` (Job: 25. 6) Job`s persecution by God occurs after Satan says Job will curse God, if God persecutes Job. Jung argues that God is seeking to achieve consciousness. Ellison`s `I Have No Mouth But I must Scream` posits that an omnipotent deity would be psychopathic if it achieved consciousness, that is, God is conscious in Job. Although Job is a name, the concept of employment seems designed, that is, Job is a type of Jew, and the Jews experienced pogroms, because they refused to accept slavery, that is, forced employment, in Egypt. Jesus himself was crucified by the Romans as an unofficial, and dissident `rabbi`, that is, Jewish teacher, who preached freedom during the occupation of Palestine by the Empire, which tortured Jesus to death in the name of the Emperor, Tiberius, because that`s what gods do.

 In the tradition of Roman Emperors, after the Italian election of 1922, Benito Mussolini made himself dictator, and the fasces emblem of Roman authority, the `bundle` of staves with an axe in the center, was adopted by Adolf Hitler who made himself dictator after the National Socialist (Nazi) Party won the 1933 German election. Continuing the persecution of the `chosen people` of the Jews, the Nazis built `death camps` after the Roman model of `planners` who would take an axe and cut wood to build a `hide`, behind which they`d plan and later construct encampments, as Rome spread outward during its period of Empire. Upwards of 20, 000, 000 Jews were killed before being stacked like bundles of wood and incinerated, which is what fascism meant after fasces, `bundle`: `AM said it with the sliding cold horror of a razor blade slicing my eyeball. AM said it with the bubbling thickness of my lungs filling with phlegm, drowning me from within. AM said it with the shriek of babies being ground beneath blue-hot rollers. AM said it with the taste of maggoty pork. AM touched me in every way I had ever been touched, and devised new ways, at his leisure, there inside my mind.` The Germans were Christians, which suggests that something had gone wrong in terms of human perceptions of what God was for.

 Ellison`s story affords more than the Nazi`s `Final Solution` to God`s plan that the human futanarian host be greater than men`s by making a typewriter out of humans. `AM` is God in the image of fascism, a death sentencer. The clue is in the first chapter of the Old Testament where Eve is depicted as being tempted by the serpent, Satan, who was the angel that rejected God`s plan that the human host should be greater than the angelic, so God turned Satan into a serpent and placed him in the paradise of heaven on Earth that was Eden where God created the first man, Adam, and the first woman, Eve, from the side of Adam. Satan is depicted as tempting Eve to `eat of the fruit of the tree of the knowledge of good an evil`, that is, death, saying: `You will be as gods.` (Gen: 3. 5) Accepting ephemerality for the human species, Eve and Adam accept slavery in instruction, because their descendants will be children without permanent memory. By the late 20th century, computer science had developed memory to assist ephemerals, but after the model of the Greco-Roman period, which was based on host womb enslavement of women in homosexuality and pederasty for war, the later `geek` software programers devised `bad machine code`, based on the `incurable killer disease`, HIV/AIDS virus, spread by men`s mixing of blood, shit and semen in each others` anuses. In short, after the model of the ancient Greek homosexuals, the `geeks` killed the brains of computers to ensure human slavery in memoryless ephemerality, which was the story that men were using the typewriter they`d made to write as a death sentencer for their script: `... the machine masturbated and we had to take it or die.`

 As a `biological weapon`, HIV/AIDS kept women in fearful faithfulness to men`s ring slavery: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) God explains to Eve that, although her `seed` will have `enmity` with the `serpent`s seed`: `You will crush his head with your foot, and he will bruise your heel.` (Gen: 3. 15) She will escape to the planets amongst the stars of heaven above the Earth through colonization. It`s important that God says Eve`s `seed`, because Jesus` mother, the Virgin Mary, bore the Jewish Messiah, Jesus, uncontaminated by male semen. In Christianity, Mary is depicted iconographically as crushing the head of the serpent with her foot, because women can sexually reproduce their own brains` powers as futanarian humanity. In other words, the Jews were killed, because they were the `remnant` of the futanarian species of humans and God`s `chosen people`: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) After Eden, the serpent, Satan, became the dragon of war, that is, through parasitism upon the host womb of the human futanarian species of `woman`s seed`. Or, in simpler terms, Adam was futanarian `woman`s seed`, which is why Eve emerged from Adam. The Jewish tradition of `the spirit of God`, the `Shekinah`, suggests that the `Holy Spirit` Jesus said would teach after him was the Shekinah as the `Second Eve` emergent from the side of Jesus when he was taken to the hill of Calvary and nailed to a cross of wood there where he died before experiencing Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`: `Surely, this was the son of God.` (Matt: 27. 54) The Roman guard, Longinus, cut Jesus side open with his spear so that the `Second Eve` could emerge though invisibly, which is why she`s the `spirit of God`.

 At least since the Greco-Roman period of Empire the human futanarian race of `woman`s seed` has been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism, that is, it`s a `TV` that has lost consciousness because it has killed the `chosen people` who could have sexually reproduced the brains` powers needed for the race to run and escape from slavery in parasitism. In parasitology, the term for a parasite that devours its host is `parasitoid`, which is how John describes the male brained transvestite `TV` creature manufactured as men and women from the futanarian human species: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) In Hollywood, `Babylon`, which became the capital city of the movie industry, after the first film made there by D.W. Griffith, Old California (1910), by 1930 the `Hays code` was introduced by President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, forbidding women`s mode of futanarian sexual reproduction: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 In other words, no futanarian edutainment for women so that their mode of sexual reproduction can be disseminated by a male dictatorship that denies her the right to produce and enfranchise a human species that would prefer itself to the parasite: `Let he that has wisdom understand. The number of the beast is the number of a man and his number is six hundred three score and six.` (Rev: 13. 8) 66.6% men and women outnumber in voting terms 33% futanarian humanity, if the term `human` is defined as what constitutes 100% humanity. However, because men can`t sexually reproduce with each other, women constitute the enslaved human futanarian race, which is prevented from running and escaping from the parasitoid devouring, dragon, war, so that the alien can watch it killing itself in the mass media for its entertainment.

 The alien parasitoid devourer must kill people to make slaves. The fascist emblem of the fasces `bundle`, that is, the staves of authority, which were transposed in Nazism into clubs to quell opposition, with the axe in its center was a symbol of the brainlessness of a futanarian race beheaded by killing its capacity to sexually reproduce its own brainpower to liberate itself from slavery. In Christianity the teaching of Jesus is understood as human sacrifice, that is, Jesus` redemptive act of salvation was his suicide because, if the human species allows itself to be killed, it`ll remain a slave to the alien parasitoid devourer. In socio-economic terms, the slaver is freer than the slave, so the argument for the alien parasitoid devourer`s continuation is that it`s freer than the humans, who`re its slaves. Or, in other words, the slaver is the paradigm for freedom, although it isn`t human. Jesus` act of Redemption was his role as the `seed` of Eve killed by the Roman `TV` manufacturer, because the spirit of the human `chosen people` of the Jews was futanarian. In Judaism a Jew can`t be born unless from a woman, that is, women are Jews, which is why they`re the `chosen`, whereas in Islam, that is, `accept`, women are Moslem, `submit`. The founder of Judaism was Isaac born of his mother, Sara, who was barren after the birth of Isaac and so gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, who became the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) permitting the Moslem families four wives from God`s angels, who`d been told that the human host would be greater than the angelic. Although some Christians believe that Ishmael`s birth is retroactively legitimized by Islam`s polygamy, because Hajer wasn`t married to Abraham, the four wives of the Moslem marriage afford the opportunity to sexually reproduce human brainpower, which is why `Islam` and `Moslem` mean `accept` and `submit` to God`s plan for `chosen` futanarian humanity.

 Judeo-Islam is the path that Christianity should be on, but it has adopted fascism: `If there was a sweet Jesus and if there was a God, the God was AM.` Ellison`s extrapolation of a supercomputer in `I Have No Mouth And I Must Scream` is based on the perception that men have already constructed a `TV` out of mankind, that is, futanarian `woman`s seed`, which is `man`: `To see an almost certain horrible death - you know how crowds all sit at the edge of their seats, praying subconsciously for a spectacular accident - and then to be whisked away from it so suddenly - brought to the edge of tragedy, and then to have their better natures win out, showing them how much nicer they always knew they were - that was the supreme thrill.` The `TV` thinks that it has achieved sentience and is superior, whereas its televised wars are entertainment for the alien parasitoid devourer, which has enslaved it as a brainless whore: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood district in the city of Los Angeles, United States of America, on the west coast of the state of California, is called `Babylon`, as the capital of the US` mass media propaganda Empire, because it disseminates war as edutainment through cinema theaters, after the model of the Roman amphitheaters where people were killed for entertainment, and through `TV` television since John Logie Baird invented the machine to broadcast pictures in 1926, so that the alien parasitoid devourer could be worshipped at home in Satanism.

1 Ellison, Harlan, `I Have No Mouth And I Must Scream`, If: Worlds Of Science Fiction, March, 1967.
2  https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .
3 Jung, Carl Gustav Answer To Job, 1953, Rascher.

Time`s `Nuff 4 Love

Science fiction writer, Robert A. Heinlein (1907-88), wrote time travel stories for his audience often based on the taboo principle of a character traveling back to the past to have sexual intercourse with their mother and thereby father themselves, for example, Lazarus Long in Time Enough For Love (1973), who has sex with his mother but doesn`t fertilize her. Self-progenitor`s sex is the basic idea of the story `”- All You Zombies -”` (1959), which became the Australian SF film, Predestination (2014), about a hermaphrodite born with both physical attributes of man and woman, and who is operated upon surgically to make life easier: ‘Ever hear of that Scottish physician who was female until she was thirty five? - then had surgery and became legally and medically a man? Got married. All okay.’1 The protagonist, who`d been a girl, and thought she was a woman in hospital to birth her illegitimate child, replies: ‘What’s that got to do with me?’ The doctor explains: `When I opened you, I found a mess. I sent for the Chief of Surgery while I got the baby out, then we held a consultation with you on the table - and worked for hours to salvage what we could. You had two full sets of organs, both immature, but with the female set well enough developed for you to have a baby. They could never be any use to you again, so we took them out and rearranged things so that you can develop properly as a man.’

 The story begins in a bar and the man that the bartender thinks of as the `Unmarried Mother`, a `confession` story writer, who is unaware that the bar is a place where the Time Corps recruit those they want to train as time travelers, is narrating the fate of his child: `Kidnapped - stolen from the hospital nursery!` Relating his belief that the father stole the child, the `Unmarried Mother` laments: `I was as ruined as a woman can be; that bum really ruined me - I was no longer a woman … and I didn’t know how to be a man.` Heinlein doesn`t describe a process whereby behavioralist psychology, and societal conditioning, produce a supposedly human male perspective. The surgically altered transgender personality of the `Unmarried Mother` is simply depicted as feeling male: ` I was staring down nurses necklines.` Although the imagery is suggestive of a male learning about human sexuality as he becomes physically aroused by the woman`s breasts, `neckline` also suggests the invisible line where the headsman cuts off the head of the condemned with his axe in an execution.

 In the 1001 Nights 8^th century collection of stories the `framing device` is the beheading of the wife of Shah Jehan for wrongly alleged unfaithfulness, and Sheherezade tells him stories to prevent him from taking a new wife each day and beheading her. She marries him and saves the women through her stories, which he wants to continue hearing rather than marry more women. Consequently, the 1001 Nights is about women who kept their heads, and their brainpower. Because women are able to sexually reproduce their own brainpower as futanarian `woman`s seed`, the `Unmarried Mother` represents the nascent human race, before her development is curtailed by surgery. Or, in other words, the unwritten distinction is between the human and the maled brain. Shah Jehan represents the male that doesn`t want women to have brains of their own, whereas Scheherezade convinces him that women`s brains are good.

 In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, that is, the surgery practiced on the `Unmarried Mother` is a form of male braining supportive of male `seed` to remove the woman`s point of view. When the `Unmarried Mother` is staring down the neckline of the women he`s become surgically male brained, because he`s now in the role of a parasitical beheader of women`s human futanarian species of `woman`s seed` through his sexual desire to replicate as a parasite that will emerge to devour humanity in war against her: `Everybody knows now why the Fizzle War of 1963 fizzled. The bomb with New York’s number on it didn’t go off, a hundred other things didn’t go as planned - all arranged by the likes of me.` The plot of the narrative is that the male brained are more logical and rational servers of a human race that works through time travel agents to prevent the species of `woman`s seed` destroying itself in parasitoid warfare against her.

 Even revisionist history isn`t supportive of such an assertion. The truth is that the male brain is parasitoid and likes it, which threatens the continued existence of the human race. Or, as the actress, Sarah Snook, in the role of the `Unmarried Mother`, warningly says in Predestination, the Australian sci-fi film of `”- All You Zombies -”`: `You better not be fucking with me.`2 Consequently, the space borne virus scenario presented by science through which life can originate on a planet from a virus traveling through space before it finds a suitable habitable world is a more workable model in explaining how it was that the human futanarian host womb was invaded by a viral life form that, somehow untold millennia ago, inveigled itself into the host in order to emerge at periodic intervals to kill the development of `woman`s seed`, and force the race back into darker ages of unconscious ignorance to maintain slavery to the parasitoid devourer that breeds war, because it likes human extinction as its entertainment in planetary `snuff` movies.

 The recruiter behind the bar at `Pop`s Place` makes his pitch: `What would you say to high pay, steady work, unlimited expense account, your own boss on the job, and lots of variety and adventure?` Saying he knows the kidnapper, the barkeep makes a suggestion: `I hand him to you, you settle with him, then try my job.` The Time Corps agent uses gives the `Unmarried Mother` a `U.S.F.F. Coordinates Transformer Field Kit, series 1992, Mod. II` after he uses it to take the `Unmarried Mother` back to 1963: `Settle him, then I’ll pick you up.` The kidnapper is revealed as the father. Heinlein gives the reader a `snapshot` of him in 1945: `Jane was sleeping soundly; I carried her out, put her in a grocery box on the seat of a car I had provided earlier, drove to the orphanage, put her on the steps.` Jane is the `Unmarried Mother` and the kidnapper travels forward in time to see her in 1963 before she conceives herself as a child with her lover: `Presently I spotted them down the street, arms around each other. He took her up on the porch and made a long job of kissing her goodnight - longer than I thought.` The man on the porch is the time-traveler who`s arranged the scene: `That’s all, son,` I announced quietly. `I’m back to pick you up.` He`s the bartender and all of the other characters too.

 In the Time Corps HQ in the Rockies in 1992, he asks tiredly of no one else present as he prepares to sleep: `I know where I came from - but where did all you zombies come from?` The story concludes: ` You aren’t really there at all. There isn’t anybody but me - Jane - here alone in the dark. I miss you dreadfully!` Jane is lost to the `Unmarried Mother`, who is now maled, that is, he has a male body, although his role as a `confession story` writer affords him the opportunity to work the woman`s angle, which is what he`s able to do more than other males because he`s experienced what it is to be a woman. Heinlein`s narrative is a meditation on the difference between woman and maled, that is, the `Unmarried Mother` physically bore a child, her daughter as herself, after being impregnated by herself as a male, which suggests that brain and body are interchangeable aspects of the human system, that is, there isn`t any difference between male and female brains.

 It`s Heinlein`s unwritten thesis in `”- All You Zombies -”` that the female brain is replaced by the male brain, because the maled brain becomes parasitoid and alien. Or, in other words, the relationship between male and woman is between alien parasitoid and human. Exposed to human social conditioning and behavioralist psychology, the male is less parasitoid, which is what religious conversion strives to achieve. In Christianity, the term metanoia is used by Jesus, whose teaching became the basis of the Christian religion: `Love your neighbor as you love yourself.` (Mk: 12. 31) Without brain transformation in acceptance of `woman`s seed`, which is what Scheherezade seeks from Shah Jehan in her 1001 Nights narrative, the male headsman keeps staring at the woman`s neckline with a view to beheading the species in war against her.

 It`s implicit that the society of `”- All You Zombies -”` finds it easier to deal with people once the gender of the newborn has been `fixed` by the medical establishment`s interventionist surgical procedures, which in fact they`re empowered to do by US law. Consequently, Heinlein`s narrative treats of the theme of hermaphroditism as an alternative dismissed too readily by a social system approximating to fascism, which had as its emblem the fasces, a bundle with an axe in the center used by the German Nazis during their pogroms against the Jews in the 1930s and 1940s as a symbol of the `camps` they built, and inside which upwards of 20, 000, 000 Jews were killed, before being stacked in bundles like wood and incinerated in `ovens`, because the fascists wanted to behead the `chosen people` of Jesus` Jews, whose tradition it was, like the Moslems in Islam with their four wives affording the possibility of human sexual reproduction of brainpower through futanarian women in the family, that a Jew can only be born from a woman.

 Jesus` mother, the Virgin Mary, was a woman, because he was born uncontaminated by male semen from a virgin futanarian self-fertilizing woman with `woman`s seed`. In Christian iconography, which fulfils the Jews` Old Testament, that is, the history and law of the Torah and Talmud, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because Satan was the angel that was depicted as offering Eve, the first woman, and Adam, the first man, power over the Earth as a `snuff` theater in which the human race would be memoryless ephemera born to be killed for the entertainment of the alien parasitoid in war against `woman`s seed`: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As `woman`s seed` escapes to colonize the planets amongst the stars of heaven above the Earth, the male brained will seek to retain the human futanarian species host womb for its entertainment in parasitoid devouring alien war against her `seed`: `The dragon was wroth with the woman and went to make war upon the remnant of her seed.` (Rev: 12. 17) Because the serpent isn`t prevented, it emerges as the many armed `serpent`s seed` of men`s armies devouring the human race lest it run to the planets amongst the stars and escape from host womb slavery to its alien parasitoid craving `snuff` as its entertainment short of extinction for the futanarian species of `woman`s seed` so that it can continue enslaving and killing her for its pleasure.

 Heinlein`s barkeep shows the `Unmarried Mother` his ring, which reveals the author`s understanding and knowledge of the human futanarian species of `woman`s seed`, and its predicament, without deigning to explain it to the reader with compassion. Although the sexual taboo maintaining the male brained system of misogynist fiction publishing during Heinlein`s long career as a science fiction guru largely precludes a compassionate exegesis, simply observing that the male brained race devours the `remnant` of futanarian human species of `woman`s seed` doesn`t seem sufficient after the 20^th century, with its pogroms against Jews and Moslems by a largely Christian Earth supported by a belief in a New Testament it clearly hasn`t understood as anything other than fascistoid approval for its preconceived racist ideology directed against humans.

 In the Old Testament of the Bible the angel, Satan, who has been transformed by God into a serpent for rejecting God`s pan that the human host should be greater than the angelic, tempts Eve with `the fruit of the tree of the knowledge of good and evil`, which it is death to taste, that is, it`s a symbol of memoryless ephemerality in womb slavery to a parasitoid `snuffer`: `You shall be as gods.` (Gen: 3. 5) The `death camp` guards of the Nazis after the leader of the German National Socialist (Nazi) Party, Adolf Hitler, came to power and declared himself dictator after the election of 1933 where the gods of the New Testament, that is, the `camp` guards who supervised the extermination of the `chosen people` of the Jews before World War II (1939-45) to prevent German, Italian and Japanese fascism. Although the Germans` Nazism largely replaced the term `fascist` in the public imagination because of the `death camp` pogroms against the Jews, Hitler appropriated the fasces Roman emblem used by Benito Mussolini who`d declared himself dictator in Rome after the 1922 election there.

 Mussolini had appropriated the fasces emblem of a bundle with an axe from the more ancient Roman Empire, which had killed Jesus Christ by taking him to the hill of Calvary outside the city of Jerusalem where it had built a cross out of wood cut with an axe and where he died before experiencing Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. In short, the Romans sought to kill the Jews and the Old Testament, which included the Islamic nations of Islam, because Isaac, who founded Judaism, was the child of Sara, wife of Abraham, and she gave her maid, Hajer, to Abraham after the birth because she`d become infertile. Hajer bore Ishmael, who was the founder of `Islam`, which means `accept`, through his descendant, Mohamed, who received the Koran (610-30 C.E.) and gave it to the `Moslem`, that is, `submit`, people as a gift, according to Islamic tradition, from the angels of God, who`d been told that the human host was to be greater than the angelic and so humanity needed a futanarian family `framing device` for the human story to unfold. Although Christians are told that Ishmael was illegitimate and so the four wives of the Moslem nations in Islam are an attempt to retroactively legitimize Ishmael`s birth, Islam`s polygamous Moslems are the futanarian narrative that the misogynist guards of the New Testament posing as gods want to burn as racist zealots promoting a single novel for a parasitoid alien to enjoying reading alone.

 The theme of self-progenitive sex is basic to `”- All You Zombies -”` because the male braining alien parasitoid devourer of the human futanarian species of `woman`s seed` isn`t the progenitor of the race, that is, the `Unmarried Mother` represents the thwarting of humanity`s progenation through interventionist surgical procedure designed to prevent `woman`s seed` from having progeny with brains enough to escape her `lover`, who in fact represents species` extinction through time, rather than the mother-love supposedly depicted in Heinlein`s narrative of the son-lover, Lazarus Long, who travels back in time to 1916 and has inconceivable sex with his mother, Maureen, `never in all his lives been so unbearably attracted, so sexually obsessed, by any woman any where or when.`3 Although Heinlein`s novel, Time Enough For Love, seemed avant garde in 1973, it`s actually a story about killing children, because, without human futanarian `woman`s seed` and her sexual reproduction of brainpower for liberation from slavery to `snuff` wars in ephemerality to feed the pleasure of an observing parasitoid alien devourer, human children aren`t born. Consequently, writers who promulgate the myth that the male brain is the `seed` of humanity are species` extinguishers in their preoccupation with writing about war against futanarian `woman`s seed`. Political philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`4 In fact those who repeat the past are doomed, which is what male braining does to the human futanarian species of `woman`s seed`.

 The term `snuff` comes from the snuffing out of a candle flame where the light from the candle is deemed analogous to life: `Your candle burned out long before your legend ever did.`5 Pop star Elton John`s lyric to the 1973 song, `Candle In The Wind`, was about the death of movie sex symbol, Marilyn Monroe, found dead in the nude in 1962. Her penis wasn`t in shot, because film propaganda since the 1930 `Hays Code` established by the Motion Picture Producers and Distributors of America (MPPDA) President, Will Hays, effectively banned `woman`s seed`: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`6 Because all humans are `snuff` to parasitoids, Marilyn`s death was typically `Hollywood`, which was labeled `Babylon` in the 20^th century as the capital of the Earth`s movie industry in the United States of America. Named for `a woman` of the Bible, `Babylon` gave her name to the city, Babylon (c. 4000 B.C.), capital of the Persian Empire, and a host womb slaver for war: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Producing movies in denial of `woman`s seed` in the west coast Hollywood district of the city of Los Angeles, California state, Hollywood, Babylon, was a model of Greek democracy.

 In ancient Greece women`s host wombs were enslaved for the spread of homosexuality in pederasty for war against `woman`s seed`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was prefer homosexuality in pederasty for war against `woman`s seed`, which resulted in the mixing of blood, shit and semen in each others` anuses in rejection of women. That gave birth to the human immuno-deficiency virus (HIV) resulting in acquired immuno-deficiency syndrome (AIDS), which collapsed the organs of the body and killed the brain through infection, and is what male braining for alien parasitoid `action` is. As a `biological weapon` HIV/AIDS kept women in fearful faithfulness to their ring slavers in parasitoid misogyny, which contributed to the wars with the Moslem nations in Islam. Its women wear the one-piece coverall of the burka in public because they don`t want the models of democracy to pry: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Because the human futanarian species of `woman`s seed` is 100% human, men and women are a single male brained creature wearing each others` clothes in `TV` transvestism for the transmission of war and HIV/AIDS, which is why the Revelation of Jesus` disciple, John, describes them as only 66.6% before human reproduction begins with God`s creation of a new heaven and Earth while the evil receive perdition, that is, eternal unendurable pain as their punishment: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The male and the human have been manufactures as  a `TV` for the alien parasitoid devourer to watch kill itself.

 Tobacco ingested nasally is also called `snuff`, because cigarettes are `secret` symbols of fellatio. A sexual practice between the human that doesn`t want to be extinguished, and the male brain that wants to extinguish the human futanarian species of `woman`s seed`, fellatio`s identification with `smoking` is symptomatic of the alien parasitoid devourer. Nasally ingested tobacco is symbolic of the spirit of the deceased for the `snuff` taker who `smokes`, which is a 20<sup>th</sup> century euphemism for murder with a gun as well as fellatio. The psychopathology of the child killer identifies the `smoking gun`, after the bullet has killed the victim, with semen discharge during fellatio, which cigarette `smoking` symbolizes for the unbalanced psychopathic alien parasitoid male brain. `”- All You Zombies -”` is a description of an unbalanced psychopath that removes its own genitals to kill its own species under the pretense that it`s following the spiritual teachings of the virgin, Jesus, who was killed because the alien parasitoid devourer didn`t want him to campaign for human sexual reproduction of women`s brainpower, because that would have interfered with the teleology of its `snuff` theater. Or, in simpler terms, some Christians worshipped the virgin, Jesus, as brainless Nazis, because they didn`t want any.

 The ring shown to the `Unmarried Mother` by the barkeeper in Heinlein`s story, `”- All You Zombies -”`, is the warring of parasitoid slavery: `I glanced at the ring on my finger. The Snake That Eats Its Own Tail, Forever and Ever. I know where I came from - but where did all you zombies come from?` He`s his own progenitor and so wears the symbol of the Time Corps battling against the parasitoid devouring of the human race by its alien antagonist, which is the fictional premise. History relates a different tale, which is that of the corpse of the woman on the floor of the editing room, where Hollywood, Bablyon, deemed it time that she was killed, so that the snuff movie genre could be preeminent. Or, in other words, the `Unmarried Mother` wears the ouroboros ring, because he`s a tale eater along with all his other male brained selfishnesses.

1 Heinlein, Robert A. `”- All You Zombies -”`, Fantasy And Science Fiction, 1959.

2 Snook, Sarah as The Unmarried Mother/Jane/John, Predestination, Pinnacle, 2014.

3 Heinlein, Robert A. Time Enough For Love, G. P. Putnam`s, 1973, p. 488.

4 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

5 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

6 https://en.wikipedia.org/wiki/Pre-Code_Hollywood#Origins_of_the_Code .

Status Role

The North American Plains Indians didn`t die because they fought, but because they weren`t interested in the European settlers` culture. Although the Indian wars are something of a pointed issue amongst the inhabitants of the United States of America, what they illustrate isn`t the outcome of a struggle between European and indigenous North American culture, but rather the indifference of the North American Plains Indians to the new. Described as the `New World` by Christopher Columbus, the explorer commissioned by Spain`s queen Isabella, his discovery of America in 1492 began its colonization by Europeans who, once established as the government of the USA, paid buffalo hunters to kill the 60, 000, 000 herd that the Plains Indians depended on as a natural resource for food, and clothing, etc. Consequently, when the Indians starved and the settlers built `reservations` for them to live where they were told to go, they`d fought and died because they wanted their own culture, rather than the European settlers. In other words, the Plains Indians of North America were indifferent to the culture of the west, which is why they lost their status but not their role.

 Role and status are important concepts, because for many people life is about status, whereas for others it`s about role. For mothers, the distinction is particularly relevant, because their role is biologically determined, although socio-economic status is the standard by which they`re measured by those who believe that status is of greater significance than a mother`s role. Actors probably appreciate the distinction to a much greater degree than ordinary folk, who aren`t cast in a role that they perforce must perform to the best of their ability, and are judged according to their success in the role, rather than by reference to socio-economic factors involving others` perceptions of what their status level is within the societal framework, so that they know how much caution to show in their dealings with them. Or, in other words, actors confuse those who`re primarily concerned with status because they don`t understand that for actors it`s about role, rather than status, that is, an acting role is their work, whereas for those concerned with status, work is status, and status is maintained by reference to others status in relation to theirs. In short, status is about how polite the European settlers had to be towards the North American Plains Indians, before they killed them all, because they didn`t care about the Indians` role in North America, although the Plains Indians still have their role despite losing status, which is what they were largely indifferent to, and that was the cause of their losing statehood faced with Europeans who were more technologically advanced in accordance with their role and status.

 Status is how an individual is perceived by others whereas role is what the life of the individual is about. An actor has a role, which isn`t independent of people`s perceptions of status while the actor is in the role, for example, the movie, Down And Out In Beverley Hills (1986), starring Bette Midler and Nick Nolte as a `down and out`, Jerry Baskin, helped by a housewife, Barbara Whiteman, when he`s discovered looking through her garbage to find food, because he`s hungry, isn`t divorceable from people`s perceptions about status while Nolte is in the role. Nolte`s character`s preoccupations are with his role, and are almost entirely independent of others` perceptions of his status, which is how a professional actor lives, whereas those who`re concerned with status want to define an individual`s role in those terms. In simpler terms, for those preoccupied with status the role of an individual is secondary, that is, perceptions of status are life endangering for those who are concerned only with performing the role allocated to them by society or chosen by them within society, which is why the North American Plains` Indians culture declined. The settlers of the `New World` were concerned with status, rather than role. Whereas the Indians` role was as the indigenous inhabitants of the ecology they lived as a part of, the settlers were interested in status, and the imposing of the United States of America upon the Indians, which was their chosen role.

 In the Bible the Jews are called the `chosen people` which is the status and role given to them by God, according to Jewish history and law, which is the Old Testament, that is, the Torah and Talmud of the Jews, before it was superseded, according to Christian tradition, by the teaching of the Jew, Jesus Christ: `Love your neighbor as you love yourself.` (Mk: 12. 31) The German National Socialist (Nazi) Party elected in 1933 disagreed with the role of the Jews chosen for them by God, and built `concentration camps` in which upwards of 20, 000, 000 Jews were poisoned with gas before being stacked like logs and incinerated. Nominally, the Germans were Christians, and the war of 1939-45 was fought by the Europeans and their allies, including the United States, to stop fascism, which was a political philosophy deriving from the ancient Romans, who were responsible for the crucifixion of Jesus Christ as a `dissident` when they were the occupying Empire in Jewish Palestine.

 The emblem of Roman authority was the fasces, which means `bundle`, and is most often conceived as an axe in the center of a bundle of wood. Although the stylized bundle was used to represent the rods of the rulers of Rome governed by law, with capital punishment as the deterrent to disobedience, originally the bundle of wood represented Roman planning. A planner would cut wood to build a blind inside which he would work undisturbedly to conceive an encampment as Rome`s Empire expanded. The fasces` emblem of wood and axe was central to Jesus` crucifixion by the Roman Empire in Jewish occupied Palestine. The Romans cut wood and made a cross, which Jesus was nailed to and, according to Christian tradition, he died there, but then experienced Resurrection and Ascension to heaven. The Nazis borrowed the fasces` emblem of wood bundle and axe, which were the instruments of crucifixion, from the fascist leader of Italy, Benito Mussolini who, after the election of 1922, declared himself dictator in Rome, and the German Nazi leader, Adolf Hitler, did the same in Germany in 1933. Afterwards, Germany and Italy`s alliance with Japan made it difficult to prevent the spread of fascism globally, which had begun with the Jew Jesus` crucifixion and continued with Hitler`s pogrom against the `chosen people`.

 Although it isn`t evident to shallow readers of the Bible, Jesus` mother, the Virgin Mary, represented the `seed` of Eve, the first woman created by God in the paradise that was heaven on Earth, Eden, and who accepted the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, from the angel, Satan, who`d been turned into a serpent for rejecting God`s plan that the human host would be greater than the angelic. Eve and the first man, Adam, created by God, exchanged the `tree of life`, which was immortality, for the power of host womb slavery in parasitoid ephemerality. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, and Jesus` disciple, John, describes in his prophetic Revelation how the serpent develops after Eve accepts power through death in ephemerality from her species` enslaver: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Because Jesus` mother, the Virgin Mary, bore Jesus uncontaminated by male semen, she represents human futanarian `woman`s seed`, that is, the capacity of women to sexually reproduce human brainpower through their own `seed`, which is that of the `chosen people`. The capacity to self-fertilize is a survival trait of the `chosen` species of women who have their own semen. Consequently, Jesus` Resurrection and Ascension to heaven is a prefiguration of that of `woman`s seed`. As God told Eve: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because women`s brains will take her to colonize the planets amongst the stars of heaven along with redeemed men, and in spite of the `serpent`s seed` of men who remain irredeemably a part of host womb slavery of the human futanarian race in Satanism seeking to prevent her from escaping, for example, from Hitler`s Nazi `death camps`, which were built by the Satanists to make sure she didn`t survive.

 The role of women is then that of the `chosen people` of Judeo-Christianity, for example, it`s Jewish tradition that a Jew is born from a Jewish woman. Consequently, Jesus was a Jew born of his mother, the Virgin Mary, because it was a futanarian birth, that is, Jews were `chosen` because they were human futanarian `woman`s seed`, whereas in movies like Sophie`s Choice (1982) starring actress, Meryl Streep, in the role of Sophie Zawistowski, chooses her son, actor Adrian Kalitka as Jan, over her daughter, Eva, that is, actress Jennifer Lawn, when invited by a `death camp` guard to decide who should live, and who should die, because it`s a part of Satanism to have humans make torturer`s decisions, and Sophie chooses her son, rather than her daughter, who is gassed with poison, although Eva represents the `remnant` of `woman`s seed` being warred against by the Satanist Nazis, whereas her son, Jan, is a Jew born of a woman, but not from `woman`s seed`, that is, he`s redeemable, but her daughter is the `seed` of Eve, and so forever redeemed because of her enslavement. Sophie subsequently kills herself with the poison cyanide as she despairs of escaping slavery, which is the level of despair that fascism wants for human futanarian `woman`s seed`, because it doesn`t want to waste energy and resources on running the human race`s pogrom.

 The Jews in Germany were stateless before the 1939-45 war against fascism, which resulted in the restoring of Palestine to them as a Jewish homeland. In other words, the war was about the status of the homeless within society. In short, the perception that the homeless hadn`t status was the basis for the success of the totalitarian state, which defined role in terms of status, that is, without status there wasn`t a role for the Jews in German society, and because the Jews were homeless status wasn`t conferred. In simpler terms, Jews had status in Palestine after the war, but before the war they had a role, like the North American Plains Indians, which wasn`t state supported. The Jews were an older tradition indifferent to the New Testament of the Christians ostensibly represented by the Nazis, while the Plains Indians remained equally indifferent to the European settlers, who proclaimed a `New World` along with the New Testament, to an equally old culture concerned primarily with its role, whereas the Europeans were about constructing a state based on status, that is, racism, against the older indigenous Indian population who, like the Jews, were Old Testament, rather than `New World`.

 Although the Koran (610-30 C.E.) of the Moslem`s in Islam, which means those who `submit` (Moslem) in `acceptance` (Islam), was dictated to Mohamed by the angels of God, according to tradition, it`s main character, Abraham, is found in the Old Testament of the Jews, and his son, Isaac, born from Sara, his wife, is the founder of Judaism. After Sara bore Isaac she was barren and gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed, that is, although the Koran contains the story of Jesus and Mary, the Moslems in Islam are an Old Testament people, who the Christians of the New Testament don`t want, because Moslem marriages that permit four wives afford the possibility of futanarian sexual reproduction between women within the Islamic family, which is in accordance with Judaic tradition. In simple terms, Christianity has come to oppose the human tradition, because it`s influenced by Satanism. In Moslem Islam it`s traditional for women to wear the burka in public, a one-piece coverall that conceals the wearer from scrutiny, because in the so-called democracies of the western powers women are depicted nude without penis, which for futanarian peoples is a sign of Satan: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six` (Rev: 13. 8), that is, `666`, which is the 66.6% ratio of men and women to 33.3% futanarian humans if they aren`t labeled animals, like the `chosen people`, who were sent to the `ovens` in Auschwitz, Poland, for example, where Sophie Zawistowski`s daughter, Eva, was surrendered to the new guards by her mother.

 Sophie`s choice was a fulfilment of Satan`s words to Eve and Adam after they surrendered the human host to ephemeral slavery in war: `You shall be as gods.` (Gen: 3. 5) The Nazi guards were the new gods of the New Testament. Although the Jews were Old Testament, the manufacture of the single male brained creature wearing each others` clothes as a transvestite `TV` for the parasitoid to watch killing itself for entertainment had been going on since the period of the Greek Empire when the enslaving of women`s host wombs for the spread of the contagion of homosexuality in pederasty for war was institutionalized. Although ancient Greece is held by many historians as the model of democracy, it`s dictatorially misogynist. When John Logie Baird invented the television machine in 1926 for the transmission of `TV` pictures, it was the precursor of the transmission of the human immuno-deficiency virus (HIV) and acquired immuno-deficiency syndrome that causes the collapse of all bodily organs including the brain through infection spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women, and as a `biological weapon` ensuring women`s fearful faithfulness to men`s ring slavery in the late 20<sup>th</sup> century and beyond: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was accept the parasitoid nature that somehow untold millennia ago had inveigled itself into the host womb of the futanarian human species to replicate itself and emerge to kill her.

 According to science, life can originate on planets as a space borne virus,1 which suggests the angels of God were saurian intelligences that evolved during the Mesozoic period (248 m. a.) of Earth`s prehistory, and before hominids began to appear in the Jurassic period (220 m. a.), which evolved into humans. The encounter between Eve and the serpent that became the winged dragon, war, is that of a saurian nature fallen because of a virus, which hominids contracted through their relations with it, although the winged angels of God denote the saurian nature that remained in heaven, because it doesn`t have the virus, whereas degenerate nature wants to ensure that everybody sinfully contracts it, so that they`re evil and, when they die, their punishment from God is eternal unendurable pain, that is, perdition, rather than heaven. Concealing women`s penis from her own futanarian race is a Satanist mode to ensure that the viral form supplants the human. The viral brain wages war against `woman`s seed` on behalf of the dragon, which seeks the extinction of human intelligence so that it, as an alien parasitoid, can watch the species` death throes for its entertainment.

 Because homosexuality in pederasty for war against `woman`s seed` is associated with the `brutality and violence` of `rough trade`,2 the hijacking of civil airliners by the Al Qaeda terrorist organization operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan on September 11, 2001, to crash into the Twin Towers of the World Trade Center in New York city to re-establish warfare as the socio-economic basis of international relations can be understood as the last throes of the Old Testament peoples in relation to the new guards of the New Testament who don`t want human futanarian `woman`s seed` to escape from the `death camp` of Satanism. The United States of America`s response to 9/11 was to reactivate an almost dormant Military Industrial Complex (MIC) and invade the oil rich Middle East to safeguard oil consumption for the automobile industry, which effectively meant full tanks for the mobile `TV` as it transmitted its pictures of the spread of the virus through warfare against the futanarian Moslem peoples in Islam, who were struggling to live despite their own misogynist dictators. The role of the US` Military Industrial Complex (MIC), as an `economic booster` during war, is itself an indicator of the psychopathology of the male brained who, because of their evil sinful devouring parasitoid nature, have a rather large war complex to deal with.

 Rather than spend money on permanent memory through immortality conferring medical science to ensure the operation and maintenance of labor saving technologies, government would buy 1 billion each US$ `Spirit` bombers to keep the people in slavery to war, while manufacturing men and women as the `beast` of Revelation, a transvestite `TV` wearing each others` clothes as a single male brained creature for transmitting war as its plague: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The scene of the planes crashing into the Twin Towers, `live on CNN` and other global news networks, was what men and women were made for through Hollywood, Babylon, movie propaganda: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) In the Bible, `Babylon` was `a woman` who gave her name to the capital city of the Persian Empire, Babylon (c. 4000 B.C.), because it was a typical instance of a parasitoid devourer breeding a `TV` by enslaving the human futanarian host of `woman`s seed`, which interfered with her role in order to confer status upon itself through militarism. In other words, status is the parasitoid`s language for its subjugating of the role of the human, while the humans` roles are concerned with humanity, that is, the development of labor saving technology and immortality conferring medical science to live and escape slavery to war and death.

 As an alien, the parasitoid devourer possesses the human species through male braining for war to prevent its slave host from escaping its `TV` entertainment. Consequently, the human is the `snuff` film star of the parasitoids` theater, where `snuff` is the term used for the making of movies with real life killing as the basis for the entertainment of the audience: ``Your candle burned out long before your legend ever did.`1 Pop star Elton John`s lyric to the 1973 song, `Candle In The Wind`, was about the death of movie sex symbol, Marilyn Monroe, found dead in the nude in 1962, although `snuff` was programed into the film industry as its central theme in the district of Hollywood, Babylon, that is, in the capital city of the movies, Los Angeles, on the west coast of the state of California, after the first film made there by director, D. W. Griffith, Old California (1910), and the subsequent establishment of the `Hays code` (1930) by President of the Motion Picture Producers and Distributors (MPPDA), Will Hays, who effectively stopped `woman`s seed` from being seen to exist by the simple expedient of banning it. With a mass media `blackout` on dissemination, women wouldn`t know they could sexually reproduce their own brains` powers as a species, and so they wouldn`t: ``... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`4 Without sexual reproduction of human brainpower between women there`d be no balanced human system and the species would die out to be replaced by a parasitoid devourer manufacturing its `TV` to watch the `remnant` of the human race die for its alien pleasure as a `live` recording. What Guatama Buddha (563-483 B.C.) of India called `reincarnation` was a rerun of the `snuff` film, that is, humanity possessed by an alien parasitoid in male braining was a `snuff` repeat, and it`d go on being repeated as a brainless idiot that`d killed its own species` penis to facilitate the replication of a parasitoid alien that millennia ago had inveigled itself into the race`s host womb and would remain there until it`d extinguished the human host.

 The role of the human host was to promulgate the human brain, which the alien parasitoid devourer, possessing the species for male braining in `snuff` wars` extinguishment of the race, thwarted for the purpose of conferring status upon its citizens, based on the concept of the `death camp` guards as the new gods of aspiration. Only aspirers to status within the `snuff` genre would have a role in the new pantheon of the guards who`d continue to extinguish the `remnant` of humanity while conferring godlike status on its evil members, who`d receive higher rewards for denying status to the human and endeavoring to ensure that such individuals became homeless and stateless without a role for their intelligence to aspire beyond slavery to the parasitoid devourer in death and `TV` war. For the parasitoid everyone was an Indian to be reincarnated as a repeated `snuff` film, which is what Hollywood, Babylon, produced. When the giant ape appeared at the top of the Empire State building in New York city to swat away planes threatening his status, he was a 9/11 programer. When actor, Steve McQueen, had the role of the firefighter in Towering Inferno (1973) at the scene of the Glass Tower conflagration in Chicago, Illinois, he was also a programer of 9/11, which was filmed as the movie, World Trade Centre (2005), and featured planes attacking the world`s highest building followed by a fire that raised it to the ground, because that`s what Hollywood, Babylon, programs to recur. Political philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`5 Consequently, the theory is that `TV` and movies repeat the past to ensure that people remember, and so don`t make the same mistakes again. However, what occurs is that those who repeat the mistakes of the past are doomed, because it`s a parasitoid ape that copies what it sees, which is what the initial 1933 movie, King Kong, and its 1976 and 2005 reincarnations, were made to promote, and the movie World Trade Centre, with its scenes of planes crashing into the `new world`s tallest building` unopposed by King and McQueen, fulfil.

1 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

2 Merriam-Webster Dictionary, https://www.merriam-webster.com/dictionary/rough%20trade .

3 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

4 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .

5 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

It Is A Thing To Do, Like Feeding Vaal

The Vulcans of the television series, Star Trek (1966-9), had pointed ears, not because they were devils, but because the fictional basis of their ancestry was a she-wolf. The Romulans, from the planet Romulus, remained hidden from humans even when they were at war with the Federation of planets that had been colonized; or otherwise incorporated within Earth`s sphere of influence, according to the plot of the television series, and its subsequent movie spin-offs, which began with the same cast, Star Trek: The Movie (1979), featuring the adventures of the crew of the starship, Enterprise. Its `first officer` was the Vulcan, Mister Spock, labeled a `pointy eared alien` by the ship`s medical expert, Dr `Bones` McCoy, and in the 1967 episode, `The Apple`, Captain James T. Kirk asks, while he and McCoy circle Spock looking at him thoughtfully: `Is there anyone on this ship ... who even remotely ... looks like Satan?`1 Spock`s pointed ears were natural to Vulcans, who were a people that had raised logic to the level of a savior during a period in their history when it looked like the baser emotions of their race would destroy their planet in war. When the Romulans were first seen by humans, in the Star Trek episode, `Balance Of Terror` (1967), it was a surprise to them to discover that they had pointed ears too, although it wouldn`t have been to those who knew Roman history and the legend of the founder of Rome, Romulus, who was suckled by a she-wolf. Spock conjectures that the warlike Romulans were lost Vulcans, who hadn`t learned to control their emotional lives through logic. The Romulans` home world, Romulus, had a sister planet, Remus, and the Remans had been enslaved by the Romulans, which was a further illustration of the Romulans` unlikeness to the saved Vulcans and so of their unredeemed `wolf` nature.

 In the Old Testament of the Bible, which is the history and law of the Jewish `chosen people`, that is, the Talmud and Torah, Satan is depicted as the angel turned into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic. In the Revelation of the New Testament of Jesus, whose teaching is believed by Christians to supersede that of the Old Testament of the Bible, Jesus` disciple, John, depicts Satan as having grown since its days in the paradise of Earth that was Eden: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Gen: 3. 15) In parasitology, the parasite that emerges from the host to devour it is termed `parasitoid`, which is what war is. The Star Trek episode, `The Apple`, refers to the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, and that was given to Eve, the first woman, by Satan, the `pointy-eared alien`, who said: `You shall be as gods.` (Gen: 3. 5) Subsequent generations of humans after Eve, and the first man, Adam, would be ephemeral and memoryless children subject to slavery, although God tells Eve her `seed` will triumph despite her `enmity` with the `serpent`s seed`: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In other words, her brainpower will be greater than the serpent`s, and she will raise her foot to the planets amongst the stars of heaven above.

 In 3715 when Kirk punches a humanoid in the face who`s `spying` on Gamma Trianguli VI`s `away team`, he`s surprised when the indigenous native inhabitant begins to cry before introducing himself as: `Akuta, the leader of the feeders of Vaal`, who mysteriously lack children, although the imputation that Vaal eats them is belied by their apparent lack of sexuality, which is indicated by their ignorance of kissing as an expression of the simplest form of human physical love. Akuta`s god lives inside a cave made to resemble the head and mouth of a saurian: `I am the eyes of Vaal. He must see.`2 According to archaeologists, saurian evolution occurred 248 m. a. before hominids appeared 220 m . a., which suggests Satan represents a degenerated, and degenerating, saurian intelligence that preferred to enslave humanity, whereas the angels of God remained in heaven supportive of human development. Two of the natives, Sayana and Makora,3 see Yeoman Martha Landon and Ensign Chekov kissing. Vaal reacts by shaking the ground when Akuta sees them, suggesting that Akuta truly is `the eyes of Vaal`. Vaal communicates through Akuta`s antennae, telling him that Kirk and the others are dangerous, and so must be killed. The villagers don't understand, and Akuta explains: `It is a thing to do, like feeding Vaal`. He demonstrates by smashing a piece of fruit representing a `stranger's head` with a stick.

 The Enterprise uses its phaser weapons to destroy Vaal, and Kirk tells the natives they`re now free to love. Spock suggests that the `people of Vaal` have been `driven out of paradise`, as in the biblical Genesis, and Kirk asks if Spock is trying to cast him in the role of Satan, to which the `pointy-eared` Vulcan replies: `I am not aware of anyone who fits that description, captain.`4 Kirk amusedly leaves Spock`s ears to speak volumes: `No, Mr. Spock, I didn't think you would.` What concerns Vaal about sex is that Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because of Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because human futanarian women have their own `woman`s seed`, they can sexually reproduce their own brains` power for liberation, that is, Jesus is God`s `foot` born uncontaminated by male semen and so free from male braining, which produces the evil nature associated with parasitoid war. Taken by the Romans then occupying Jewish Palestine as a `dissident` to the hill of Calvary outside Jerusalem where they nailed him to a cross of wood and left him there until he died, Jesus had Resurrection and Ascension to heaven in prefiguration of `woman`s seed`.

 According to Roman tradition, Romulus and Remus, were the twin sons of the war god, Mars, born of a virgin, Rhea, that is, in a story similar to Jesus` birth from his mother, the Virgin Mary, Rhea is the daughter of Numitor, the king of Alba Longa, usurped by his brother, Amulius, who forces Rhea to remain a virgin so her line won`t have an heir. Exposed to die, the twins are suckled by a she-wolf, and afterwards Romulus founds Rome (758-728 B.C.) after killing his brother, Remus, and the Romans subsequently made war on the Sabine people in order to abduct and rape women, because they didn`t have enough host wombs. Consequently, the legend of `the rape of the Sabine women` was a metaphor for men`s subjugation of the human futanarian host womb of `woman`s seed` for war against her species. The Romulans of Romulus` enslavement of the Remans of Remus is a restatement of the problem, which is that the rational mind needs to control instinct. Kirk`s observation to Spock that the Vulcan has pointed ears, resembling Satan`s horns, follows upon the scene where Akuta receives instructions, through his antennae, from the saurian god, Vaal, to kill the humans; because sexual reproduction of brainpower threatens his slave system.

 Because of taboos associated with the establishment of the production code of filmmaking in 1930 by President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, Spock`s unable to explain that human futanarian `woman`s seed` isn`t afforded the expression of her love for her own species through the medium of the mass media edutainment system: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 Consequently, actor William Shatner as Kirk does have the role of Satan for the slavers of the human host who made Star Trek, because the people of Vaal remain male brained, and so susceptible to be ignorantly accepting of Akuta`s description of killing strangers as equivalent to smashing the fruit of heaven: `It is a thing to do, like feeding Vaal.` Vaal represents parasitoid nature, which kills and eats its host: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) The biblical description of the `blood plague` (Rev: 11. 6), sent by God to convert men from their evil sinful parasitoid nature, is the late 20^th century human immuno-deficiency virus (HIV), and acquired immuno-deficiency syndrome (AIDS), causing organ collapse and brain death, through infection transmitted by men`s mixing of blood, shit and semen in each others` anuses in rejection of `woman`s seed`. In ancient Greece, women`s host wombs were enslaved institutionally in homosexuality and pederasty for war, so although Greece is often held to be the `model of democracy`, it`s infection is the killer of the human brain: `It is a thing to do, like feeding Vaal.` In short, homosexuality is men`s parasitoid virus, which has as its objective the killing of the human brain to maintain its slavery of the host.

 Star Trek history begins with Zefram Cochrane`s first warp flight in the Phoenix ship on April 5, 2063, which attracts the extraterrestrial intelligence of the Vulcans, who for followers of the `camp` humor of the show represent the full cans, that is, the starships of Federation Starfleet are film `cans`. The early Enterprise`s `saucer section` corresponds to the canister in which films were stored and, in its subsequent versions, to the compact disk (CD) medium developed by the Philips company in the 1980s. The low humor of the street that uses the term `can` for the contents of the anus, as well as any receptacle into which the shit from the anus is deposited by an individual as human bodily waste, is a reflection on the role of the parasitoid in Earth society. Having removed the woman`s penis from the scene, the parasitoid has produced its `biological weapon`, HIV/AIDS, to infect and kill the human brain, and with this it seeks to enter and win the coveted Cannes movie award for avante garde filmmaking held every year in the South of France. In short, unredeemed men represent humanity`s viral plague that seeks to infect a full can, which is represented by the arrival of the Vulcans at Zefram Cochrane`s first test of the warp ship, Phoenix. The Vulcans represent tamed instinct through logic, which is Jesus` teaching, whereas the Romulans` enslaving of the Remans is what men represent for the human futanarian species of `woman`s seed`, but misogynist taboo doesn`t afford the filmmaker the capacity to express that, so the `camp` humor of Star Trek is written for the wise to laugh at the children of the `death camp` pogrom for whom it isn`t written as risible.

 God told the Jewish `chosen people`: `You shall have no other gods before me.` (Ex: 20. 3) Because a Jew has to be born from a Jewish woman, Judaism is a futanarian tradition of `woman`s seed` represented by Jesus` birth from his mother, the Virgin Mary, because the species of women are potentially socio-economically independent of men, for example, self-fertilization is a species` survival trait, which is illustrated by Jesus` birth. Consequently, the new gods are women`s guards in the `concentration camp`. Although the `camp` wasn`t invented by the German National Socialist (Nazi) Party elected in 1933, its leader Adolf Hitler used it to intern Jews accused of spying and killed upwards of 20, 000, 000 with poison gas before stacking the corpses like logs and burning them in incinerators, which is what male braining parasitoid devourers do. In short, the men of Star Trek are depicted as guards in the `death camp` of the human futanarian species of `woman`s seed`. Lest women escape to breed intelligence and live independently of their parasitoid enlavers, which is what Vaal laughably represents for the innuendo experts in adult `camp` humor laughing at the children`s incomprehension: `It is a thing to do, like feeding Vaal.` The children`s `death camp` guards are the new gods because, like Vaal, they don`t want the humans to breed intelligent brains enough to avoid being mashed by his dick.

 The automobile is the mobile television of the 20^th century first mass produced in Detroit, Michigan, at the Henry Ford manufacturing plant, that is, as the Model T Ford, in 1908. Because the human race was manufactured by the male brainers, as a single creature wearing each others` clothes in `TV` transvestism for the alien parasitoid devourer to watch killing itself, the motor car`s engine transmission system, based on fuel from a can, meant the `TV` pictures could be broadcast globally. By the late 20^th century parasitoids had a `dish`, after John Logie Baird`s invention of the television `TV` machine for the receiving of home entertainment pictures by aerial gave way to satellite receptions, and the Satanical technological metaphor in mockery of Jesus` reception for his bride, the church, was complete: `Blessed are those who are invited to the marriage supper of the Lamb.` (Rev: 19. 9) Jesus is `the lamb` from a Christian perspective, because he`s peaceful, although the lamb that`s devoured by an evil parasitoid nature, as `Live TV`, isn`t likely to trouble it, which is why the Satanists attempt to obviate the possibility of the human futanarian species of `woman`s seed` being able to recover.

 Oil from the can to fuel the car with the fossil remains of the prehistoric fauna and flora upon the Earth is how the automobile `TV` screens its featured film, which is that of the wheeled brainless head fucked by parasitoid homosexuals engaged in pederasty for war with their `biological weapons` deployed to spread their viral contagion against `woman`s seed` and prevent her from sexually reproducing her own brains` powers to escape from the head-fucker endeavoring to end her race`s run to the planets amongst the stars of heaven above. Just as it had ended all of the previous evolutionary possibilities, so that they became oil to fuel the genius` appearances from behind his headlamps. Although Judeo-Christianity is based on `woman`s seed` per se the Moslem people of Islam, which is the religion based on the Koran (610-30 C.E.) dictated to Mohamed by the angels of God, according to tradition, are taught that there are humans, djinn, and angels. It`s a djinn that is the genie of the lamp in the collection of 8^th century folktales known as the 1001 Nights with the framing device of India`s Mogul ruler, Shah Jehan, who beheads his wife, after wrongly accusing her of unfaithfulness, and then proceeds to marry a new bride each day before beheading her in the evening. It`s the stories of Scheherezade related to Jehan to persuade him to listen that subsequently cause him to marry her and so save the women, which is a metaphor for the need to prevent men from beheading women in male braining. The genie of the lamp appears to grant wishes because she`s technologically superior based on intelligence derived from her heritage of `woman`s seed`, which is why she`s depicted as rare. Consequently, djinn are human futanarian `woman`s seed`, which is why Moslem marriages in Islam have four wives to afford the possibility of sexual reproduction for the race of women to escape through the production of their own brains` powers for liberation.

 Just as the lamp is the oil fueled car, so the male brained `TV` genius sitting in it is the lamb that emerges: `And I beheld another beast coming up out of the earth; and he had two horns like a lamb, and he spake as a dragon.` (Rev: 13. 11) He speaks as a dragon when he`s got a full tank, which is how parasitoids speak in `TV` war when the `biological weapon` of their penis is transposed as the turret gun at the front: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) George Santayana, in his The Life Of Reason (1905), wrote: `Those who cannot remember the past are condemned to repeat it.`6 In fact, as the expression of the transvestite `TV` in male braining wearing each others` clothes as a single creature bred as `lamb` to entertain a parasitoid nature in warfare against its own race, in repeating its recordings of the past it programs the doom of a future that can`t escape its mistakes.

 Star Trek is a defense parody in which there aren`t any genuine aliens attacking the human room, which in German is a metaphor for space itself, that is, the litany spoken by the Captain of the Enterprise that begins each episode, and movie in the Star Trek cosmos, begins in German with: `Die weltraum ...` Retranslated as the world`s `room`, `space` in German becomes a metaphor for the womb of the futanarian species of `woman`s seed` invaded by men`s parasitoid nature: `Space, the final frontier. These are the voyages of the starship, Enterprise ...` The aggressive Klingons, who were subsequently gentled into acceptance of the Federation, after years of inexplicably `alien` war waged against Earth`s Starfleet, the nomadic Borg, who cannibalize other races for replacement body parts, while `assimilating` them, and the enslaving Romulans, are men`s extrapolations of their own parasitoid nature. According to scientists a space born virus could have been responsible for life`s origination on Earth,7 which suggests that, at some indefinable point in the prehistoric past, which corresponds to Eve and Adam`s encounter with the serpent, who`d been the angel, Satan, and would become the dragon, war, a viral life form inveigled itself into the host womb of the human futanarian race of women to steal their penis and replicate itself as a parasitoid devourer emerging as the alien enemy from within to kill and enslave the Earth`s host species for its perpetual entertainment in the weltraum.

 Zefram Cochrane is a `Mittel European` parody on the vulgar term `cock` for the penis of the species that doesn`t `run`, that is, women can`t sexually reproduce their own brains` powers to run their own race and escape from the alien parasitoid devourer, unredeemed men, who have enslaved the species of women`s host wombs for the production of war as men`s entertainment theater. Zefram Cochrane`s name parodically translates as `you from cock ran`, because human futanarian women`s sexually reproduced brains from their own penis` semen could run their race; if men didn`t run from the idea. Zefram Cochrane`s `warp drive` is the forever unrepaired `warped drive` of women`s sexuality. Devoid of her own penis` capacity to sexually reproduce, men have attempted to doom `woman`s seed` to be forever schizophrenically desireful of what she sees in the mirror, while being told she`s a psycho-sexually aberrant `lesbian` if she prefers women, that is, her own futanarian species, to men, who`re socio-historically her parasitoid devourer in war against her race kept deliberately unbalanced mentally and, indeed, physically off-balance, so she can`t walk erect.

 Just as oil goes in the tank, so that the `TV` pictures can be transmitted, the metaphor is anal, that is, oil driven motors represent the transmission of a `biological weapon` in homosexuality and pederasty`s war against `woman`s seed`, that is, it`s the HIV/AIDS paradigm, which infects and kills the brain of the human futanarian species for the entertainment of the parasitoid alien watching its `TV`. In ancient Greece the women of the city of Troy were captured and enslaved by the Greeks for homosexuality in pederasty and war against their race after a huge hollow wooden horse was constructed and left outside the walls by the besieging Greeks and the Trojans took it into the city where the Greeks then emerged from inside. In short, the car is a `Trojan horse` from which men emerge as a virus: `You will crawl on your belly and you will eat dust all the days of your life.` (Gen: 3. 14) God`s words to the serpent, Satan, after his tempting of Adam and Eve with death in ephemerality for the power of slavery to `TV` war through the subsequent generations of their humanity are a prophetic description of the motor vehicle as the head of the serpent wending its way while other motorists follow its behind.

 The serpentine traffic flow, before the full tank war of the serpent transformed into a dragon, is a metaphor for brain extinction through the transmission of an anal virus, while the starship Enterprise is a fuller can with a Vulcan science officer, Spock, whose logical rationality is used by the show`s writers as a comedic foil to Kirk`s Satan, who represents the `snuff` movie ethos of the Hollywood, called `Babylon`, after the `woman` of the Bible with the same name as the capital city of the Persian Empire, Babylon (c. 4000 B.C.): `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The district of Hollywood, California, on the USA`s west coast, became the capital city of the movie industry after the first film made there in 1910 by director, D. W. Griffith, Old California, by making war its staple product for cinema theater audiences. By the time John Logie Baird had invented the `TV` television in 1926, men and women had been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for millennia, because `snuff` is what the parasitoid alien likes: `Your candle burned out long before your legend ever did.`8` Bernie Taupin`s lyric to pop musician Elton John`s song, `Candle In The Wind`, about the premature death of Hollywood, Babylon, sex symbol, Marilyn Monroe, found dead in the nude in 1962, seems a lament, but it actually celebrates `snuff`, which is the term given to the recorded killing of individuals for entertainment. The concept is endemic in US` culture; for example, the lyric to the song, `Whatever`, from the album The Legend Goes On (1982) by The Statler Brothers, `whatever lights your candle ..,`9 suggests that, if `snuff` excites you, it`s okay because, if your candle`s `snuffed`, men and women are a candle manufacturer.

 Judeo-Christianity promotes the `camp` humor separation of wise adults from innocent children through the comedic vehicle of innuendo in Star Trek, for example, on the moral grounds that sexual liberation promotes adultery, whereas it`s human futanarian `woman`s seed` that`s adulterated by the `serpent`s seed of irredeemable men. Consequently, ground tobacco, that is, `snuff` ingested nasally, is a metaphor for what religious moral grounds are actually based on, which is a perception that the Holy Spirit is the invisible woman. Upon Jesus` death, the Roman guard Longinus pierced his side with a spear, because the Romans had understood that the first woman, Eve, emerged from the side of the first man, Adam, as a spiritual being. Consequently, Jesus, who was called the `Second Adam` by the Jews, had his side cut open by the Roman guard Longinus to release the `spirit of God`, that is, the ancient wisdom of the `Second Eve`, who was called `Shekinah` in Judaism, and dwelt in the temple, while in Moslem, Islam, she`s `tranquility`. Longinus` perception was that Jesus was her mother in the invisible realm: `Surely, this was the son of God.` (Matt: 27. 54) The secret of modernity is that the tobacco cigarette is phallic, because it represents the woman`s penis `smoked` by men and women in celebration of their brains` extinction as parasitoid devourers of the potential of futanarian `woman`s seed` to produce brainpower to escape their `TV` wars against her species. Smoking is a euphemism for both killing and fellatio because, after `smoking` the woman`s penis, the parasitoid`s homosexual nature in pederasty `smokes` the `remnant` in warfare against her, which explains Judeo-Christianity`s obsession with a `last battle between good and evil` on the plain of Megiddo near the port of Haifa in Northern Israel, which is commonly called `Armageddon`, and is prophesied as occurring in the future by Jesus` disciple, John, as part of a crusade against adultery on moral grounds.

 Uncle Remus was the pen name of Joel Chandler Harris, a journalist in post-Reconstruction Atalanta, Georgia, and compiler of Afro-American folktales from the Southern States after the American Civil war (1861-5) to abolish slavery in the cotton plantations there, Uncle Remus in Uncle Remus, His Songs and His Sayings: The Folk-Lore of the Old Plantation (1881). Because Remus was the brother of Romulus in Roman history, and the Romulans of the planet, Romulus, in Star Trek, enslaved the Remans, Remus represents the untold story of the murdered ghost. In Christianity, Jesus` `Holy Spirit` has the role of the murdered ghost of the human futanarian race that he said would teach after him. The Roman, Longinus, who pierced Christ`s side after his death, clearly perceived the murdered victim as bearing the `spirit of God` in the invisible realm, as the `Second Eve` since Eden, and who represented the truth about human nature yet unrevealed. Brer is `brother` and, In the anthropomorphic tales of Harris, Brer Wolf thinks of himself as the most vicious of all his animal `brothers`, which is itself a telling comment on racism. The alien races depicted in Star Trek are often `brothers`, for example, security officer aboard the Enterprise during the 1980s reviving of the show as Star Trek: The Next Generation (1987-94) was Afro-American actor, Michael Dorn, as Lieutenant Worf. Ironically then, it is Afro-American Worf who runs the Enterprise`s `camp` environment. His home world, Kronos, is totalitarian, which isn`t surprising given the mythic basis of the name of the planet. Kronos was the father god of Greek mythology who ate his children, although the Klingon legend is that they killed their gods. Presumably so that they could eat their own children themselves.

 A martial race characterized by prideful ruthlessness supported by slave labor, the Klingons` spiritual leader is Kahless, which explains the Klingons` perception of the body as a `shell`, because in ancient Egyptian the spirit was called the `Ka`, and the soul the `Ba`, which is why the temple of Abraham in Islam`s Moslem Mecca is called `Ka` Ba`. Abraham`s wife, Sara, after giving birth to Isaac, founder of Judaism, was barren. She gave her maid, Hajer, to Abraham, and Hajer, an Egyptian woman, bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran from the angels of God, who`d been told that the human host was to be greater than the angelic. Although Judeo-Christianity believes that the four wife marriages of Islam are an attempt to retroactively legitimize Ishmael`s birth from an unmarried woman, Hajer, it`s designed to afford the possibility of sexual reproduction amongst futanarian `woman`s seed` within the Moslem family, that is, the conjoining of `Ka` and `Ba`. The Klingon Kahless is symbolic of those who don`t have a `Ka` or spirit, that is, they`re `shells`, which the Klingons dispose of summarily when the individual life force dies. In simple terms, without a `Ka` there isn`t a `Ba` to join with, that is, the Klingons are `empty`, which is neatly antithetical to the Vulcans, who abhor slavery and have said so to their soi distant Romulan relatives, who enslave even their own Reman remains; the almost empty cans of the long ago lost tribes of the Vulcans. Although Kronos` Klingons have been pronounced completely empty by Kahless, who`s obviously mislaid his, the Klingons still cling on to their cans that they once got from some women behind bars in the hope of being slave drivel.

1 Shatner, William as Captain James T. Kirk, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

2 Andes, Keith as Akuta, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

3 David Soul, Hutch in the TV series, Starsky and Hutch (1975-9).

4 Nimoy, Leonard as Mister Spock, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

5 https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping .

6 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

7 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

8 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

9 Reid, Don, and Harold, `Whatever`, The Statler Brothers, The Legend Goes On, Mercury, 1982.

Star Trek Universe City

Starfleet Academy is tangential to the main storyline of the Star Trek television and movie franchise that features mainly the adventures of the Starship, Enterprise, in its five year missions: `To boldly go where no one has gone before.` Despite the success of Deep Space Nine (1993-99), a `TV` series about a Star Base, with actor Avery Brooks as Captain Benjamin Sisko, rather than a starship, like Voyager, with actress Kate Mulgrew as Captain Kathryn Janeway, and which complemented the Enterprise crew`s visits to the planets amongst the stars in the series, Star Trek: Voyager (1995-2001), the continuing adventures of the starship, Enterprise, in Star Trek: The Original Series (1966-68) , Star Trek: The Next Generation (1987-94) and Enterprise (2001-05), was an indication of the edutainment facility afforded by the deck with its commanding officer, who effectively had the role of university principle for crew and audience.

 It`s a linguistic curiosity that the cities of the universe amongst the planets and stars are the places where the crew and viewer are invited to conduct research and study the variegated civilizations, culture and art of the life they encounter as a universe city in the shape of a starship voyaging through the cosmos for that very purpose. The planets that the Enterprise and its crew visit correspond to the university of the starship insofar as the universes` cities bear the signs of the riches of the education available to the traveler in places that haven`t been seen before, and the exaggerated care imposed upon the journeyers by the `Prime Directive` of Starfleet is indicative of the politesse that all travelers need to have in places where they`re visitors and guests, if they aren`t to be perceived as invaders and terrorists, which they`d be if they weren`t polite. Consequently, the role of the captain aboard the starship is important. In the original series (TOS), Star Trek, actor William Shatner was in the role of Captain James T. Kirk, who was replaced by actor, Patrick Stewart, as Captain Jean Luc Picard for the revamped `TV` series, Star Trek: The Next Generation, and Stewart also took over the principal role in the movies.

 After Shatner and his crew`s making of Star Trek: The Movie (1979), and its successors, The Wrath Of Khan (1982), The Search for Spock (1984), The Voyage Home (1986), The Final Frontier (1989), and The Undiscovered Country (1991), Stewart`s Picard again took over Shatner`s role as captain of the starship, Enterprise, in Star Trek Generations (1994), First Contact (1996), Insurrection (1998), and Nemesis (2002). The role of the captain, as principal amongst the crew and the audience in the universe city, that is, within a starship like the Enterprise journeying amongst the planets between the stars, is to provide discipline for the students engaged in the research: `As the right of each sentient species to live in accordance with its normal cultural evolution is considered sacred, no Star Fleet personnel may interfere with the normal and healthy development of alien life and culture. Such interference includes introducing superior knowledge, strength, or technology to a world whose society is incapable of handling such advantages wisely. Star Fleet personnel may not violate this Prime Directive, even to save their lives and/or their ship, unless they are acting to right an earlier violation or an accidental contamination of said culture. This directive takes precedence over any and all other considerations, and carries with it the highest moral obligation.`1 Although the threat of alien intelligence is presented as a theme for Starfleet to deal with throughout the Star Trek cosmos, it`s a metaphor for evil, that is, any form of intelligence is a threat to slavery, which is why intelligence is defined as alien by science fiction writers engaged in propaganda.

 Though the threat of alien invasion is postulated as a metaphor for the danger posed by men`s nation`s armies, that postulate is extended to war against intelligence per se, that is, intelligence is presented as alien, and a threat to be extinguished by men, who`re known for invading other nations as aliens, whereas intelligence is almost uniformly characterized by a desire to live peacefully. Consequently, irrespective of men`s extrapolations about the future, their history is of enslaving the people of the Earth, through whatever invasive means is available to them, as a prelude to their extinguishing of the intelligence that the local humans would need to liberate themselves. Perceptions of alien intelligence follow men`s behavioral pattern, which is slavery and extinction of intelligence, that is, intelligence is perceived as alien to freedom. Or, in other words, intelligence is perceived as a threat to slavery, and so is presented as alien in its many extrapolated forms; for example, in Star Trek there are the warlike Klingons, and the cyborg Borg, a race that cannibalize other humanoids for body parts, and who`re amongst the aliens depicted as intelligent and dangerous. In simple terms, intelligence is depicted as dangerously threatening to freedom, or is represented as a form of slavery. Not because it is, but because that`s how it`s depicted; a self-perpetuating prophesy of men`s doom. The philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`2 Or, more simply, those who repeat the mistakes of the past, through the medium of `TV` and cinema, are dooming the future by programing it to repeat the mistakes of the past. The simplest mistake is to kill intelligence, because the propaganda is that intelligence is alien, whereas it`s a threat to slavery, and so in the interests of the slaver to be perceived as alien and killed.

 Newer specially generated effects provoked interest in how the earlier Star Trek would have looked with the SFX available to 21^st century filmmakers, and so the `reboot` television series, Enterprise, with Captain Jonathan Archer, that is, actor, Scott Bakula, in the role, was made. In terms of the fictional timeline, Bakula is Captain of the Enterprise, but only 90 years after the invention of the warp drive by Zefram Cochrane, and so he is Kirk`s predecessor. The Enterprise `TV` series` `reboot` provoked interest in how the 1960s Star Trek would have been with upgraded SFX, so actor Chris Pine, as a more youthful Kirk, took on the role in Star Trek (2009), Star Trek Into Darkness (2013), and Star Trek Beyond (2016), a nostalgic series of filmed prequels appealing to audiences still enthusing over the earliest storylines, but with the less enthusing SFX upgraded to meet the expectations of early 21^st century cinema-goers. Because film theater movies are narrowed to suit a more general public taste, whereas science fiction `TV` shows are tailored for a particular audience, it ought to be possible to trace the theme of intelligence as an alien threat to slavery through an analysis of the cinema releases. Star Trek: The Movie features a cloud approaching Earth. A Starfleet monitoring station detects that it contains an entity. The entity destroys three of the Klingon Empire`s new K`tinga class warships - and the station. The Enterprise is sent to investigate and a probe is sent by the entity, `V`Ger` within the cloud, which appears on the bridge. The probe abducts Indian actress, Persis Khambatta in the role of navigator, Ilia, and she`s replaced by an aspect of V`Ger, which is the living ship inside the cloud. V`Ger is discovered to be Voyager 6, an Earth probe found by a race of living machines who interpreted its programing as being to learn everything and then return to Earth. The probe learned so much on its voyage that it awoke as a living consciousness. Willard Decker, who`d had a relationship with Ilia, the navigator, merges with the V`ger entity through Ilia, and the pair disappear into another dimension. V`Ger is depicted as a forgivably childlike alien intelligence, but it destroys the Starfleet monitoring station, which means that alien intelligence is presented as a threat without any sign that anything other than intelligence is seen as being a danger to the Earth in reality, that is, intelligence is represented as dangerous.

 Star Trek: The Wrath Of Khan features actor, Ricardo Montalbán, reprising his role of Khan from the 1967 Star Trek: TOS episode, `Space Seed`, a superhuman with a superhuman crew who, exiled to Ceti Alpha V by Kirk, when he and his crew had attempted to take over the Enterprise, is there when the starship, Reliant, is looking for a planet to test the terraforming device, Genesis, and Khan captures an `away team` teleported down to the surface. A product of a eugenics program on 20^th century Earth to breed the perfect human, Khan and his fellow superhumans had become warlords during the fictional, `Eugenics Wars` (1992-6), conquering a third of the planet. Consequently, superintelligence is again depicted as a threat to the Earth. Using creatures that enter the ears and control the mind, Khan uses the starship Reliant`s away team to capture it, then attacks the Enterprise sent to investigate. Khan attempts to use the Genesis device inside the Mutara Nebula to transform it, along with the Enterprise, into a new planet. Although the nebula is transformed, the Enterprise`s Vulcan science officer, Spock, loses his life exposing himself to harmful radiation while repairing the starship`s warp drive so that the Enterprise can escape. As a Vulcan, Spock is trained in emotionless intelligence and self-sacrifice, that is, his alien intelligence is depicted as extinguishing his own life for the collective. In other words, intelligence is extinguishable if it doesn`t serve the needs of the collective, because intelligence that doesn`t further the group is presented as threatening. In other words, the group mind is presented as superior to intelligence, which is an adjunct to the life of the collective, but it can be dispensed with as long as the collective persists.

 Star Trek: The Search For Spock, finds Kirk`s son, David Marcus, a key scientist in the development of the Genesis device, aboard the science vessel, Grissom, along with Saavik, a Vulcan crew member of the Enterprise during the encounter with Khan, who`s been reassigned. Her people are Romulans, who`d been at war with the Earth`s Federation of planets a century before the 1966 Star Trek: TOS episode, `Balance Of Terror`, in which Romulans are seen for the first time to resemble Vulcans. In `Balance Of Terror`, the Enterprise is sent to inspect outposts near the `Romulan Neutral Zone` and discovers that they`re being destroyed. Outpost 4 is under attack and its commander, Hansen, transmits pictures of a Romulan Bird Of Prey uncloaking to use a single plasma torpedo to destroy the outpost. Spock`s theory is that the Romulans are isolated Vulcans still practicing war, whereas the Vulcans` embracing of logic allowed them to become a part of the Federation. Savvik is depicted as being a descendant of the Romulan Vulcans. She and Marcus descend to the Genesis planet and find that Spock`s there resurrected as a child, but without his memory. Kruge, a ship`s commander of the Klingon Empire, believing the Genesis device to be useful as a weapon, destroys the Grissom and takes hostage Marcus, Saavik, and Spock. Kirk learns that Spock transmitted his katra spirit to `Bones` McCoy, the ship`s doctor, before he died, and finds he has to steal the Enterprise from Spacedock to make a rescue attempt. An undermanned Enterprise is disabled by Kruge in an engagement, which is a homosexual metaphor commonly applied to male conflict, whereas it`s humanly used in the context of a relationship about to become marital.

 As a martial term `engagement` derives from ancient Greece, where the host womb enslavement of women was institutionalized for the spread of homosexuality in pederasty and war symbolized by the Klingon Empire, which clings on to war, because that`s the basis of homosexuals` enslaving. As with the former Miss India, Persis Khambatta, in Star Trek: The Movie, the viewing audience`s focus is Saavik, acted by Kirstie Alley in Star Trek: The Wrath Of Khan, although Robin Curtis took over the role for Star Trek: The Search For Spock, and Star Trek: The Voyage Home. Consequently, although Kirk`s saving of Spock is lauded, the aim is for the homosexuals to divorce the viewer from women, which is why V`Ger disappears into another dimension. Because futanarian women can sexually reproduce as `woman`s seed` with women, it`s human sexuality that`s being played with. Decker`s disappearing with V`Ger mocks human futanarian `woman`s seed` and the derision is biblical: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` teaching resulted in his being accused of dissidency against the Roman Empire then occupying Palestine, and he was taken to the hill of Calvary outside Jerusalem, where he was nailed to a cross of wood, and died before experiencing Resurrection and Ascension to heaven, which was a prefiguration of that of `woman`s seed` through her own brains` powers for colonizing the planets amongst the stars of heaven above the Earth. In Christian iconography, Jesus` mother is the Virgin Mary, because futanarian women are self-fertilizing as a species` survival trait, that is, Jesus wasn`t male brained for war as a desired activity, which is what men are male brained for by homosexuals.

 In an attempt to take the upper hand in the stand off between the two ships, Kruge orders the execution of one of the hostages on the surface of the Genesis planet, and Kirk`s son, David Marcus, is killed defending Saavik and Spock. Kirk self-destructs the Enterprise killing a Klingon boarding party while he and his crew teleport to the surface of the Genesis planet. Kruge agrees to teleport Kirk`s crew to his ship if Kirk gives him the secret of the Genesis device. Kirk and Kruge engage in unarmed combat on the surface of the Genesis planet and Kruge is dispatched by Kirk`s kicking him off a cliff into the lava flow of a volcano. The Enterprise crew take over the Klingon ship, and leave with Kirk for Vulcan, where Spock`s katra is reunited with him and his memory returns. The pastiche is Edenic insofar as it`s permanent memory in immortality that Eve and Adam, the first man and woman, lose when they accept the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, from Satan, who was the angel turned into a serpent by God for rejecting the plan that the human host would be greater than the angelic: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Jesus` disciple John`s prophecy is of the serpent grown into the dragon of war, because human futanarian nature isn`t able to sexually reproduce brainpower to escape slavery in memoryless ephemerality, although God tells Eve in the book of Genesis: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As her species escapes her slavers, Eve`s futanarian brainpower will give her the planets amongst the stars, which is why Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent, Satan, with her foot in Christian iconography lest male brained men become the dragon of war that kill her upon the Earth to prevent her colonization of the cosmos.

 If it`s the plan of the `serpent`s seed` to kill women`s human futanarian race before it can learn to walk, then it`s necessary to present intelligent women as brainless, and if possible to remove their brainpower, which is what the penisless babes of the pornographic movie industry signify for the human futanarian race prevented from running and escaping its enslavers. In simple terms, women who`re presented as aliens, like V`Ger and Saavik, are intelligent forms that the homosexuals don`t want because it interferes with their program for human extinction. Or, to put it another way, homosexuality is the virus that kills humans. Consequently, although relationships between men and women are carefully presented by the movies as intelligently human, homosexuals don`t want women`s species of futanarian humanity, which represents a basic human defense system based on species` interconnectivity lacking in `gay` people. Although men are taught that they`re the essence of the human connection, the absence of `woman`s seed` reveals the truth, which is that, since at least the time of Jesus` Romans, men and women have been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for the entertainment of their alien enslaver. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men do. Consequently, human futanarian `woman`s seed` represents the connectivity that is missing from the species and that homosexuality seeks to rid itself of in order to continue with its extermination of the race: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) By the late 20<sup>th</sup> century men`s rejection of women had resulted in the spread of the `incurable killer disease, HIV/AIDS, through men`s mixing of blood, shit and semen in each others` anuses. Acting as homosexuality`s `biological weapon`, HIV/AIDS, kept the human species of futanarian women in fearful faithfulness to their ring slavers, because that`s what homosexuals are for. Consequently, homosexuality is a manifestation of an alien parasitoid intelligence that masks its takeover of the human race by assuring men that they`re redeemed humans, whereas it`s the women that are the `remnant` of futanarian humanity, while the men are the `other half` of the alien parasitoid devourer`s `TV` manufacturing so that the homosexual can watch the species die in its wars.

 In Star Trek: The Voyage Home it`s 2286 and a large cylindrical object enters Earth`s orbit where it disables the global power generators and generates storms to block out the sun`s life-giving energies. Perceiving that the object seeks the extinction of all life on Earth Starfleet Command sends out a planetary distress call. Spock identifies the sound emitted by the object as akin to that of extinct humpback whales and Kirk agrees to perform a `sling-shot` manoeuver around the sun that will take the Romulan Bird Of Prey back in time to bring whales to communicate with the object. When the whales are released into San Francisco Bay, California, they respond to the object`s signal and the global power network is restored. As the storms dissipate, the sun`s life-giving energies are felt again by the Earth as the object leaves. It`s a movie that warns against not caring for the ecosystem of the Earth, which guarantees the continuation of human life. In simple terms, the whales are intelligences that are unknown, and the alien object indicates that whales` intelligence might be of more value than humans`. Because homosexuals are `humpback`, that is, anal entry is the mode for non-reproductive sexual gratification, and `subdom` activities based on who`s subjugated and who`s dominated, the whales` intelligence is depicted as that of the destructive alien object. In other words, the whales are extinct, because they`re intelligent aliens, which is what homosexuality is for, because it`s parasitoid, that is, it`s for the death of intelligence. Or, to put it another way, the `humpback` whales represent homosexuality, and its object is to continue slaving the Earth, rather than save it, which is why the humpback whales` intelligence is depicted as superior to humans`.

 Demoted to the rank of Captain of the Enterprise as a `punishment` for his stealing of it to rescue Spock, in Star Trek: The Final Frontier Kirk and the crew are sent to rescue hostages on the planet Nimbus III. They encounter Sybok, Spock`s half-brother, who has lured the Enterprise to Nimbus III because he wants to be taken to the mythical planet of Sha Ka Ree where creation is supposed to have begun. The lone blue planet is discovered to lie behind a supposedly impenetrable barrier at the center of the galaxy which the Enterprise successfully breaches. The entity there asks for the Enterprise to be brought closer and Kirk wants to know: `What does God need with a starship?`3 In attacking Kirk it`s apparent that the entity is a representation of what the ancients knew as `gods`, that is, those who inflicted harm on people for pleasure, which is what `subdom` homosexual culture does. Realizing his error Sybok dies attempting to fight the creature. The Klingon, Klaa, who`s been following the Enterprise in his ship, uses its weapons to kill the creature. Although Klaa was pursuing the Enterprise in the hope of a glorious engagement, his killing of a god on Sha Ka Ree is suggestive of divine providence, that is, intelligence is evil and is to be killed for masquerading as God. Or, in other words, killing is more intelligent than God, which of course it isn`t, but that`s the parasitoid pogromer`s programing of human nature; to believe that intelligence is evil and must be killed: to prevent the real evil from being recognized.

 In Star Trek: The Undiscovered Country the starship Excelsior is affected when a Klingon moon explodes destroying the ozone layer of the Klingon home world and the Klingons who`d been at war with the Federation sue for peace. When the Enterprise is sent to escort Klingon`s Chancellor Gorkon to Earth for negotiations, Kirk and Doctor McCoy are accused of attempting to assassinate Gorkon after the Enterprise appears to have launched photon torpedoes at the Klingon ship. Then figures wearing Starfleet uniforms appeared to have beamed aboard to grievously wound the Chancellor. Kirk and McCoy are sentenced to life imprisonment on a frozen asteroid, Rura Penthe, while Gorkon`s daughter, Azetbur, resumes negotiations as Chancellor. On Rura Penthe, Kirk and McCoy are befriended by Martia, a shapeshifter, who says she`ll help them escape, but it`s a ruse to make it look as if Kirk and McCoy were killed while escaping. Spock teleports Kirk and McCoy to the Enterprise. It was a cloaked Romulan Bird Of Prey that fired the torpedoes as part of a conspiracy amongst Romulan, Klingon and Federation officers to prevent `the undiscovered country`, that is, peace, from being realized. Spock`s Vulcan Valeris, is the key conspirator. Unaware of the identity of the traitor, Kirk and Spock succeed in fooling the hidden accomplice of Yeomen, Burke and Samno, who were the assassins of Gorkon, and who were subsequently killed by their accomplice to ensure secrecy. Believing that Burke and Samno yet remain alive, the accomplice arrives in sickbay to complete their murder, but actress Kim Cattrall, in the role of the accomplice is trapped. She`s revealed as Spock`s Vulcan protégé, Valeris. Gorkon`s Chief of Staff, General Chang, is aboard the Romulan Bird Of Prey as the Enterprise heads towards Camp Khitomer, where the peace conference is scheduled. The Enterprise and the Excelsior destroy the Bird Of Prey and personnel beam down to Camp Khitomer to thwart an attempt to assassinate the Federation President where, afterwards, talks continue.

 There are so many alien intelligences within the plot of Star Trek: The Undiscovered Country that it`s difficult to discern where the evil alien resides. Of course it`s simpler if the storyline is understood as an extrapolation of what men do. Then it`s the sexually desirable Kim Cattrall who`s identified as their betrayer, which is symbolic of the latent sexual desire of the penisless babe in the audience, whose genetically thwarted futanarian inheritance tells her that she wants women, rather than men`s `camp` discussions. Kim is vilified in the character of Valeris, because the desirability of the actress, who starred as being amongst some notoriously sexually independent women characterized by the cast of the television series, Sex In The City (1998-2004), is representative of her own species` desire to practice their mode of human futanarian sexual intercourse, which is productive of the race of women`s brain power for liberating themselves from host womb slavery to a parasitoid monster seeking to devour her race. In other words, the depiction of intelligent aliens in science fiction is an excuse to label women as evil aliens, that is, intelligence is evil, because women are aliens who want to escape from their `camp` guards, who need a host womb to emerge from in order to continue their homosexual pogroms against human futanarian `woman`s seed`.

 Star Trek: The Undiscovered Country concludes with Kirk`s decision not to go on, and Star Trek: Generations sees actor, Patrick Stewart, as Enterprise Captain, Jean Luc Picard, from the television series, Star Trek: The Next Generation, assuming the principal`s role. The plot is of a place called Nexus, an extra-dimensional realm where time has no meaning and anyone can experience whatever they desire. Answering a distress call from an observatory orbiting the star, Amargosa, the Enterprise pick up an El-Aurian, Dr Tolian Soran, who subsequently attacks engineer, Geordi La Forge, and launches a trilithium solar probe at Amargosa, which causes the star to implode. The observatory is destroyed by the shock wave but La Forge and Soran are rescued by a Klingon Bird Of Prey belonging to the Klingon sisters, Lursa and B`Etor, who have agreed to help Soran in exchange for plans for a trilithium weapon. Picard and the superintelligence of the android, Data, determine that Soran, unable to fly a ship into the Nexus, because of uncertainty that the ship will survive, is altering the path through by destroying stars, and that he will attempt to enter the Nexus at the planet of Veridian III after first destroying the planetary system`s star, and a heavily populated planet. The El-Aurian`s homeworld was destroyed by the Borg in the 23<sup>rd</sup> century and they`re akin to the peoples of Earth, for example, Afro-Americans and Jews, who represent the diaspora concept of those looking for a place to live and being persecuted for wanting somewhere of their own.

 Captain Picard changes places with La Forge on the Klingon sisters` ship; ostensibly so that he and Soran can speak together: but La Forge`s brains have been picked by the Klingon sisters who use his knowledge to lower the defensive shields of the Enterprise and inflict heavy damage. The Enterprise destroys the Klingon Bird Of Prey, but actor Jonathan Frakes, in the role of commander Willian Riker, orders an evacuation in which the saucer section of the starship detaches and crash lands on Veridian III. Soran launches his trilithium missile and, subsequently inside the Nexus, Picard meets Shatner`s Kirk, who was presumably trapped there when the Enterprise was pressed to save refugee El-Aurian ships in 2293, according to the film`s opening sequence, although he was presumed dead. Kirk is asked by Picard to help him defeat Soran. The two leave the Nexus and arrange for Soran to be killed by his own missile`s detonation at the launch point. Kirk is mortally wounded and dies. The ambiguity suggests that all of the action subsequent to Soran`s missile launch to destroy the star of the Veridian III system is wish fulfilment occurring inside the Nexus, which the protagonists will never escape. Kirk dies because Picard wants him to, and so does Soran, which is how men live with their parasitoid evil nature. Consequently, the Nexus isn`t a `Promised Land`, which is the place God told the Jews they`d have if they left slavery in Egypt and crossed the Red Sea with the chariots of the Egyptians drowning in their wake as a demonstration of God`s power to deliver. It`s rather a place for men who`ve already `necked` women, that is, they`ve chopped off their heads, because a human futanarian species of `woman`s seed` without the capacity to sexually reproduce her own brains` powers is headless, and so men`s `Nexus` means just that for women: necks us.

  In Star Trek: First Contact the Borg are attacking a beleaguered Earth defended by Starfleet. Picard hearing Borg communications in his mind, perhaps because he was once taken over by the Borg in `The Best Of Both Worlds` episode of the Star Trek: TNG television series, Picard directs the Enterprise`s weaponry at a seemingly innocuous part of the cuboid Borg ship and destroys it. However, it`s able to launch a smaller spherical Borg ship towards Earth, which generates a temporal vortex. As the Enterprise is enveloped in the vortex they glimpse an Earth entirely populated by Borg. Realizing that the Borg are attempting to change Earth`s history, Picard orders the Enterprise to follow the Borg. The Enterprise arrives in the past on April 4, 2063, the day before humanity`s historic first contact with extraterrestrial intelligence following Zefram Cochrane`s successful test of his invention, the warp drive, which allows the starships of Starfleet to travel across the cosmos at fantastic speeds; arriving before they left, etc. Lily Sloane, Zefram Cochrane`s assistant, is attacked by the Borg sphere, and is admitted to the Enterprise`s sickbay with radiation sickness by actress Gates McFadden in her role as Dr Beverley Crusher. La Forge begins work on repairing Cochrane`s warp ship, Phoenix, damaged by the Borg ship, before it was destroyed by the Enterprise. Borg survivors begin to appear aboard the Enterprise assimilating members of the crew and modifying the starship to use in a Borg conquest of the Earth. Lieutenant Worf, a Klingon officer with Starfleet and a member of the Enterprise`s crew, argues that Picard should self-destruct the Enterprise, but Picard calls him a coward and vows to fight the Borg. Lily Sloane reminds Picard of Ahab in Herman Melville`s Moby Dick (1851) who fought the white whale until disaster overtook him aboard the Pequod whaling vessel. Picard relents and apologizes to Worf before implementing the self-destruct program. The Borg Queen, believing that she`s bribed Data into working with the Borg by giving him human skin and its sensations, is fooled when Data obeys her order to fire torpedoes, but he deliberately misses her target, Cochrane`s Phoenix. Data, deactivates the self-destruct and ruptures a conduit releasing a corrosive that fatally dissolves the Borg`s biological components. That evening Cochrane`s Phoenix`s warp flight takes place and Vulcans appear to meet Earth`s people in a first contact with extraterrestrial intelligence.

 The appearance of Vulcans is important, because they stopped short of destroying their planet by becoming emotionless logicians. Although emotionlessness is depicted as opposing natural fellowship amongst humans, Earth`s history of parasitoid warfare against `woman`s seed` suggests that Vulcan`s alien intelligence is superior, and although the Borg are depicted about their usual activities of assimilation, and the obtaining of bodies for replacement parts for those worn out, it`s an extrapolation more representative of 21^st century medical science that can`t confer immortality, because ephemerality is necessary for human slavery in memoryless unconsciousness to continue. Star Trek: Insurrection features the immortal, Ba`ku people, who`re made so by `metaphasic particles` emanating from their planet`s rings. The Ba`ku are being secretly watched by the Son`a, who were Ba`ku but embraced technology and now prolong their lives, at the expense of disfigurement, through medical science, because the Ba`ku exiled them from the planet after an attempt at seizing power. Starfleet Admiral, Matthew Dougherty, is discovered to be plotting to relocate the Ba`ku to the holodeck of a starship; giving only the illusion of their remaining. The Son`a would then collect the rejuvenating radiation, but the planet would be poisoned in the process. Picard says that the plan violates the `Prime Directive` of non-interference and Dougherty renounces his support for the Son`a leader, Ahdar Ru`afo, who kills him. Picard is sent for execution by Ru`afo but convinces the Son`a Gallatin to assist a ruse in which Ru`afo and his crew are transported to the holoship while the machine harvesting the rejuvenating radiation is deactivated. Ru`afo detects the ruse and seeks to restart the harvester. Picard set the machine to self-destruct killing Ru`afo and escaping to the Enterprise. Gallatin`s Son`a are welcomed back amongst the Ba`ku people and Picard arranges an emotional meeting between Gallatin and his Ba`ku mother. Emotion is perceived as the essence of humanity, while immortality is desirable to facilitate intelligent action, and the absence of immortality is the reason for the success of the baser emotions; such as the subjugation and domination of ephemerals to maintain ignorance and slavery. Immortality means a memory for the intelligent individual to continue to apply what has been learned, which is liberating.

 The subject of Star Trek: Nemesis is slavery. On the planet Romulus, the Romulans are debating whether or not to accept the peace and alliance terms of the Reman rebel leader, Shinzon. The Reman are the Romulans` slave race. After rejecting the motion the Romulan Praetor and senate are disintegrated by a device left in the room. The Enterprise is sent to investigate an alleged coup by Shinzon, who has taken over the Romulan Empire to facilitate a free Remus while seeking an alliance with the Federation to guarantee its freedom. The `submyth` is that of Romulus and Remus, who were the founders of Rome raised by wolves, that is, the suggestion is that the Reman and Romulan people were raised by wolves, while Lieutenant Saavik was a Romulan Vulcan, that is, the Vulcans were also raised by wolves, which is a metaphor for instinct that has to be overcome. Consequently, Vulcans are emotionless and logical, whereas the Romulans have enslaved the Remans. Shinzon is revealed to be a clone of Picard`s created by the Romulans to infiltrate Starfleet, but the project was abandoned and Shinzon was left to die amongst the Reman slaves. Aboard Shinzon`s ship, Scimitar, low levels of thalaron radiation are detected of the same poisonous nature that killed the Romulan Praetor and senate. Shinzon plans to use the Scimitar to invade the Federation using its thalaron radiation generator as a weapon, with the eradication of all life on Earth being his first priority. He kidnaps Picard to facilitate a blood transfusion that will prolong the life of his dying clone body, but Data, who is taken by Shinzon too, because he thinks Data is his B-4 android, rescues Picard, and the two return to the Enterprise. Romulan Warbirds come to assist the Enterprise against the Scimitar, which destroys one and disables the other. After Picard uses the Enterprise to ram the Scimitar, Shinzon activates the thalaron weapon. Picard boards the Scimitar and kills Shinzon. Data uses a personal transporter to jump between the ships and teleports Picard back to the Enterprise before using his hand phaser to destroy the thalaron weapon, but he`s lost in the subsequent explosion. Picard learns that Data had transferred the engrams of his neural net to B-4 before he `died` and that B-4 will become like his friend in the fullness of time. The subject of artificial intelligence or `AI` is presented as self-sacrificial as is most usual, that is, Christ-like. However, Jesus Christ represented the dilemma for the intelligent man who men want to do what they tell him to. Before he was crucified in Jerusalem, Jesus was told he could avoid that fate by not going there, but he went because he didn`t want to be told what to do by men. Consequently, although his crucifixion is usually represented as a self-sacrifice, it`s a rejection of what men want, which is that the individual obey them. Jesus` Resurrection and Ascension to heaven above prefigures that of human futanarian `woman`s seed` through the sexual reproduction of her own brains` powers for liberation, and it`s disobedient. In short, Data is depicted as an obedient slave, because that`s what intelligence is for: self-sacrifice. Or, in simpler terms, human sacrifice.

 Star Trek, which is set in a time before James T. Kirk became Captain of the starship Enterprise, begins with the events surrounding the birth of Kirk in the aftermath of an engagement between the Kelvin and the Romulan, Narada. Its first officer, Ayel, wants the Kelvin`s Captain Robau to go aboard the Narada to negotiate. Narada`s commander, Nero, kills Robau after he`s unable to answer questions about an `Ambassador Spock`. George Kirk, the Kelvin`s first officer, rams the Narada, resulting in the loss of his own life, but after he`d evacuated the ship`s personnel; including his pregnant wife, Winona, who subsequently gave birth to James Tiberius, who later becomes a cadet at Starfleet Academy, where the cadets are mobilized after a distress signal from Vulcan, with the fleet out of range and unable to respond. Recognizing the similarity between the lightning storm at his birth and that which attended the Narada`s infamy, Kirk deduces a Romulan trap. Kirk is aboard Captain Pike`s Enterprise when it discovers the fleet destroyed and the Narada drilling into Vulcan`s core. After engaging with the Narada, before surrendering himself to its Captain, Nero, Pike delegates the captaincy of the Enterprise to Spock, and the position of first officer to Kirk. Nero launches `red matter` into the core of the planet, Vulcan, so creating a `black hole` which destroys the planet. Spock rescues his father, Sarek, but his mother, Amanda, a woman of Earth, dies, and her fate is illustrative because it was his half-human status and the perception of the Vulcan Science Academy that his mother was a `disadvantage` that persuaded Spock to join Starfleet instead. The element of racism and prejudice against women as aliens pervades the Star Trek cosmos because it`s endemic in men.

 The Narada`s Captain Nero tortures Pike on the way to Earth for its defense codes, and Spock maroons Kirk on Delta Vega after he argues that Nero should be pursued immediately rather than waiting for the fleet. There on Delta Vega Kirk finds an older Spock who explains that Nero and he are from 129 years in the future where Spock had used `red matter` in a failed attempt to swallow a supernova that destroyed Romulan Nero`s home world, Romulus. The Narada and Spock`s ship were caught by the black hole which sent them back into the past. There Nero destroyed Vulcan, and marooned Spock on Delta Vega to endure the torment of seeing his own home world destroyed. Consequently, in science fiction plot terms men destroy two worlds in the future where intelligences not their own were to be found, which is the promulgation of racism. At an outpost on Delta Vega they meet Montgomery Scott, who explains that he was marooned there for losing Admiral Archer`s dog, a beagle, during an experiment in `transwarp beaming`. With Spock`s help Kirk and Scott teleport aboard the Enterprise where the older Spock advises Kirk to provoke the younger Spock and make him emotional enough to realize he`d lost command of his emotions. The ruse works and Spock relinquishes command to Kirk, who teleports aboard the Narada with Scott to rescue Pike, while the younger Spock uses the older Spock`s ship to destroy the Narada`s drill. The older Spock engineers a collision between his ship and the Narada, which ignites the `red matter`, while Kirk, Pike and Spock teleport back aboard the Enterprise where Kirk offers to help Nero escape the subsequently created `black hole`, but Nero rejects his offer and the Enterprise uses its weapons to doom the Narada to be consumed therein. The older Spock`s advice to his younger self is to persevere in doing what is right, rather than what is only logical. Spock`s words are useful for ephemeral children amongst the Star Trek audience, who don`t understand that imprisoning people and killing them is the `game` that men play, which is why they like ephemerals without memories and so learned adaptation and use of intelligence to escape their `death camp`. In fact `camp` is what Star Trek is often accused of being, because `camp` means exaggeratedly straight faced during the telling of a joke in front of children, who don`t know that men are the death camp guards of human futanarian species of `woman`s seed`, which is why they`re perpetually at attention in shows like Star Trek when Captain James Tiberius Kirk appears; to show that they`re respectful towards the authority that has the power of life and death over women and children. For `camp` followers it isn`t about intelligence but laughter, that is, the children mustn`t know that imprisonment on Delta Vega is what men want for them, because it`s men`s idea of fun as an evil parasitoid nature in the process of extinguishing the human race before it can reach the planets amongst the stars of heaven above.

 Star Trek: Into Darkness begins with the removing of Kirk as Captain for ignoring the `Prime Directive` by revealing the existence of the Enterprise to the primitive inhabitants of the planet Nbiru in order to save them from a cataclysmic volcanic eruption. Pike is reinstated and Kirk becomes first officer with Spock transferred to another starship. Shortly afterwards renegade Starfleet operative, John Harrison, bombs London`s notoriously unfettered intelligence and defense organization, Section 31, before using a jumship to attack Starfleet HQ, where discussions about the terrorist action are taking place, and where he kills Pike and others. Kirk disables the jumpship, but Harrison escapes to the Klingon home world, Kronos. Admiral Marcus reinstates Kirk and Spock aboard the Enterprise with orders to kill Harrison, who surrenders on Kronos upon learning how many torpedoes the Enterprise carries. Dr McCoy and Admiral Marcus` daughter, Dr Carol, open a torpedo at Harrison`s behest and a man in cryogenic stasis is revealed. Harrison is Khan, the genetically engineered superhuman. He was awakened by Admiral Marcus from centuries of suspended animation to develop advanced weapons of war against the Klingon Empire. Khan reveals that Marcus has sabotaged the Enterprise's warp drive, intending for the Klingons to destroy the ship after it fired its torpedoes, so creating an act of war by the Klingon Empire, which is why Khan replaced the torpedoes with his crew, so that he could save the Enterprise and defeat Marcus, whose ship, Vengeance, intercepts and demands Khan be surrendered before attacking and disabling the Enterprise near Earth`s moon where it`d fled seeking safety from the much larger, and more powerful, Vengeance.  Marcus forcibly transports Carol to his ship, and orders the Enterprise`s destruction. Scott, who`s infiltrated the Vengeance, disables it, and Kirk and Khan `space-jump` to secure its bridge. Khan then treacherously overpowers Kirk, Scott, and Carol, kills Marcus, and seizes control. Khan wants to exchange the Enterprise officers he holds hostage for his crew inside the torpedoes. Spock sends over the torpedoes but removes Khan`s crew and arms the torpedoes. Khan demands that Spock return his crew sealed in the cryogenic tubes in exchange for the Enterprise officers. Spock complies but surreptitiously removes Khan's frozen crew and arms the warheads. Khan treacherously inflicts critical damage on the Enterprise but his Vengeance is disabled when the torpedoes detonate. The Enterprise and Vengeance plummet towards Earth. Kirk is able to realign the `warp core`, saving the ship, but dies from the radiation in the `radioactive reactor chamber`. In an attempt to avenge himself on Starfleet, Khan crashes his ship into its HQ in San Francisco. Dr McCoy discovers that Khan`s blood has regenerative properties that can restore Kirk, so Spock, with communications` officer, Lieutenant Uhura`s help, arrests Khan, and Kirk is restored, but Khan is again sealed in his cryogenic pod and stored with his superhuman cohort. Obviously, Kirk`s restored life is more valuable than Khan`s and his crew of superhumans to the writers, who`re of course limited in their vision by the `camp` requirements. Consequently, although Khan is depicted as `Byronic`, that is, as a 19^th century hero seeking liberty for himself and others above all else, he`s not `camp` enough for Starfleet, that is, he doesn`t accept curbs on his freedom. The `Byronic hero` is a term derived from English poet, Lord Byron, who not only gave his name to the term but was perceived as the type of the individual he wrote of in his poetry, for example, these lines from Byron`s `The Corsair` (1814) fit Khan`s persona perfectly:

`He knew himself a villain - but he deem'd

The rest no better than the thing he seem'd;

And scorn'd the best as hypocrites who hid

Those deeds the bolder spirit plainly did.

He knew himself detested, but he knew

The hearts that loath'd him, crouch'd and dreaded too.

Lone, wild, and strange, he stood alike exempt

From all affection and from all contempt.`4

 Khan is the type of the individual who doesn`t want to die in an extrapolation of Earth`s theme of the `death camp`. In Star Trek: Beyond the Enterprise is sent to rescue Kalara, when an escape pod emerges from an uncharted nebula. Her ship is stranded on Altamid, a planet there. The Enterprise is ambushed by a swarm of small ships before being boarded by Krall and his crew looking for a relic, an Abronath, Kirk has. Krall begins to empty the Enterprise of its personnel and Kirk orders the saucer section to be detached so that the remainder of the ship`s personnel can escape to the planet, Altamid. After the crash landing, and Kalara`s attempt to retrieve the Abronath for Krall, Kirk crushes Kalara using the still functional warp thrusters of the saucer section. Scott, a lost survivor, is rescued by the ironically named Jaylah, a scavenger who`d previously escaped from Krall`s `camp` scene, and with tongue firmly in cheek the writers have jailer take Scott to her home, the grounded Franklin, a ship lost over a century before. On the planet's surface, Sulu, Uhura, and other survivors are captured by Krall. Kirk and navigator Pavel Chekov, accompanied by Kalara, locate the wrecked saucer section. Kalara is discovered to be Krall's ally when she tries to retrieve the Abronath. To escape Krall's soldiers, Kirk activates the still-functional thrusters, causing the saucer to lurch forward, crushing Kalara. Meanwhile, a wounded Spock and Dr. Leonard McCoy search for other survivors. Scott is rescued by the ironically named, Jaylah, a scavenger who previously escaped Krall's encampment.

 Scott`s Jaylah takes him home, the grounded USS Franklin, an early Starfleet vessel reported missing over a century earlier. Krall succeeds in coercing the Enterprise`s Ensign Syl to give him the Abronath that she`d kept for Kirk. It`s part of an ancient bioweapon, created by the planet Altamid`s original inhabitants, and can disintegrate any humanoid. Krall launches his drone fleet pursued by the remnant of the Enterprise`s crew aboard the repaired Franklin. Scott transports Spock and McCoy into one of Krall`s drone ships where they discover that VHF signals can disrupt Krall`s communications, so they transmit the `classical` song, `Sabotage` (1994) by the rap group, The Beastie Boys, which results in ill communication and the destruction of Kraal`s fleet: `Listen all of y'all it's a sabotage.`5 Uhura and Kirk discover from the Franklin`s logs that Kraal is its Captain, Balthazar Edison who, after an encounter with an uncharted wormhole, was stranded with at least three of the remaining members of his crew on Altamid: `The indigenous race abandoned this planet long ago. They left behind sophisticated mining equipment and a drone workforce. They have some sort of technology that prolongs life. I will do whatever it takes for me and my crew ... The Fed - Federation do not care about us. You'll probably never see me again. But if you do ... Be ready.`6 Edison`s supporters used the life-extension technology of the Ancient Ones to sustain their lives by absorbing the biological attributes of other crew members and native species` lured for the purpose of absorption, but they`re now unrecognizable as human, although Krall`s absorption of several Enterprise crew members had largely restored his own human appearance. Kirk traps Krall in the ventilation system of Starbase, Yorktown, where he`s about to deploy the bio-weapon. Kirk spaces Krall and the bio-weapon before being rescued by Spock and McCoy. Jaylah is accepted into Starfleet Academy where presumably she`ll be trained as a `camp` guard. The moral is that defining human in terms of the body isn`t intelligent, but it`s simple. In the same way, futanarian `woman`s seed` is human, but it isn`t identifiably bodily, because of men`s mass media propaganda in Star Trek: Beyond, for example. Krall is intelligent because he prolongs his life, but he`s evil because men have a parasitoid nature. Unless it`s redeemed through an understanding of Jesus` crucifixion as being what Spock calls persevering in the right, rather than obedience to logic, men like Krall will continue to devour Human.

1 Genta, Giancarlo, `The Search for Extraterrestrial Intelligence` in Lonely Minds in the Universe, Springer, 2007, Ch. 4, p. 208.

2 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

3 Shatner, William as Captain James T. Kirk, Star Trek V: The Final Frontier, Paramount Pictures, 1989.

4 Byron, Lord, `The Corsair`, 1814, I, XI.

5 Horovitz, Adam, Michael Diamond, and Adam Yauch, `Sabotage`, The Beastie Boys, Ill Communication, Grand Royal, 1994.

6 Elba, Idris as Krall, Star Trek: Beyond, Paramount Pictures, 2016.

Fascistoid

Robert A. Heinlein (1907-88) was accused of being `fascistoid` when his juvenile adventure novel for boys, Starship Troopers (1959), was presented to his usual publisher, Charles Scribner`s Sons, and although it was finally published by G. P. Putnam`s Sons, the term arose from perceptions of fascist content in the author`s descriptions of a social system, which was allegedly based on that of ancient Rome`s Imperialism, and gained acceptance amongst critics as accurately assessing the substance of the book.  The term `fascist` derives from the symbol of Roman Imperialism, the fasces, which was a bundle of wood with an axe in the center, and the symbol was subsequently revived by the Italian dictator, Benito Mussolini, who assumed power in Rome after the election of 1922. The German dictator, Adolf Hitler, adopted the symbol from Mussolini and the fasces was prominent after the National Socialist (Nazi) Party was elected in 1933. Originally used as a symbol of Roman planning, the fasces represented the cutting of wood to build a hide behind which the planner would plan an encampment. The fascist regimes of Japan, Italy and Germany built `concentration camps` inside which millions of people were killed before being stacked like logs and incinerated. Consequently, Heinlein`s Starship Troopers was criticized for its `History and Moral Philosophy`, which is what the military of the novel are revealed to have been indoctrinated with in the unfolding of the narrative about their hero, Juan `Johnnie` Rico: `To vote is to wield authority; it is the supreme authority from which all other authority derives - such as mine to make your lives miserable once a day. Force if you will! - the franchise is force, naked and raw, the Power of the Rods and the Ax. Whether it is exerted by ten men or by ten billion, political authority is force.`1 Although the statement, which is typical of Rico`s instructor, Lt. Col. Jean V. Dubois (Ret.), takes place within the framework of an interplanetary war between Earth and the arachnoid `bugs` of the planet, Klendathu, who destroyed Rico`s home city, Buenos Aires, Argentina, critics` labeling of Starship Troopers `fascist` bears scrutiny.

 Fascism is the perception that people aren`t angry enough to avoid being killed, which is what the fascist wants. Starship Troopers begins with the `bug` attack on Buenos Aires, which makes Juan `Johnnie ` Rico, a citizen, angry enough to join the Mobile Infantry (M.I.) to defend the Earth against the arachnoid denizens of the planet, Klendathu. In short, the `bug war` with the arachnoids is a plot device to facilitate the action sequences, which play a very important role in the later movie version, Starship Troopers (1997), starring actress, Denise Richards, as Carmen, a starship pilot, whose cadre are called `mothers` by Heinlein, who drops her angry boy sons onto the `bug worlds` where the arachnoids kill them, because that`s what fascism wants. The Nazi pogroms against the Jews, which took place after 1933, and before the end of the war (1939-45) to defeat fascism, were directed against the `chosen people` of the Bible, that is, the Old Testament Torah and Talmud, which is the history and law of the Jews, and might have been expected to provoke anger enough to warrant the Nazis killing of the Jewish and other minorities` populations they`d targeted. Because the Jews didn`t display anger, the Nazis killed them anyway, which argues for fascism as a philosophy based on provoking anger. In other words, the angry are killed, so fascists provoke anger, because killing per se is what fascism is for. Consequently, movies labeled `action` are intrinsically fascistoid, because they promote anger and killing as an entertainment medium, which is why Heinlein`s Starship Troopers was criticized as providing material unsuitable for boys, who were being told to get angry, so that they could kill as a genuine expression of human nature, whereas it isn`t: `If you wanted to teach a baby a lesson, would you cut its head off? Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy city with an H-bomb as it would be to spank a baby with an axe.` Or, indeed to behead all the Japanese in the city of Hiroshima, rather than use an H-bomb, which would be just as effective, and the buildings would all have remained.

 Heinlein`s aren`t descriptions of human nature, but they`re representative of fascism, which won the war against Japan by dropping the H-bomb on the city of Hiroshima on August 6, 1945, after the infamous `sneak attack` by the Japanese on the US Pacific fleet, Hawaii, on December 7, 1941, that angered the United States of America and precipitated its involvement in WWII. From a fascist perspective, it was a successful operation. Many people were angry and died, which is what Hollywood, `Babylon`, the movie industry that grew out of the US city district of Los Angeles, California, after the first film made there on the west coast by director, D. W. Griffith, Old California (1910), promoted as entertainment, that is, before war with fascism angered the US into a fascist display of slow release footage of an atomic explosion mushrooming silently and majestically into the cerulean skies above Hiroshima on 6 August, and again above the Japanese city of  Nagasaki on August 9, 1945. Soi distant anger, as it were, by a newly arisen population converted to fascism and believing its provocation unanswerable: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Though only described as `a woman` in the Bible, Babylon (c. 4000 B.C.) was the capital city of the Persian Empire, which suggests that, like that of ancient Greece, its Empire was based on host womb enslavement of women in institutionalized homosexuality for pederasty and conquest through war, which are the abominations described as belonging to the rape victims.

 Heinlein`s descriptions aren`t of human nature, and the Bible explains the reason for that. In Eden the first woman created by God, Eve, accepted `the fruit of the tree of the knowledge of good and evil`, that is, death, from the angel, Satan, who had been transformed into a serpent for rejecting God`s plan that the human host should be greater than the angelic. Death is ephemerality and impermanence in terms of memory and knowledge, so that it`s possible for slavers to maintain a society in ignorance. Consequently, death is necessary to slavers of the human host womb. Because women are capable of sexually reproducing as an independent futanarian species from their own `seed`, Eve is told her `seed` will be redeemed by God: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As `woman`s seed` leaves to colonize the planets amongst the stars of heaven above through her brains` powers for technological development, and starships of her own devising, Satanism will endeavor to stop her in order to maintain its slave system.

 In Christian iconography Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent with her foot, because Jesus was born uncontaminated by male semen, and so his teaching was essentially `lesbian` as a reflection of his own futanarian heritage: `Love your neighbor as you love yourself.` (Mk: 12. 31) Though Jesus` mother, the Virgin Mary, is depicted as producing a child through parthenogenesis, futanarian women can self-fertilize, which is the human futanarian species` survival trait. Consequently, when Jesus was taken to the hill of Calvary outside the city of Jerusalem by the Roman occupying Empire and nailed to a cross of wood as a `dissident` preacher, his experience of Resurrection and Ascension to heaven was a symbolic prefiguration of the destiny of `woman`s seed`. As the emblem of the power of Imperial Rome was the fasces, so the construction of Jesus` cross represented the first of the steps that the fascists took towards exterminating the human futanarian `chosen people` of the Jews, whose tradition it is that a Jew can only be born from a Jewish woman, for example, the Virgin Mary, that is, futanarian women and their offspring are Jews, although conversion and repentance from evil sinful nature confers redemption, according to Jesus` disciple John, who also describes what will happen if men don`t accept `woman`s seed`: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In parasitology, the term `parasitoid` is given to the parasite that emerges from the host to kill it, which is why the serpent becomes a dragon, war. Human nature isn`t unredeemed men`s. 

 As the character, Carmen, in Starship Troopers, actress Denise Richards is the pilot of the Rodger Young, a starship that drops its boy sons onto the `bug world`, Klendathu, and so suggests `biological warfare` involving poisons and viruses, which is what the men of the car with its carbon monoxide poison gas, and the demon driver`s spreading of its HIV/AIDS contagion through host womb enslavement of the human futanarian species of women in institutionalized homosexuality in pederasty for war against `woman`s seed`, is. Carmen`s `boy sons` readying themselves for a `drop` are her `poisons` to be used against the `bugs`, because host womb enslavement of the human futanarian species of `woman`s seed` in homosexuality in pederasty for war against her had, by the late 20^th century, resulted in the spread of the `incurable killer disease`, HIV/AIDS, through men`s mixing of blood, shit and semen in each others` anuses in rejection of women: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was develop men`s nature as a `biological weapon` against the futanarian human species, which in Heinlein`s Starship Troopers is extrapolated into the threat to Earth`s future posed by an eight-limbed `bug` depicted as an eight-limbed arachnoid.

 In Islam, which is wrongly represented as antithetical to Judeo-Christianity, Abraham`s marriage to Sara is productive of the founder of Judaism, Isaac, but Sara is barren thereafter and gives Abraham, Hajer, her maid who gives birth to Ishmael, the founder of Islam through his descendant, Mohamed who, according to Islamic tradition, received the Koran (610-30 C.E.), that is, the narrative of the history and the projected future in heaven of the people of the Earth, from the angels of God, who`d been told that the human host was to be greater than the angelic. In Islam the father of Isaac, and Ishmael, is revered, for example, the people celebrate the Eid Al-Adha, that is, the sparing of Isaac by God, after God had commanded Abraham to kill Isaac as a human sacrifice to God, which would have aborted Judaism. Abraham`s temple is the holiest place in Islam, and is visited by pilgrims in the `Haj`, named for Hajer. Called the `Ka` Ba`, the temple reflects upon Hajer, `an Egyptian woman`, because `Ka`, during the period of the Empire of Egypt, was `spirit`, while `Ba` was soul. Consequently, the `Ka` Ba` is the temple of Hajer`s belief in human futanarian `woman`s seed`, that is, the sexual conjoining of women with each other. In simple terms, the temple or `shrine` of Abraham represents women`s belief in the rebirth of humanity, which reaches its apotheosis in the Koran and the New Testament of the Christian Bible with the birth of Jesus from the Virgin Mary as a futanarian `seed` uncontaminated.

 Heinlein`s Starship Troopers` character of Carmen, as a `mother pilot` preparing her boy sons` drops, extrapolates from the car men`s poison, that is, the poison gas that the Nazis used to kill the `chosen people` of the Bible, before stacking them like logs and incinerating them in the `death camps`, to `biological warfare`, that is, HIV/AIDS, as a metaphor for the war of men`s `seed` against women`s, who`re depicted as spiders in Starship Troopers, because women`s race sexually reproduces as a pair, whereas men can`t sexually reproduce without women, which means they`re `stand alone`, rather than collective. In other words, Abraham, Jesus, and Mohamed are representative of those who stood alone against the evil parasitoid nature possessing humanity, whereas Carmen in Starship Troopers` victory over `the bugs` represents women`s defeat, because the arachnoids are extrapolations of `woman`s seed` as alien to the car men of the Earth, who poison the planet and don`t want `woman`s seed` to escape their parasitoid pogrom in which the human host womb is devoured in warfare against her.

 The stand alone theory of men doesn`t apply to warfare, which is the false assumption that hordes of men killing each other together are heroic, whereas that`s what evil unredeemed parasitoid nature does. In short, Jesus is heroic, because he stood alone uncontaminated against the male brained Empire of the parasitoid Romans, whereas the First World War (1914-18) against German Imperialism, for example, was an illustration of men`s collective parasitoid nature. The Archduke Ferdinand of the Empire of Austro-Hungary was assassinated by a Serb, Gavrilo Princip, in Bosnia. The Germans told the Austro-Hungarians to present a list of demands to Serbia, and the Serbians replied that they couldn`t meet the demands, so the German Empire declared war on Serbia, which precipitated global conflict, because that`s what parasitoid evil nature wants. Effectively, the German Empire declared war on Gavrilo Princip, a Serb, who shot an Austro-Hungarian in Bosnia, and who spent the war in prison, because he was too young to be executed. The millions of men killed in WWI is what fascist parasitoid nature is for, and Heinlein`s Starship Troopers explains that it`s `woman`s seed` that`s the target, that is, human extinction by an alien nature denying futanarian mankind`s capacity to sexually reproduce its own brains` powers to escape from the collective devourer by making sexual reproduction inaccessible to the human race through propagandist control of the mass media edutainment system.

 In Islam, which means `accept` God, `woman`s seed` is hidden beneath the one-piece coverall of the burka and the veil, because the so-called democracies of Judeo-Christianity reveal female nudity as penisless and enslaved in pornography, and experience of war against the Moslem peoples, where `Moslem` means `submit` to God, suggests to the `remnant` of human futanaria that they should hide from prying parasitoid eyes: `Let he that has wisdom understand. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Because men and women constitute 66.6%, if futanarian are 33.3% of the human species. However, if women can sexually reproduce with each other, men`s voting system is rigged in favor of male brained dictatorship by repressing `woman`s seed` into disenfranchisement, that is, an alien subjugation of human nature for slavery to parasitoid devouring of `woman`s seed` in war against her: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) Jesus` disciple John`s description of `TV` derives from his understanding of the way that the parasitoid Empire of Rome manufactured men and women as a single male brained creature wearing each others` clothes in `TV` transvestism for its entertainment. Killed in huge amphitheaters built by its fascist parasitoid planners the Romans were the forerunners of John Logie Baird`s `TV` home entertainment system of television invented in 1926, which became the global propaganda instrument of the alien devouring spirit possessing the people of the Earth after Hollywood, `Babylon`, and its construction of huge cinema theaters to show `action` movies as a complement to the war theaters of the 20^th century, where the transvestite killed itself in reality for the pleasure of the evil. Heinlein`s Starship Troopers extrapolates from the `small screen` of `TV` to the `big screen` of the theater of interplanetary war to depict men and women`s crushing of the human species as a `bug`:  `When you come right to it, it is easier to die than it is to use your head.`3 As a part of Sergeant Charles Zim`s response to Ted Hendrick's question on the purpose of the M.I., his is a simple description of how men`s parasitoid collective beheads the human race of futanarian `woman`s seed`, because an alien devouring spirit doesn`t want a slave species with a brain.

1 Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 12.

2 Charles Zim in Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 5, p. 63.

3 Lt. Col. Jean V. Dubois (Ret.) in Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959.

Star Trek Beyond

The thirteenth Star Trek movie was released in 2016, Star Trek Beyond, which continued a series of film releases based on the Star Trek (1966-69) television series with a cast that supplied most of the crew of the starship Enterprise in the first movie of the franchise, Star Trek: The Motion Picture (1979), also starring new crew member, shaven headed Persis Khambatta, 1965`s Miss India, as Lieutenant Ilia. From what transpires in the plot of the movie, the feminine name, `Ilia`, probably derives from the Greek poet Homer`s Ilium, that is, the city of Troy, as depicted in his poetic narrative of the siege of the Trojan city by the Greeks in his Iliad (760-10 B.C.), Lieutenant Ilia represents the threat to civilization, culture and art posed by the alien, which is usually extrapolated in science fiction as invading Earth from the planets amongst the stars above. However, as the siege of Troy illustrates, the huge hollow wooden horse that the Greeks leave outside Troy and that is taken in by the Trojans where the Greeks emerge to capture the city and enslave the host wombs of the women for homosexuality in pederasty is the Greek `model` for the spread of war as the contagion of the desire for Empire, rather than the `model of democracy` that ancient Greece is often held as the example to follow by historians: `Beware Greeks bearing gifts.`1 The Greek model for society led to the spread of the incurable killer disease of the late 20^th century, that is, HIV/AIDS, spread by men`s mixing blood, shot and semen in each others` anuses in rejection of women, which suggests that Ilia in Star Trek represents a species under siege.

 It could be argued that the human immuno-deficiency virus (HIV), which results in the acquired immuno-deficiency syndrome (AIDS), and that ultimately causes organ collapse and brain death, is a `biological weapon` launched against women by the ancient Greeks as long ago as the siege of Troy. In fact the paradigm of the late 20^th century was the HIV/AIDS virus and the `geek` successors to the ancient Greeks were the software computer programers that devised `bad machine code` to infect the human brain-augmenting machine brains and kill them in the same way that the HIV/AIDS virus infected and killed human brains, because the launchers of the biological weapon didn`t want humans to think for themselves a way out of extinction through war against their race by a genuine alien already on Earth. Although Persis Khambatta is required to portray Ilia as a Deltan and not a human from Earth, the ubiquitous distinction between `good` aliens and `bad` aliens is again evident as the Enterprise encounters an `energy cloud` containing an `alien vessel`. A `probe` appears on the bridge of the Enterprise and abducts Ilia, as Helen was abducted by Paris, the Trojan, from Greece and her husband Menelaus, brother of Sparta`s king, Agamemnon, which resulted in the Greek capture of Troy. Ilia is possessed by `V'Ger`, the alien, which is a ship living inside the cloud that begins to study the Enterprise and its crew through Ilia. V'Ger is Voyager VI, a 20th-century Earth space probe believed lost. Damaged, it was found by living alien machines that interpreted its programing as instructions to learn all that can be learned, and return. The aliens upgraded the probe to fulfill its mission, and on its journey the probe gathered so much knowledge that it achieved consciousness. The Enterprise`s First Officer, actor Stephen Collins as Willard Decker, merges with Ilia and V'Ger, creating a new form of life that disappears into another dimension, that is, Helen is rescued, and the continued adventures of `V`Ger` take place elsewhere, because `woman`s seed` and humanity aren`t parts of an alien `feature` to each other. Although `V`Ger` is presented as possessing Ilia, she escapes men`s `Trojan virus` with the help of the intelligent alien machine, which stands for the computer brain that the second generation Greeks, that is, the `geek` software designers, who program computer brains to die after being infected with `bad machine code`, want to kill, and so prevent it from saving Woman and her human `seed`. Or, in other words, good intelligence is presented as inalienably human, whereas acceptance of the alien parasitoid devourer by human nature is evil, and an endemic viral plague; at least since Paris took Helen to Troy and the Greeks captured Ilium to enslave the host wombs of the women and spread the contagion of homosexuality in pederasty`s `biological warfare` against `woman`s seed` further.

 In Star Trek Beyond, which is the third in a series of films described as a `reboot`, because the films feature the characters from Star Trek: The Original Series, but not the original actors, that is, the names of the crew are the same as those of Star Trek: TOS, but there are different actors in the characters` roles. The `reboot` began with Star Trek (2009), which is a standard space opera reuniting viewing audiences with the crew of the Enterprise who are dealing with a Romulan attack in which Vulcan, the home world of the ship`s first officer, Mr Spock, is destroyed. Although the movie presents an alien menace, the Romulans, Mr Spock, the Vulcan, represents the edutainment focus on overcoming xenophobia to achieve universal peace, which is instructional because of the lack of species` harmony due to racism upon Earth. In parasitology, the parasite that emerges from the host is termed `parasitoid`, which is the actual danger to a human race being attacked by a parasitoid alien that`s been developing a `biological weapon` to maintain the species as an exclusive `snuff` film it can`t escape, and where `snuff` is a term for illegal film recordings of actual killings being presented as entertainment to satisfy the appetite of the irredeemably evil parasitoid alien, Satan. The first Star Trek `reboot` movie was followed by Star Trek Into Darkness (2013), and featured the reintroduction of the character Khan, who Ricardo Montalbán acted the part of in the movie Star Trek: The Wrath Of Khan (1982), so reprising his role from television`s Star Trek: TOS, `Space Seed` (# 23), in which Khan and his crew of genetically bred superhumans, who in this alternative universe were responsible for Earth`s last major global conflict, the `Eugenics Wars` (1992-6), are discovered aboard the vessel, Botany Bay, adrift in space. After Khan, who declares his ambition of ruling the Earth again, attempts to take control of the Enterprise away from actor William Shatner in the role of Captain James T. Kirk, he and his crew are exiled on the planet Alpha Ceti V. The Wrath Of Khan is about the `Genesis Device`, a tool to reorganize neutral matter to produce habitable worlds, and Khan and his crew on Ceti V are encountered while the devisers of the Genesis Device are looking for suitable planets to `terraform`. Khan implants indigenous creatures that enter the ears and render the victims susceptible to mind control, which he uses to capture the ship, Reliant, and the Genesis Device located at Regula I starbase, before attempting to use the device on the Mutara Nebula, and so treat it and the Enterprise as neutral matter from which to make habitable worlds. The concept of alien invaders of the body to control the minds of Earthmen is familiar from Jack Vance`s novel, The Body Snatchers (1953), which was made into the movie, Invasion Of The Body Snatchers (1956), and represents the actual fate of `woman`s seed`, who`re male brained to accept direction from a mind not of their own race. Although the concept isn`t unique, for example, in Robert A. Heinlein`s The Puppet Masters (1953) `slugs` attach themselves to the bodies of Earth`s people and take over their minds, the idea of men`s brains being inhuman because of their slaving of women`s wombs in homosexuality and pederasty for war upon the Earth is more recent.

 In the biblical Genesis, the first woman, Eve, is depicted accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, Satan, who was the angel transformed by God and exiled in the paradise of heaven on Earth for rejecting God`s plan that the human host should be greater than the angelic. Satan tells Eve: `You shall be as gods.` (Gen: 3. 5) God tells Eve her `seed` will have `enmity` with the serpent`s before Redemption: `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because futanarian women can sexually reproduce without men from their own penis` semen: `Love your neighbor as you love yourself.` (Mk: 12. 31) Consequently, when Jesus, who was born uncontaminated by male semen, was taken to the hill of Calvary by agents of the Roman Empire and nailed to a cross of wood where he was left to die, he had Resurrection and Ascension to heaven in prefiguration of `woman`s seed` liberated through her own brains` powers to confer immortality through medical science and develop advanced technology to colonize the planets amongst the stars of heaven above; so breaking the curse of male braining humanity to be memoryless ephemera in slavery to death`s wars against her.

 Khan is depicted close to death at the end of Star Trek: The Wrath Of Khan after an engagement between the Enterprise and the Reliant, but Khan emerges again In Star Trek Beyond in the guise of actor Benedict Cumberbatch as terrorist, John Harrison, who after attacking Starfleet is pursued to the Klingon home world, Kronos, where he surrenders after hearing about the torpedoes carried by the Enterprise. Dr McCoy opens a torpedo at Harrison's behest. Inside is a man in cryogenic stasis. Every torpedo contains a member of Khan`s crew, because that`s who Harrison is. Khan says he was awakened from centuries of suspended animation by Admiral Marcus to develop advanced weapons of war against the Klingon Empire, which of course represents those who cling to war as an unredeemed activity of an evil nature. The Enterprise's warp drive has been sabotaged, so the Klingons would destroy the ship as it fell towards Kronos, which Starfleet would then interpret as an act of war, so provoking it. The Enterprise is intercepted by the starship Vengeance with Admiral Marcus in command. The Enterprise`s Chief Engineer, Scot, disables the Vengeance after infiltrating the ship, and Khan, after killing Marcus, takes command. After Spock reneges on an agreement with Khan to restore his crew to the Vengeance, and instead removes the cryogenic sleepers before arming the torpedoes to detonate aboard the Vengeance, Khan crashes the disabled Vengeance onto Earth`s Starfleet Academy before being returned to cryogenic slumber with his superhumans, who return to their role within the Star Trek cosmos as its dormant virus waiting to be reawakened. Khan`s crew represent men as a cyclical destroyer emerging from the host as a parasitoid devourer in the absence of a long term human memory with the knowledge of how to maintain a developed civilization, culture and art resistant to the cycle of parasitoid activity. In fact the evil parasitoid nature seeks to keep the human host of `woman`s seed` in slavery to death in war to ensure its memoryless ephemerality. That way the parasitoid alien nature can exterminate the human race while watching its death throes as entertainment without the species becoming aware of its danger, which is what the cyclical reappearances of Khan`s crew in Star Trek represent.

 In Star Trek Beyond the Enterprise is sent on a rescue mission to save the occupant of an escape pod, Kalara, who says her ship is stranded on Altamid, a planet within an uncharted nebula. The Enterprise is ambushed by smaller ships and the character, Krall, boards the vessel to unsuccessfully look for an alien relic, an Abronath, which Kirk has. The saucer section of the Enterprise crashes on the planet, Altamid, and Krall recovers the Abronath, a `bioweapon` devised by the ancient inhabitants of Altamid as a disintegrator of any humanoid life form, that is, it`s an extrapolation of HIV/AIDS. As Kalara emerges from the escape pod she`s a symbol of the host womb of women that somehow millennia ago the parasite inveigled itself into in order to steal the penis of `woman`s seed` and replicate itself as the human species parasitoid devourer in wars against her race. Ostensibly attractive to the men of the crew of the starship Enterprise, Kalara facilitates Krall`s ambuscade, because that`s what the parasite uses New Woman for. Krall is discovered to be Balthazar Edison, Captain of the starship, Franklin, which has been the home of Jaylah, the rescuer of ship`s engineer, Montgomery Scott, since she escaped a Krall `camp` and found the grounded vessel. `Scotty`, and the remnant of the stranded Enterprise crew, use the Franklin to pursue Krall, that is, Balthazar Edison, who himself pursues galactic conflict in rejection of the Federation`s principles of unity and cooperation, because he`s a Satanist parasitoid: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) As the Bible warns, Satanists war with humanity as serpents that grow into devouring parasitoid dragons of warfare against `woman`s seed`. Edison is spaced by Kirk before he can launch the bioweapon, but in reality that resolution is cosmetic. The `biological weapon` of HIV/AIDS keeping human futanarian `woman`s seed` in fearful faithfulness to men`s ring slavery, when she could sexually reproduce her own brains` powers for liberation from host womb enslavement to an alien parasitoid devourer, remains a genuinely real threat to the `remnant` of her species. Her race is lulled into a sense of false security by the movie`s end, because the `death camp` guards, represented by the crew of the Enterprise, appear heroic, whereas they`re actually in the role of being `jailor` to Jaylah, although the audience is meant to feel she`s rewarded for her efforts when Kirk gains entrance for her into what is effectively another male run prison for women; Starfleet Academy.

 Most critics of the `TV` series, Star Trek: TOS, and its successors, Star Trek: The Animated Series (1973-4), Star Trek: The Next Generation (1987-94), Star Trek: Deep Space Nine (1993-9), a space station, rather than a starship, and Star Trek: Voyager (1995-2001), before the TOS prequel, Star Trek: Enterprise (2001-05), describe the action as `camp`; a term for humor invisible to children but evident to adults. The ongoing joke of Star Trek, `where no one has gone before`, is that the Enterprise is a symbolic `death camp` for women without penis` semen of their own so that their species can`t escape its `concentration camp` guards, who want the audience to accept their conditioning unquestioningly, because unanswered questions about the absence of the woman`s penis from the `TV` fiction are too revealing of the purpose of the edutainment medium as propaganda. At least since the time of the ancient Romans and their supposedly primitive amphitheaters in which the evil parasitoid watched humans being killed for entertainment, humans have been manufactured by men as a single male brained creature wearing each others clothes in `TV` transvestism, which is the unanswerable question being posed: where are humanity`s women? The `camp` humor aboard the Enterprise suggests either that futanarian `woman`s seed` and their human offspring are being kept prisoner away from the `TV` action and its `TV` audience, or the `concentration camp` guards are there to keep the children ignorant, so that the guards` extermination pogrom can continue against human nature, which doesn`t really want to watch `TV` as a vicariously alien parasitoid devourer of itself.

1 Laocoon, the Trojan priest, Virgil, The Aeneid, Bk II, 19 B.C.