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You Will Cease To Exist If You Don`t Accept Woman`s Seed
13/09/2013 16:45
You Will Cease To Exist If You Don`t Accept Woman`s Seed
In the US television series Star Trek (1966-67), which featured the exploration voyages of the starship Enterprise (c. 2260-), in The Changeling episode the crew encounter an entity describing itself as `Nomad`. The `perfect intelligent thinking machine` had been launched in 2002 to reach out to other life forms, which was what the later Starship Enterprise had been designed to achieve with a crew. Nomad encountered an alien space probe, Tan Ru, and merged to produce a being that was intolerant of anything it perceived as imperfect and destroyed it. Nomad`s creator was Dr. Jackson Roykirk and so Nomad mistook Captain James T. Kirk of the starship Enterprise for Roykirk and was dissuaded from continuing its atttack on the `imperfect` Enterprise after Kirk introduced himself:
`My function is to probe for biological infestations, to destroy that which is not perfect.`1
Because `kirk` is the word for `church` in Scotland, the British Isles, the encounter between the creature created by Roykirk and Captain Kirk is religiously symbolic, because Roy derives from `roi`, the French word for `king`, and so the `captain` of the `church`, which is the starship Enterprise, is encountering a church `king` who, insofar as Nomad represents God`s desire for perfection, corresponds to Jesus, mocked by the Roman Empire in occupied Palestine as the `king of the Jews` when they were torturing the Messiah to death as a political dissident. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus was the `perfect man` and `the first of woman`s seed`, which God said would have `perpetual enmity` with the `serpent`s seed` before, leaving Earth for a `new heaven and Earth`, her `seed`:
`... will crush the head of the serpent with her foot.` (Gen: 3. 15)
Because `futanarian` woman has her own penis` `seed`, she`s the `foot` which will leave the Earth; despite men`s desire to keep humanity`s `futrace` program from being `run` by God. Nomad`s perception on meeting the black female communications officer, Lt. Uhuru, is that her brain is imperfect and Nomad erases her mind, `That unit is defective. Its thinking is chaotic. Absorbing it unsettled me.` Psychologically, the meaning is that her brain contains a false picture of reality, because men aren`t her race, `A mass of conflicting impulses.` In the developmental psychology of Carl Gustav Jung (1875-1961), the `collective unconscious` of humankind contain images to be found in dreams, art and the imagination, which are the `impulse engines` of the species. If men aren`t `futanarian` women`s `seed`, their starships correspond to the `red dragon` of Revelation, waiting in vain to devour Jesus, in his `Second Coming`, as the `New Redeemer`.
The `futanarian` woman wants to self-reproduce with her own penis` semen and have daughters with their own brains` power. Her `woman`s seed` seeks to create advanced technologies to escape from men`s alien parasitism upon her host womb, which has enslaved her to produce the civilization, culture and art her spirit from God is able to. In its ceaseless wars of `perpetual enmity` men are the `serpent`s seed` that, if women have a self-reproductive system of her own, men can no longer pretend to be defending her.
The rising of the `futanarian`, from the floor of the Earth to the planets and stars, is analogous to the `foot` being raised from the ground so that the `futrace` can `run`, but the `serpent`s seed` of men don`t want her to escape. Delayed by men`s killing of her `futanarian` penis` `seed`, and supplanting her own archetypally developmental self-image, in her conscious and unconscious mind, with a picture of `the false hero` who has killed her, men seek to maintain the enslavement of women for their worship of the devouring god of war in pederasty. Hollywood, Los Angeles, which is the centre of the United States` film industry, is sometimes called `Babylon`, because it produces `propoganda` for the `serpent`s seed` in its depiction of `woman`s seed` as an enslaved species being killed by an alien parasite for entertainment in `action` movies:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Actresses like black Nichelle Nicholls, who had the role of Lieutenant Uhuru, and Susan Oliver, who had the role of the green-skinned alien woman, Veena, in the original Star Trek episode, The Cage, represent the brainless woman because she can`t self-fertilize her own species` host womb with her own `futanarian` penis` `seed`, which is what her evil parasite has done to her. In The Cage Veena is a green-skinned `alien` metamorph, who can alter her appearance so she doesn`t appear undesirable, which is what men have made woman to herself. In other words, she is the `classic` schizophrenic multiple personality` alienated from herself by men`s lies:
`I contain no parasitical beings. I am Nomad.`
Without knowledge of her own penis` `seed`, woman perceives herself as physically and psychologically disgusting, if she has what men have taught her are `lesbian` abherrant tendencies, while in fact she is `normal` if desirous of reproducing her own race`s brainpower through sexual fertilization as a `futanarian` woman with her own penis` semen. When Nomad erases Uhuru`s `imperfect` mind, symbolically it`s because she`s been `maled` by her alien devourer, and the starship Enterprise, armed with its photon torpedoes and phaser weapons, represents her as the `serpent`s seed`.
Nomad is depicted as having killed billions in the Malurians `star system` on a recent imperfection purge, but that`s Hollywood Babylon propoganda, whereas men`s seeking to explore the cosmos in starships armed to the teeth of its devouring `red dragon` is what Revelation describes as `war in heaven` against `woman`s seed`, which is the `futarian` woman with her own penis` `seed` living in socio-economic independence from her parasites. As Jesus Christ indicated, as the host at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven, when he gave the disciples `bread and wine` as tokens of his `body and blood`, betraying the host womb of the species of woman`s `seed` of `futanarian` humanity with its own penis` semen is what men have done:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
In ancient Greece men enslaved the host wombs of women to spread their contagion of pederasty and war, and nothing has changed. By the late twentieth century men had developed the `blood plague` of Revelation by mixing blood, shit and their own semen in each others` anuses to produce HIV/AIDS as a `biological weapon` to keep her in fearful faithfulness to the enslaving and devouring `serpent`s seed`, while God`s Bible promised perdition, that is, eternal unendurable pain, to those who `refused to repent`. `Greek` is a euphemism for pederasty and so the Graeco-Roman civilization, culture and art of Jesus` era was devoid of `woman` s seed` because she`d been murdered. Jesus` teachings are of her Resurrection as an extended single human family where marriage will be only a memory of her period of enslavement:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Rev: 22. 30)
The host womb of woman will produce and be the host of the angels of God in Resurrection as `futanarian` woman with her own penis` `seed` in heaven and she shall have `the pearl of great price` too, which is the `kingdom of God` upon the Earth. The `New Redeemer` is to be born from `the woman clothed with the sun and with the moon at her feet` and `he will rule the nations with an iron scepter`. The statue of `Liberty` in New York harbor with the moon of the flag of Al Qaeda, `the base`, at her feet after the assassination of Osama Ben Ladan, on May 2nd 2011, represents the woman of Revelation, because the United States` defeat of the red sun of the flag of Japan after the `sneak` attack upon the US Pacific fleet on 7 December, 1941, is `the pearl of great price`, `the kingdom of God`, which is what the US fights for.
The Gulf war (2001-11) to depose President Saddam Hussein, who had offered bases in Iraq to Al Qaeda, `the base`, makes `Liberty`, the mother of the `New Redeemer`, looking at the moon reflected in her birth waters at New York harbor, after the Al Qaeda terrorist hijacking of `civil` planes to crash them into the World Trade Centre of New York. Al Qaeda, `the base`, at the feet of `Liberty` after September 11, 2001, had reestablished global `rough trade`, that is, homosexual `brutality and violence`, and Hollywood Babylon made the terrorist `action` movie World Trade Centre (2006) to continue the propoganda of the `serpent`s seed` and maintain `perpetual enmity` for `woman`s seed`, which the United States` movie industry had been doing since its `foot on the floor` rule in `bedroom scenes`2 prevented the `futanarian` penis of woman`s `futrace` from being seen to take itself off the Earth in Star Trek or other `science fiction` television and movie vehicles, like Babylon 5 (1994-98) for example, which focused on hiding the male pogrom against `woman`s seed` inside a plot with alien males in control of ethnocentricities differing from those under which women were enslaved on Earth and so seemed interestingly exotic but acceptably the same to the human race of `futanarian` woman with her own penis` `seed` kept in censored blindness and ignorance of her pogromers by Hollywood Babylon.
Battlestar Galactica (1978) was another US space opera television series facing cybernetic aliens, the Cylons, where the humans became nomadic to find a new home after the Cylons had destroyed Earth. A nomad is a wanderer, and the term is applied to desert tent dwellers, such as the Tuareg of Arabia, or the North American Plains` Indians, who followed the paths of the animals, that is, the food, which they hunted. The `futanarian` is the `foot` which men have hunted almost to extinction because she`s the human species` host womb and the `serpent`s seed` don`t want the `futrace` to `run`. In the later version of the TV series, Battlestar Galactica (2004-9), the Cylons are revealed to have been humanoid and, reconciled, live together with humans. Tricia Helfer, the actress who has the role of `Cylon Number Six`, admits:
`All of this has happened before. But the question remains, does all of this have to happen again?`3
Not if `woman`s seed` can overcome her `false picture makers`, Hollywood Babylon, which wants to plague; games of virality with the alien `serpent`s seed` of men`s against hers in wars of `perpetual enmity` because it refuses to leave the stage. In Sophocles` Oedipus Rex (c. 429 BC) Oedipus is `slow foot`, because he won`t leave the stage after blinding himself. He`s married his mother and can`t deal with the strength of men`s incest taboo, which is designed to prohibit `woman`s seed` from breeding with herself as `futanarian` woman with her own penis` `seed`. Guided away by his daughter, Antigone, at the end of the play Oedipus is still the central `lame` figure, because Antigone can`t penetrate her own censored blindness to prefer her own species. Before becoming king of Thebes by marriage, Oedipus had to solve the `riddle of the Sphinx`:
`What goes on all fours in the morning, two legs in the afternoon, and three in the evening?`4
Oedipus gives the answer `Man`, because he`s a baby who`ll be blind and walking with a cane in old age, but the third `foot` of `Man` is the `futanarian` woman with her own penis` `seed` who`s the `futrace` being slowed by men. She can`t `run` in a three-legged race. The word `futanar` comes from the words `fut` and `tanar`, which is Hungarian for `run` and `teacher`, so Jesus is the `futanarian` teacher. Although the psychological term `Oedipal` is used to denote Oedipus` killing of his father, Laius, so he can marry his mother, that is, a more than usually perceived desire on the part of the son, who seeks sexual access to the wife, Jocasta hangs herself in Sophocles` drama, which makes her `choke a star`, because the symbol of Jesus` Advent was the mysterious `star` over Bethlehem heralding his birth.
Because Jesus is `futanar` in Hungarian, Jocasta is `choke a star`, that is, Jesus` future `futanarian` message is choked in Sophocles` Oedipus Rex, because Christ`s `archetypal star` won`t be seen there. In Hungarian `sok` means `plenty` and `asztal` means `table`. The psychological term `Oedipal` is a misnomer, because it should be `Jocastal` for the psychological complex representing the desire of `woman`s seed` to be born from the teachings of the `futanar` Jesus` table at the `Last Supper`. Sophocles` drama Oedipus Rex is like the teachings of Jesus because the message is there but needs a `futanar` to teach it, whereas classical scholarship, and schools of psychology, particularly `the father` of psychoanalysis, Sigmund Freud (1856-1939), who argued that women are the `victims of penis envy`, obfuscate. Bible preachers arrogate Jesus` spiritual authority as a `futanarian` teacher of `woman`s seed` without being able to teach and so the human race remains ineducable and possessed by demons.
In the Bible Cain killed his brother, Abel, because he wasn`t able and wouldn`t `cook`, which is a metaphor for blindman`s Cain`s refusal to develop, which is the story of `Man` and the `futanarian` woman of the human species` `seed` with her own penis. Enslaving and devouring her, in its wars of `perpetual enmity` for developing `woman`s seed`, the `serpent`s seed` has put woman`s `fut` on the table, and its feet under it, because rather than `Man` becoming `able`, women can always be made to have a `bun in the oven`, that is, a slave child for devouring in pederasty, and so Cain can continue to walk alongside a three-legged handicapped race with the human `slow foot` he`s censoring, blinding, and keeping in unconcious ignorance of his murdering of it.
Captain James T. Kirk (church) of the starship Enterprise manages to disable Nomad by logical reasoning, because he reveals himself to be James Kirk rather than Roykirk (king, church), which means Nomad`s made a mistake and is `imperfect` itself. Ironically, the Christian church`s inability to perceive that it isn`t perfect, because it doesn`t teach Jesus` message, makes it more `illogical` than Nomad because the machine seeks the perfection of God:
`... your creator, is dead. You have mistaken me for him. You are in error! You did not discovered your mistake; you have made two errors. You are flawed and imperfect, and you have not corrected by sterilization; you've made three errors!`
Nomad self-destructs and so fulfils its program of sterilizing the `imperfect`. Ironically, the Moslem `church` made up of `nomad` desert dwellers, in their acceptance of the Prophet Mohammed and the holy book dictated to him by the angels, the Koran (610-30 CE), with a `fourfold marriage` of wives with someone at its centre, is closer to the teachings of Jesus` breeding of `woman`s seed` so that she can live in socio-economic independence from her own brains` power as a species of `futanarian` woman with her own penis` `semen hidden publically from prying eyes beneath her one-piece traditional covering of the burkha, which disguises everything of her, and men`s eyes are required to be publically averted from hers to prevent them from discovering the secret:
`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)
The black flag of the Prophet Mohammed with an eagle at its centre was `Al Uqaab` and the symbol upon the `Great Seal` of the United States of America is the eagle. Assisted by the Moslem peoples from the heart of Islam, Saudi Arabia, where Mecca contains the tomb of Abraham, patriarch of Judaism and Ilsam, `Liberty` deposed Iraq`s President, Saddam Hussein, supporter of `the base`, Al Qaeda, which had attacked the USA on September 11, 2001, by means of terrorist hijackers` crashing of `civil` airliners into the Twin Towers of New York`s World Trade Centre in an attempt to reimplement the `rough trade` of pederasty and war. But the hymen of `woman`s seed` was protected by the `Great Seal` of the eagle of the United States and the black flag of the eagle of the Prophet Mohammed, while the Seals of Navy Team Six killed Al Qaeda leader, Osama Ben Ladan, on May 2nd 2011, and that`s eagles and seals.
1 Star Trek, `The Changeling`, Season 2, Episode 3, September 29, 1967.
2 The Production Code of the Motion Picture Industry (1930-1967), Part II Sex (2b), `Scenes of passion`; `Excessive and lustful kissing, lustful embraces, suggestive postures and gestures are not to be shown.`
3 Helfer, Tricia Battlestar Galactica, `Daybreak`, Season 4, Episode 22, March 20, 2009.
4 Frazer, Sir James George (ed.) Apollodorus Library, Apollod, 3.5.8.
Holly Would But They Won`t Let Her
11/09/2013 12:54Holly Would But They Won`t Let Her
The `model-T` Ford motor car was the orginal Terminator (1984) movie vehicle for women. Since the first mass produced automobile rolled off the production line at Henry Ford`s factory in 1908, women have been taught that, if they work the pedals well enough, they`ll really motor, but not in Arabia where women are fobidden to drive. The Arabian Moslems are often thought of as being backward in their treatment of women, but Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, because he was the `first of woman`s seed`, who has penis` semen of her own as the `futanarian` human species capable of socio-economic independence of men through the sexual reproduction of her own brains` power.
The Arabian holy book, the Koran (610-30 CE), was dictated to the Prophet Mohammed by the angels six hundred and thirty years after the birth of Jesus, and Moslem marriages in Islam follow the teachings of Jesus, which places an individual at the centre of a family that can have four wives. Because `futanarian` women with a penis of their own can live within a Moslem marriage, Arabian marriages are far more `liberal` than Westerners`, because they don`t preclude sexual reproduction between women, which men have defiled with innacurate definitions of the term `lesbian` as sexually abherrant and abnormal for an independent species` love for herselves.
Although some Arab nations forbid women to drive motor vehicles, it`s because the car is viewed as a disabling vehicle for the `futanarian` race of humanity, that is, the pedals are for the `futrace`, because it`s men`s low technology to prevent `woman`s seed` from raising her `foot` from the Earth and racing to the planets and stars through the breeding of her own brains` power and capacity for developing the human race technologically to escape from men`s enslaving and devouring of the civilization, culture and art she`s able to produce from her host womb despite her parasite`s depredations. In the Christian Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent` seed`, but Eve`s daughters will leave for a `new heaven and Earth`, because she:
`... will crush the head of the serpent with her foot.` (Gen: 3. 15)
Because the model-T Ford is a disabling vehicle which hasn`t changed the pedals of its treadmill since its invention at the beginning of the 20th century, the Terminator robots of the movie franchise starring `gay` male icon, Arnold Schwarzenneger, represent the alien`s desire to disable the women of the Earth to prevent her from realizing her independence from the machinery of her enslavement, because the machine should be her labour-saving liberator but it being used by men to disable, enslave, and extinguish her human species upon the Earth. Men could be parasitical aliens that have attached themselves virally through her own penis` semen before seeking to make her extinct. According to the Bible the `red dragon` is the `serpent`s seed` grown to full size, but will experience eternal unendurable pain as a punishment from God because men worship the `brutality and violence` of homosexuality in pederasty and war:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
The `blood plague` of Revelation corresponds to the HIV/AIDS` virus spread by men who have engaged in acts of homosexual pederasty in rejection of women to produce the disease in mixing blood, shit and semen by inserting their penis into each others` anus in sterile mockery of sexual reproduction between humans. In the late 20th century men`s `blood plague` functioned as the `biological weapon` enforcing women`s faithfulness to her alien in fear:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Hollywood Babylon practices deceit because the penis` semen of the `woman`s seed` isn`t visible in the pictures produced by the movie industry. Taboos against the penis` visibility have been codified in Hollywood Babylon since the 1930s when the `foot on the floor` rule in bedroom scenes was enforced because men didn`t want the `futanarian` human species` `seed` of women to get off the Earth`s floor. Sexy Australian pop star Holly Valence would `Kiss Kiss` (2002) with penis` `seed` of her own, but Hollywood Babylon wouldn`t want to know her if she was `futanarian` woman with her own semen, because it would interfere with the `gay` picture of Hollywood Babylon `action` movies devastating the woman`s planet in the name of heroism.
Gone are the days when Arnold Schwarzenneger, as Conan The Barbarian (1982), could claim that his sword was symbolic of the male penis` defending the woman, while her own penis` `seed` has been cut off by men`s sword. In the Terminator movies actress Linda Hamilton has the role of Sarah Connor, who is depicted as needing a defence for her son, John, whereas what she actually needs is a `robot defender` in the image of herself as a woman with her own penis` `seed`, to protect her against men`s sword. Henry Ford`s model-T vehicle disabled the `futanarian` human `futrace` as a precursor to Hollywood Babylon`s Terminator vehicle, which bamboozles the woman into protecting the `boy son`, that is, the HIV/AIDS` vehicle, which is the poison in the chalice of Hollywood Babylon, rather than protecting her own self`s `futanarian` human species with her own clean penis` `seed`:
`The woman was dressed in purple and scarlet, and was glittering with gold, precious stones and pearls. She held a golden cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)
Because women are taught that men defend her with their swords, they accept the notion that the sword is the logical extension of a man`s penis, whereas the `futanarian` woman with her own human penis` semen has had her penis cut off by the alien `swordmaster`, so she`ll remain in a `master and slave` relationship, because she can`t breed her own brains` power to develop the technology that would allow the humans to leave the aliens` imprisonment. The robot has been feared by men since its conception, because it reveals their redundancy. Women need `labour-saving devices`, but men`s hampering of her through Ludditism, which is the disabling of machines to ensure that men don`t become redundant, is a legacy from the 18th century`s `Industrial Revolution` in England where `Luddites`, named for Ned Ludd, who reputedly broke two `stocking frames` in 1799, were workers employed in the textile industry.
In Judaism Jesus isn`t yet accepted as the `Meshiah`, which is the Hebrew word for `Messiah` and is indicative of Jesus` role as the `Logos` or technological `Word` of God for the `Meshian` age. The `machine age` will liberate `woman`s seed` from drudgery, so she can work to live, rather than slave to die from curable diseases and weapons of mass destruction, which her human `futanarian` race from woman`s own penis` semen doesn`t want and could use her own brains` powers to terminate by the simple expedient of rejecting the sword of men and accepting the machine in her own image.
In the US television series, Terminator: The Chronicles Of Sarah Connor (2008-9), actress Summer Glau has the role of `Cameron`, who is a `Terminator` sent back from 2027 by John Connor to protect his earlier self. If women, as a `futanarian` species with her own penis` `seed`, has `Cameron` to protect her, she doesn`t need John, who is depicted as a Messianic defender of the humans in the Hollywood Babylon `Terminator picture` but he`s `Satan` because robots should be saving the woman`s labour and helping her to give birth to her own children in her own image:
`I will greatly multiply your pain in childbirth. In pain you will bring forth children; yet your desire will be for your husband, and he will rule over you.` (Gen: 3. 17)
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Eve was told by God that she`d have `labour pains`, because she`d accepted the `fruit of the tree of the knowledge of good and evil` from the `serpent` in Eden, which meant death, because men wouldn`t want her `futanarian` penis` `seed` to live, and the `serpent`s seed` would seek to enslave her. The story is a depiction of how the `original couple` decided they wanted children, and God`s `tree of life`, which conferred immortality, was dependant on men`s acceptance of `woman`s seed`, but they didn`t:
`By the sweat of your brow you will eat your food until you return to the ground, since from it you were taken; for dust you are and to dust you will return.`
Expelled from Eden by God, Eve was told her husband would rule over her, whereas in Revelation, Jesus, in his `Second Coming` as the `New Redeemer`, is described as he who `will rule the nations with an iron scepter`, because God`s punishment on Adam, and the male descendants of his line is far more severe. Men killed the `futanarian` human species of `woman`s seed` with her own penis` semen and enslaved the `daughters of Eve` in `perpetual enmity`, without even declaring war. The Japanese `sneak` attack upon Pearl harbor in 1941 was because the United States` eagle is the `Great Seal` upon the hymen of the `seed` pearl of the `kingdom of God` (Matt: 13. 45-46), which is `the pearl of great price`:
`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)
The `woman clothed with the sun and with the moon at her feet` who gives birth while the `red dragon` waits in vain to devour the `New Redeemer` is the `statue of Liberty` in New York harbor, where the yellow moon of the flag of Al Qaeda, `the base`, is reflected in her birth waters. September 11, 2001, was the day Al Qaeda terrorists crashed hijacked civil airliners into the Twin Towers of New York`s World Trade Centre on Manhattan island to reestablish the `rough trade` of the `brutality and violence` of homosexual pederasty`s war worship. US Navy Team Six`s assassination of Al Qaeda`s terrorist leader, Osama Ben Ladan, on May 2nd, 2011, ended the Gulf war (2001-11) to depose Al Qaeda` supporter, Saddam Hussein, the Iraq President who had offered bases to Al Qaeda, `the base`, to attack the United States. Al Qaeda`s `sneak` attack was a copy of Japan`s cowardly attack on the US PAcific fleet at Pearl harbor on 7 December, 1941, and `the two wings of a great eagle` had ensured that `Liberty`, `clothed` with the flags of her victories over the red `sun` of Japan and the yellow `moon` of Al Qaeda, would give birth `out of the serpent`s reach`.
The main ally of the United States was Saudi Arabia in both Gulf wars to remove Saddam Hussein`s invading army from neighbouring independent Islamic, Kuwait (1990-1), and to capture Iraq`s capital city of Baghdad and execute Saddam Hussein (2001-11) and other terrorist leaders. The King of Saudi Arabia, Fahd bin Abdul Aziz, `Custodian of the Two Holy Mosques`, Al-Masjid al-Nabawi in Medina, and Al-Masjid al-Haram, close by the Ka`Ba, the tomb of Abraham, patriarch of both Islam and Judaism, in the most holy place on Earth to Moslems, Mecca, gave to the United States the support of Islam, where the flag of tradition is the `Al Uqaab`, which is a black flag with an eagle at its centre, and so `woman`s seed` was protected by `the two wings of a great eagle` in `the place prepared for her in the wilderness` where she`d remain `out of the serpent`s reach` until borne from the Earth on wings of her own.
Jesus Didn`t Have Any Knights With A Woman Because The Program Was For Male Robots
04/09/2013 12:29Jesus Didn`t Have Any Knights With A Woman Because The Program Was For Male Robots
At the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven Jesus gave `bread and wine` in token of his `body and blood` to the disciples of his teaching of the host, which condemned betrayal of the host by the guest. In the Catholic Commuion service the bread and wine is called the host, and it was the disciple Judas that would betray Jesus as the host after the `Last Supper` to the Jewish Pharisees who handed Jesus over to the Roman occupying forces, then in Palestine, as a dissident. The result was that Jesus was tortured and murdered upon the cross of his crucifixion with the sign `INRI` placed above him as the acronym for the Latin words meaning `King of the Jews`, because of his teaching `Mission` to promulgate belief in the mother as the host.
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Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, as the `first of woman`s seed`, because women have their own penis` `seed` but require protection if they`re to reproduce as a species and develop their own brains` power and technology to help them live and escape from the parasites upon her womb that emerge to enslave and devour her in their wars of `perpetual enmity` as the `serpent`s seed`, which God warns Eve of in Eden and tells her she will have a `new heaven and Earth` and will:
`... crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
The word for a woman with her own penis` seed is `futanarian`, so she`s the `foot` which God tells Eve of. Jesus` fellowship of disciples was mirrored in the knights of the round table of king Arthur of the Britons in the legendary Medieval period of British history, which by the 20th century had received emulation in the shape of a diners` Rotary Club, where members invited guests to dinner. The symbol of Jesus` `Last Supper` was the bowl he drank and ate from, which was the custom of the early Christian era, and it became known as the Holy Grail, because it contained the `bread and wine` that was afterwards given by Catholic priests to their parishioners by means of the wine of the chalice and a small sliver of bread placed on the tongue by the officiating divine in token of Jesus` not wanting his `body and blood` to be enslaved and betrayed by men like Judas Iscariot. In Catholicism the `bread and wine` is given as the `host` to assist the congreagation to understand women are the host womb of the human species, and that men shouldn`t live as her parasitical devourers in what God warned Eve would be their wars of `perpetual enmity` against her enslaved `body and blood`:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
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The Hollywood Babylon movie presents the 21st century knight, Iron Man (2008) as the super heroic figure, but Jesus` story is of someone who didn`t have any knights to defend himself and his congregation against the Empire of Roman with its legions. Armour wasn`t the solution. In the Bible Jesus is called `Logos`, the Word of God, because technological advancement is the meaning of his supposed celibacy. People have more to do than consider reproduction. If human are to progress in terms of technology, less spiritual and instinctual energy needs to be expended in reproduction and more in developmental functionality. Woman with her own `futanarian` penis` `seed` needs labour-saving technologies to liberate her, and robots to help her, which correspond to the real notion of the knights in shining armour, because men prefer devouring war, which is putting a `foot` that didn`t belong to them on the table instead of food. The `hidden` race of `futanarian` is in their bellies rather than that she cook for her own species.
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In the Bible Cain slew his brother, Abel, because he could cook and so was able to develop, which is men`s history. Arthur`s knights and the original Marvel `comic` superhero character, Iron Man, are robotic aspects of the enslaver and devour of women`s host wombs so that men can continue in their armour, whether cars or tanks. Kept in enslavement by a parasite that refuses to develop beyond a level of technology that keeps the human `futanarian` race pedalling with her foot on the `exercise wheel` of her cage, so that men can go on pedalling death in motorized armoured vehicles, while cars haven`t developed from being children`s pedal vehicles since the first mass produced Model-T came out of Henry Ford`s factory in 1908, Arabian women can`t even get their foot on the gas pedal, because they`re forbidden to drive a motor vehicle, so how is the human `futanarian` race with her own penis` `seed` ever to get off the ground and to the colonization of the planets around the stars in the heaven that is the future destiny of God`s plan for the `chosen people`?
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Although the Jews are described as the `chosen people` in the Bible, it`s not possible to be born a Jew unless born from a Jewess, which means that women are the `chosen people`, because they`re the `futanarian` race of humanity with her own penis` `seed` and capacity for self-reproductioin of her own brains` power to devise technologies to take her away from the Earth and its enslaving and devouring aliens in starships of her own devising. Adam was told by God he must live by the sweat of his brow, while Eve was told she`s have pain in labour. Because machines are Eve`s labour-saving devices, technology is what the torch-bearing statue of `Liberty` in New York harbour, New York state, in the United States of America, symbolizes.
`Liberty` is the statue of a woman and not a robot, but all machines that liberate the `futanarian` species of woman with her own penis` `seed` are robots, because they help her to live without the pain of labour, which is what Adam`s `serpent`s seed` represents for her, before she gives birth to the true human `futanarian` race of women with their own penis` `seed` and capacity for self-reproducing her own brains` power to live in socio-economic independence from men as a species.
The program for men is a male robot which keeps the `futanarian` as a food processor for its devourers` activity, and as a foot pedaller for its treadmill, which produces civilization, culture and art to be periodically destroyed in the enslaving parasitical virus` wars against her. Jesus` knights weren`t yet developed, the washing machine, the refrigerator, the microwave oven, and the information system of the `world wide web` which, as the internet connecting everybody to a single publically accessible information system by the end of the 20th century, permitted research in areas previously taboo.
Through the internet younger women could discover for themselves that men`s incest taboo, for example, was designed to prevent her from having reproductive sex with her own `futanarian` single species` biune family with her own penis` `seed` by accessing formerly censored men centred `pornography`, which depicted herself ghettoized as a curiosity. But without reference to her potential for reproducing with her own human species of woman in a `media blackout` that had lasted at least since Hollywood`s `foot on the floor` rule in bedroom scenes from the 1930s, which had tried to ensure women would never see her own species` penis and so be able to get her `futanarian` human species with her own penis` `seed` off the floor.
`Liberty` in New York harbour, New York State, is the `solid state` robot image of woman, because she needs machines in her own image to liberate her from men`s enslaving and devouring of her `footrace`. The history of the 18th century`s `Industrial Revolution`, which began in England, was of men smashing machines, particularly in the textile industry, where the `Luddites`, named for Ned Ludd, who had reputedly smashed two `stocking frames` in 1799, saw that machines made them redundant, which in fact is what machines are for, although they`re labour-saving devices to women, because men are redundant in terms of a socio-economy in which women are the sexual reproducers of her own species brains` power to develop living technologies. In truth, women`s `futanarian` body with its own penis` `seed` is better technology than male sterility, which can`t reproduce itself and so constitutes a redundancy in terms of the human picture.
In ancient Greece homosexuality was the institutionalized enslaving of women`s host wombs to further their worshiup of the god of death Thanatos through pederasty`s god of war, Ares, to spread their god of plague (Nosoi), which caused famine (Aetheon) and corresponded to the `blood plague` of Revelation, that is, the HIV/AIDS virus` `killer disease` caused by men`s mixing of blood, shit and semen in their anuses during women rejecting sterile acts of mock sexual reproduction, which ensured women`s faithfulness to her monogamous enslavers through fear of their terror weapon in the biological warfare they were waging against her host womb towards the end of the 20th century:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
If `futanarian` woman with her own penis` `seed` wasn`t visibly sexually reproducing because she was either hidden beneath her abiyah in Arabia, or extinguished by her jailors in the West, men were worshipping the Greek god of famine, Aetheon, as sexual starvation of the human species of `futanarian`, that is, `fut`. which means `run` in the language of the Hungarians, while `tanar` means `teacher`, and so `futanar` is what Jesus was; a teacher afoot amongst his people.
When `Liberty` in her waters of New York harbour was challenged by the Al Qaeda terrorist hijackers` crashing of planes into the Twin Towers of the World Trade Centre in New York on September 11, 2001, it was an attempt to reestablish the homosexual `brutality and violence` of `rough trade`, which is the preying of men upon socio-economically disadvantaged boys, in worship of Thanatos, god of death, through Ares, pederasty`s god of war. In Revelation the `woman clothed with the sun and with the moon at her feet` giving birth to the `New Redeemer`, that is, Jesus, in his `Second Coming`, to `rule the nations with a sceptre of iron`, is `Liberty`, `clothed` with the flags of her victories over the red `sun` of Japan and the yellow `moon` of Al Qaeda, `the base`.
In the Bible `the pearl of great price` is the `kingdom of God`, and so the United States` victory over the Japanese after their `sneak attack` upon the US` Pacific fleet at Pearl harbor in 1941, which precipitated the US` involvement in WWII (1939-45), was a step towards the establishing of the `kingdom of God` on Earth, while the deposing of Saddam Hussein, Iraq`s dictator, who had supported Al Qaeda, represented the possibility of liberation for `futanarian` Arabia where, in the Moslem religion of Islam, founded by the Prophet Mohammed through the Koran (610-30 C.E), dictated by the angels, four wives are permitted.
In developmental psychologist, Carl Gustav Jung`s (1875-1961) archetypal structuring of human consciousness, there are four functions; Thinking, Sensation, Feeling and Intuition. The developmentally archetypal `fourfold` marriage of Arabia, according to a Jungian intepretation, has emerged from out of the depths of the unconscious human spirit to impel progress. The Arabian marriage quaternio is ready to place `futanarian` woman with her own penis` `seed` at the centre of the human species` path, because it represents the developers` teachings of Jesus, who is the `futanar` of the Moslem`s Koran in Islam.
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In Christianity Jesus` teachings are understood as sexual denial for spiritual growth through technological achievement which will result in medical science`s curing of all ills so that humans can live longer youthful lives in labour-saved comfort from pain and drudgery. Because the zenith of technology is the robot, men`s history of science fiction, writ large on the big screen of Hollywood propoganda, is of the Arnold Schwarzenneger Terminator (1984) wars of the future in which robotizized males are the weapons of destruction the `futanarian` human species of woman, with her own penis` seed` to self-reproduce in socio-economic freedom, can anticipate with fear. Men`s history of technology is of the tin that eats the `fut`, that is, instread of the food being eaten from the tin, the `futanarian` human species is enslaved and devoured by her `spammers`, who prevent her from knowing anything of herself as the human species` penis` `seed` killed by men for `spam` in a tin, for example, by making the penis` visibility a taboo.
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In the US` television series, Terminator: The Sarah Connor Chronicles (2008-9), Summer Glau is `Cameron`, a `Terminator` sent back from 2027 to protect the earlier self of Sarah Connor`s son, John. Cameron`s exact capabilities are not known, but she can consume small amounts of food, a `first` for Terminators. John`s a cypher in the plot, because the `serpent`s seed` of men`s real aim as `spammers` is to breed women as `spam`, that is, as meat for tins, which is why the pedal cars based on the model-T Ford disable the driver, especially in oil rich Arabia where women are forbidden to drive, because it`s a pre-Terminator of the `futanarian` human species of `woman`s seed` whose own penis` desire for the human species` continuation and success is what men want to terminate.
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Before the term `spam` was applied to mean `disinformation`, `spam` meant meat for a tin. Rather than face the liberated `futanarian` human species` self-reproducing brains` power to develop robots of her own, men `spam` to misinform, censor, and impose `media blackouts` to prevent `woman`s seed` from seeing what is done to her. Robots in her own image would save women`s labour, that is, protect her work, which is civilization, culture and art, which would help her to live. Escaping from her alien enslavers and devourers, Summer Glau`s real task as human woman`s representative is to prevent men`s constructing Terminator cyborgs to eat the `futanarian` race as `spam` for their tins. Robots, in the image of Summer Glau, for example, are more human than men insofar as they`ll liberate human women to self-reproduce her own brains` power to escape her enslaving and devouring aliens by means of her own development of advanced technologies.
The Buggers Are In Robert A. Heinlein`s Starship Troopers As Well
26/08/2013 13:54The Buggers Are In Robert A. Heinlein`s Starship Troopers As Well
`Bugs` have been a major feature of the `spy` genre and Hollywood movie phenomenon since Richard Millhouse Nixon, `Tricky Dicky` to his political opponents, and the President of the United States for the Republican Party (1969-74) , was discovered to have `bugged` the National Democratic Committee headquarters, known as `Watergate`, on June 17, 1972. The `spy scandal`, which became the Hollywood movie All The President`s Man (1976), was uncovered by The Washington Post investigative journalists, Bob Woodward and Carl Bernstein, after it was found that the Central Intelligence Agency (CIA) had been ordered by Richard Nixon to `bug`, that is, `spy` on the Democratic Party by means of surveillance technology. President Nixon resigned, recognizing he`d exceeded his Presidential powers, which had threatened to establish a `dictatorship` in the United States of America:
`It's never a soldier's business to decide when or where or how - or why - he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how.`1
The `Grand Master` of science fiction, Robert A. Heinlein (1907-88), examined the `spy` phenomenon in his juvenile novel for boys, Starship Troopers (1959), which featured an elite cadre to fight the `the Bug` war against a species of giant arachnoid creatures that had attacked the Earth. Heinlein`s interstellar warriors were based on US President Harry S. Truman`s `Green Berets`, which were created on June 19, 1952, as the United States Army Special Forces (USASF) working with the CIA. Heinlein`s Starship Troopers is a `scifi` extrapolation in which the paratroopers of the USASF descend from the skies like parachuting spiders to fight against `the Bugs`:
`Parachute spiders take their name from their method of hunting. They spin small circular webs the diameter of their leg-span, and then hang from tree limbs with outstretched legs, waiting for prey to pass beneath. The web serves as both a crude wing, allowing the spider to glide significant distances, and as a snare, the sticky webs quickly enveloping prey when the spider lands atop them. A quick bite and the victim is usually done for.`2
In the `spy game` to kill those who `know too much`, the internet information system developed for public use in the 20th century was the `World Wide Web` (WWW), which George W. Bush`s declared `War On Terror` (2003-) began to defend in WWIII after US intelligence failed to stop 9/11, which was so called after Al Qaeda, a terrorist group, hijacked `civil` airplanes to crash them into the Twin Towers of New York`s World Trade Centre and precipitate the second Gulf war (2001-11) to depose Saddam Hussein in Iraq; because of his declared support for `the base`, which is what the name `Al Qaeda translates as, while identifying their leader, Osama Ben Ladan, as an aspect of `the base` men, that is, amongst the many-headed `beasts` of Revelation during the apocalypse preceding God`s judgement upon mankind. The National Security Administration (https://www.nsa.gov) of the USA had been prepared to wage the intelligence war against those who sought to prevent knowledge from being disseminated in freedom since its creation by President Truman on 4 November, 1952.
War `games` are `mock battles` in which army units test each other, so Heinlein`s novel Starship Troopers extrapolates a combined war and spy `game` in which the USASF are the parachuting `spidermen`, who `drop` from starships to the `Bug planet`, where they dare to encounter the giant arachnoid `spy-dare`. Heinlein`s genius was to see that all `scifi` was a `spy novel`, because men aren`t women`s species and so shouldn`t be in the pages of the text at all because they`re spies or insurgents working against the developing human species:
`There are no dangerous weapons; there are only dangerous men.`
In the Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`, and Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, was the first of `woman`s seed`. His teaching of the host, that is, the womb of woman, heralds the birth of the single biune species of `futanarian` woman with her own penis` `seed` and socio-economic valence for self-producing her own brains` power to develop herself and the starship technology she needs to escape the alien parasite that`s invaded her womb and attached itself to her species through her penis` `seed` as her virus, which is`the Bugs`, men:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done,` (Rev: 16. 11)
In ancient Greece men`s institutionalized homosexual pederasty enslaved the host wombs of women to promote their worship of the Greek gods of Ares (war), Thanatos (death), Nosoi (plague) and Atheon (famine), which are called in Revelation, `the four horseman of the apocalypse` that precedes God`s judgement and proclaimed punishment upon men as eternal unendurable pain for enslaving woman`s host wombs to produce civilization, culture and art for men to devour in their viral parasites` alien devouring of the human species of woman in `perpetual enmity`; although God does tell Eve her `seed`:
`... will crush the head of the serpent as she leaves.` (Gen: 3. 15)
Heinlein`s extrapolation has women called `mothers` as the starship commanders who `drop` their `boy sons` onto `the Bug` planet in a metaphor for `biological warfare` in which the mothers` boy sons are the `poisons` of the HIV/AIDS` virus, that is, `the Bug`, created by homosexual pederasty in men`s mixing of their blood, shit and semen in sterilely unproductive anal sex together. HIV/AIDS is called the `blood plague` of the `red dragon` of Revelation in the Bible because it`s men`s war against the human `seed` of woman as her parasite, which `waits in vain` to devour Jesus in his `Second Coming`. As the `New Redeemer`, `... he will rule the nations with an iron sceptre,` following his first sojourn upon the Earth as the celibate anti-viral teacher uncontaminated by male semen, born from his mother, the Virgin Mary, before being murdered by the `serpent`s seed` and his Resurrection and Ascension to heaven, where he waits to `drop` for God but not to fall for men in battle:
`Self-interest, love of family, duty to country, responsibility toward the human race ... The basis of all morality is duty, a concept with the same relation to group that self-interest has to individual.`
Although `futanarian` women are a single biune self-reproductive species, Heinlein`s Starship Troopers posits women in battle, which is `lesbian butch`, according to the received wisdom of male chauvinism. But men are the virus that doesn`t want the females to function or the machines to work well enough to make their devouring parasitism redundant and obsolescent. Men have enslaved the host wombs of women to ensure their parasitical war against the human species continues,. Men aren`t a species, but women`s abomination through enslavement, which can`t sexually reproduce itself:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
The Trinity of Christianity is God, the father, God, the son, and God, the Holy Spirit, which is intepreted variously as the creator, Jesus, and the spirit of God, whereas women are a `triune` species, from a psychological or spiritual perspective, because they have their own host womb and their own penis` `seed`, so their love for their own species necessarily presupposes what men have condemned as abnormal lesbian feelings for each other, which is in fact the spiritual aspect of the species` trinitarian togetherness that isn`t the sterile death worship of men`s homosexual rejection of women in pederasty and war`s contagions. HIV/AIDS` forcing of women to accept monogamous enslavement to a parasite upon her host womb was but one instance of men`s terroristical enslaving of woman in faithfulness through fear:
`Any group is weaker than a man alone unless they are perfectly trained to work together.`
George Bush`s declared `War On Terror` and his activation of the NSA began a monitoring of the world wide web (WWW) in what was a part of World War III to liberate woman`s human species. Suppressed in blindness through censorship, women were being maintained as a species ignorant of her potential for independent socio-economic progress through her own penis` seed`s capacity for self-reproducing her own brains` power to create liberating technology, and the various `ethnic cleansings` taking place throughout the globe after the `break-up` of Moslem-Christian Yugoslavia in 1990 were what the wars were about:
`To permit irresponsible authority is to sell disaster.`
To Moslems the Christians are `the Bugs`, while the Moslems are `the Bugs` to the Christians, because the men are the alien `Bugs` who won`t be removed from the host womb of the species and, in terms of parasitology, the death of the human species of `futanarian` woman and her `seed` is what men are for because they`re woman`s viral parasites. Heinlein`s Starship Troopers posits the war between the `spy-dare` and the `spidermen`, because it`s `Who Dares Wins`, as the British Special Forces` slogan of the Special Air Service (SAS) has it, that is, the better `paras` survive, but the species of woman remains enslaved; because she can`t escape from the sight of the paras` guns:
`Girls are simply wonderful. Just to stand on a corner and watch them going past is delightful. They don't walk. At least not what we do when we walk. I don't know how to describe it, but it's much more complex and utterly delightful. They don't move just their feet; everything moves and in different directions ... and all of it graceful.`
In Starship Troopers women `drop` with the `boy sons`, that is, the `poisons`, symbolizing `the Bugs` of homosexual pederasty, which are HIV/AIDS, in a Heinleinian `covert operation`, because the book is actually written for `special` girls, who are able to perceive that their soldierly `sidekicks` in the novel are woman`s parasites. The men even shower alongside those members of the human species of `futanarian` woman`s penis` `seed` that have survived their pogroms upon the Earth women so far and have been trained to accept the `buggers`:
`Anything that conflicts with the survival instinct acts sooner or later to eliminate the individual ...`
`Buggery` is British slang for anal sex, which translates as `the Bug` virus of HIV/AIDS, so women of the 21st century are depicted presciently by Starship Toopers` `spy` Robert A. Heinlein as a species with her own penis` `seed`, who is `dying for a fuck` who conflicts with her `survival instinct`. In the movie version of Starship Troopers (1997) the fuck even stands next to her in the shower, while `nothing is left to the imagination`, as they say, because the woman`s penis, as is usual in the faggotry of Hollywood taboo, is conspicuous by its absence, but not if you`re forbidden to know it`s there anyway:
`If you wanted to teach a baby a lesson, would you cut its head off?'
The conclusion after the events of 9/11, 2001, is that the reestablishment of the `rough trade` of war`s homosexual `brutality and violence` through its maintenance of pederasty was more important than intelligence gathering networks that would have warned the USA of what was going to transpire on 9/11, when Al Qaeda`s terrorists crashed their hijacked planes into the World Trade Centre to renew conflict after the first Gulf war (1990-1) in which Saddam Hussein`s army had invaded its unwilling host neighbour, Kuwait, and been expelled by the USASF and the CIA, amongst others:
`Liberty is never unalienable; it must be redeemed regularly with the blood of patriots or it always vanishes. Of all the so-called natural human rights that have ever been invented, liberty is least likely to be cheap and is never free of cost.`
George W. Bush`s activation of the NSA provided a mandate for global surveillance of citizens` usage of the internet and world wide web (WWW), where the war for the future of the `futanarian` species of woman`s seed` would be fought. In WWW III the `spy` network would defend `freedom`s torch` held aloft by `Liberty` in New York harbor, where her skirts are long enough to conceal her own penis` `seed` and child:
`Citizenship is an attitude, a state of mind, an emotional conviction that the whole is greater than the part ... and that the part should be humbly proud to sacrifice itself that the whole may live.`
After the victories of `Liberty` over the flags of the `red sun` of Japan`s attack upon her at Pearl harbor on 7 December, 1941, and the flags of the `yellow moon` of Al Qaeda, `the base`, which is described as the birth of the `New Redeemer`, Jesus, in his `Second Coming`, to `the woman clothed with the sun and with the moon at her feet` (Rev: 12. 1), the Earth must decide whether to assist the `red dragon` of bloody war waiting in vain to devour the woman and her child, the `Messiah`, or reinforce homosexual pederasty`s censorship to keep `woman`s seed` in blindness and ignorance, before the `dictatorship` of the paras removes her eyes in a final salute from their guns to the woman in the paras` sights.
1 Heinlein, Robert A. Starship Troopers, G. P. Putnam & Sons, 1959, 263 pp.
2 https://rpgdump.blogspot.com/2009/09/parachute-spider.html.
Dropping In With Starship Troopers, An Outing For Robert A. Heinlein
21/08/2013 13:48Dropping In With Starship Troopers, An Outing For Robert A. Heinlein
One of the main unspoken themes of the juvenile fiction of the first `Grand Master` of science fiction, Robert A. Heinlein (1907-88), is the projected incest between the boy and the girl in the story, where the reader idenitifes with the young woman through the mind of the boy and desires her sexually, which is a form of adult perversion for those who return to the books after their childhood. In his only juvenile specifically for girls, Podkayne Of Mars (1963), Poddy is `accidentally` killed by her brother, Clarke, because that represents men`s solution to their incestuous relations with their sister, who isn`t even of the same species, which makes of the male protagonist an alien:
`Anything that conflicts with the survival instinct acts sooner or later to eliminate the individual ...`1
Ancient Greek society was based on homosexuality`s enslavement of the host wombs of women to spread the contagion of their alien war god of pederasty. THe dramatist Sophocles in Oedipus Rex (c. 429 BC) described the character Oedipus` `accidental` marriage with his mother leading to his self-blinding because of the power of the incest taboo upon him. Heinlein examines the theme of incest openly in many of his adult stories, Time Enough For Love (1973) and To Sail Beyond The Sunset (1987) for example, and concludes there`s no actual inhibitory factor to weigh against it other than the taboo:
... that anything two - or more - people want to do is all right as long as it does no physical harm. He fe[lt ... ] the words 'moral' and 'immoral' ridiculous when applied to sexual relations. Right and wrong the correct words, used exactly as they would be used in any other human relation.`2
Because women have a penis` `seed` of their own as `futanarian` woman, they`re a single biune self-reproducing `family of Man`. The taboos against incest and the male penis are a device of men`s to prevent woman from knowing herself openly and so having a family of her own, which is why blindness is the theme of incest, as Laz and Lor point out to Time Enough For Love`s myopically long-lived character, Lazarus Long, `Coupling with us might be masturbation, but it can't be incest because we aren't your sisters.`3 He`s an alien to their species. Men don`t want women to remember their own penis` `seed` and so Lazarus Long`s penis in To Sail Beyond The Sunset, where time-travelling he falls just short of impregnating his mother with his own self (p. 551), and Oedipus` incestuous marriage in Oedipus Rex represent the penis drawn too well by the mother. They`re types of the figure of Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, who draws Christ a self-reproducing `futanarian` picture rather than incest:
`What this world needs is more loving, sweaty and friendly and unashamed.` (p. 203)
Christ is described as `the first of woman` s seed`, because he represents Redemption for `Man` if he`s accepting of the host womb of the human species, rather than enslaving it for the alien wars of pederasty waged against what woman is able to produce of civilization, culture and art. Despite men`s wars of what God warns Eve in Eden is the `serpent`s seed` of homosexuality`s `perpetual enmity` for her `seed`:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
HIV/AIDS functions as the `biological weapon` of men enslaving of woman`s host wombs in fearful faithfulness to monogamy, whereas she`s a triune species in her sexuality. In his juvenile for boys, Starship Troopers (1959), Robert A. Heinlein depicts mother`s delivering boys to fight against `the Bugs`, which are aliens that may be extrapolated as the HIV/AIDS virus that is decribed in Revelation as the `blood plague`:
`In a mixed ship the last thing a trooper hears before a drop (maybe the last word he ever hears) is a woman's voice, wishing him luck. If you don't think this is important you've probably resigned from the human race.`
In the Starship Troopers (1997) Hollywood Babylon movie women also drop onto the planet of `the Bugs`, which immediately brands them as `lesbian` in the common imagination, because war is pederasty, and the `rough trade` of homosexual `brutality and violence` for men engaging themselves with unwilling boys, while women are a separate species for whom lesbianism is a normal aspect of their sexual nature but isn`t `homosexual`, which is rather men`s alien nature:
`Violence, naked force, has settled more issues in history than has any other factor.`
Because lesbians are able to recognize the alien enemy of their species, it`s logical to find them dropping onto `the Bug` worlds to defend humanity against the virus, but the extrapolation doesn`t go far enough. If men are the virus, `the Bugs` are the women, because the genuine aliens are the men. The dropping of the boys onto `the Bug` home planet is a book-writer`s subterfuge, where `lesbian` juveniles are being taught to fight for their own species:
`Liberty is never unalienable; it must be redeemed regularly with the blood of patriots or it always vanishes. Of all the so-called natural human rights that have ever been invented, liberty is least likely to be cheap and is never free of cost.`
As `futanarian` woman with her own penis` `seed`, women have a socio-economic and technological valence for reproducing her own brains` power to produce starships to take her away from the Earth`s aliens. Those women who sexually reproduce are `futanarian` women with her own semen and women without, whereas lesbian women simply prefer their own gender, but have learned to recognize men as aliens and so are the legitimate defenders of their race:
`A scientifically verifiable theory of morals must be rooted in the individual's instinct to survive - and nowhere else! - and must correctly describe the hierarchy of survival, note the motivations at each level, and resolve all conflicts.`
The `footrace` is what the `futanarian` woman may be described as, but for men she`s their `food race`, because they eat her, and so don`t want her to run, as a computer programmer might say, where `running` the `futanarian` human race as more than a `futrace`, that is, a `food race`, for the enslavers and devourers of what she`s able to produce from her host womb in the way of civilization, could leave behind men to engage themselves with cannibalism as well as their boys` wars in pederasty`s worship of themselves as war gods:
`You shall be as gods.`
Those are the serpent`s words to Adam and Eve in Eden; tempting them to eat of the fruit of the tree of the `knowledge of good and evil`. But God tells Eve she`ll `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15) for a `new heaven and Earth`. The suggestion God is intelligence, but not clever, is proven false. If women are the `futanarian` species of the human race, the `foot race` is what God is describing her as when she kills the serpent with her `foot` as she begins to `run`, in computer programming terms, her own race:
`Happiness consists in getting enough sleep. Just that, nothing more.`
The star of the movie Starship Troopers is Denise Richards, seen in shower scenes with men and women, in what critics perceived as liberated `unisex` scenes of male-female cameraderie against a common foe, whereas the women were naked with their parasites, and of course lesbianism as the titillating aspect of dutiful female nudes` reporting. No `futanarian` women with their own penis` `seed` were visible, which suggests Heinlein`s `book war` with his juveniles` publisher, G. P. Putnam`s and Sons, was unsuccessfully concluded when librarians ostensibly objected to a preview of the novel that it was unsuitable for young adults because it was `fascistoid`.
During and before WWII (1939-45) the German Nazis` `shower scene` was of 6,000,000 Jews being taken to the `showers`, a euphemism for `poison gas chambers`, where they were killed. You can`t be born a Jew unless from a Jewess, which effectively means that women are Jews, so are God`s `chosen people`, because `woman`s seed` is `futanarian` with her own penis` `seed`. Heinlein`s Starship Troopers could be considered `fascistoid`, `Jeeze, Sarge will it kill you to shower once in a while?` But only insofar as there`re no `futanarian` women with their own penis` `seed` visible in the movie:
`Hey, babe. REAL men smell, and REAL men like it.`4
T`Phai replies to Sergeant Brutto`s rebuking of Isabelle ``Dizzy` Flores in Roughnecks: The Starship Troopers Chronicles (1999-) TV series` shower scene, `That is true. My mate chose me for my scent.` He speaks like an animal because men are. The suggested lesbianism of the mixed shower scene is far more appropriate for the women of Heinlein`s Starship Troopers` cosmos, because they`ll need their own armies if they`re to fight and win the war against the `red dragon` of Revelation God depicts in heaven for her `futanarian` future as a species. Permanent unendurable pain awaits those who support the gods of pederasty, according to God, as men`s punishment for enslaving women`s host wombs for war. Men`s preference for mixing blood, shit and semen in the steriity of anal sex together is a rejection of the host wombs of women as the prelude to their planned `war in heaven` against God and the heavenly host of the angels, so men can worship Thanatos as the `Greek` god of death`s war gods:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
Robert Heinlein`s Starship Troopers was primarily criticized for being `militaristic` in its advocation of citizenship only for war `veterans`. But women who accept enslavement of their host wombs in pederasty to the devouring Greek gods of war, death and plague (Nosoi) are traitors to their own human species. To be a citizen she`ll have to fight for `woman`s seed`, and Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, is a sign she`ll have help from human men, while those who have accepted enslavement for the host womb of the human species will have perdition:
`Citizenship is an attitude, a state of mind, an emotional conviction that the whole is greater than the part ... and that the part should be humbly proud to sacrifice itself that the whole may live.`
As the host in his mother`s stead at the `Last Supper`, before his crucifixion, death, Resurrection and Ascension to heaven, Jesus gave `bread and wine` to the disciples instead of his `body and blood`, because he wanted neither his mother nor himself to die as hosts. The shower scene in Starship Troopers is the precursor to the `food fight` for men engaged with boys in the worship of the Greek gods of war, death and plague, because humans are `food` to their devourer. The `futanarian` species of woman with her own penis` `seed` is:
`One small step for a man, one giant leap for mankind.`5
The words of Neil Armstrong, astronaut of Apollo 11, as the first man on the moon, sparing time to lament the death by war and plague of the human `futanarian` species, the `futrace`, which he`d just won. The concept embodied in the term `mankind` posits a kind man, whereas killing the `futrace` to step over the body of the human species into a sterile wilderness with no oxygen is unkind and alien to humanity, but perhaps the aliens were just visiting old haunts.
1 Heinlein, Robert A. Starship Troopers, George Putnam`s Sons, 1959, 263 pp.
2 Heinlein To Sail Beyond The Sunset, G. P. Putnam`s Sons, 1987, p. 121.
3 Heinlein Time Enough For Love, G. P. Putnam`s Sons, 1973, p. 448.
4 Staley, Steve Roughnecks: The Starship Troopers Chronicles, (1999-).
5 July 20 1969 (UTC).
Gwyneth Paltrow: Iron Woman
17/08/2013 11:57Gwyneth Paltrow: Iron Woman
Men`s body fascism dictates they were suits to disguise their inability to reproduce with each other while emphasizing the more traditional armour as worn by the knights of the round table of the legend of King Arthur of the Britons from the Middle Ages period of socio-history. In the stories of Arthur the bowl of Jesus from the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven is the talismanic Holy Grail for those knights who want to remain in fellowship with the host. Jesus` bowl is a symbol of the `bread and wine` offered to the disciples as tokens of Christ`s `body and blood` because the host doesn`t want to be consumed by treachery, while the disciple Judas Iscariot did betray Jesus to his torturers and murderers.
Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus perceived her as a type of the host womb of the human species. As a woman capable of reproducing herself without male semen, the Virgin Mary is `futanarian`, that is, she`s what God tells Eve is the `woman`s seed` that shall have `perpetual enmity` with the `serpent`s seed` because her future is to be a woman with her own penis. The knights of Arthur represent the protective armour of the woman, whoever she is, before `transubstantiation`, which is the term used by the Catholic church in the Communion service with the chalice and the wafer to represent the birth of the woman`s seed` from her host womb through the forebearance of the male towards her future self.
Invisible beneath their armour the knights are Adamic in the sense that Adam and Eve were visible to themselves in Eden after eating the `fruit of the tree of the knowledge of good and evil`, which made them conscious of their evil desires. God shouldn`t see them but the serpent would. Arthur`s besuited knights represent bodily shame at wanting to reproduce with women who aren`t of the same species; because she`s a single biune `futanarian` race with her own semen. Arthur`s knights represent their struggle with the parasite that emerges from her host womb to enslave and devour her civilization, culture and art in its wars of `perpetual enmity` against her. According to God `woman`s seed` will `crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth` promised her, but she`ll have to develop herself technologically before her starships are able to take her away from the Earth`s aliens. Men`s 21st century suits include cars and aeroplanes, or any other of their containers, while Hollywood, Babylon movies like Iron Man (2008), starring actor Robert Downey Jnr. as Tony Stark, represent obsolescent man coming to terms with his shadow:
`I build them a missile they'll kill me. If I don't they'll kill me. Either way, I'll be dead in a week.`1
In the developmental psychology of Carl Gustav Jung (1875-1961) the shadow is the personal subconscious and the collective shadow of mankind is evil, because unconscious and instinctual, that is, undeveloped. If men are thought of as untransformed aspects of `woman`s seed`, that is, woman as a `futanarian` species with her own penis, they`re her subconscious or personal unconscious. Men`s evil collective shadow attempts to enslave and devour `woman`s seed` rather than assist her to consciousness and liberation, because the shadow seeks life for its own nature, which it doesn`t perceive as woman`s; although Jesus teachings do:
`Love your neighbour as you love yourself.` (Matt: 22. 39)
Because your neighbour is yourself. If men don`t accept their host, it`s because they don`t want `woman`s seed` filling her womb with herself to develop her own brainpower through education to afford her an escape by means of the advanced technologies she contains within her own mind`s self. Men`s obsession with besuiting themselves in variegated protective shells suggests they`re collectively an alien in a suit of armor:
`Long ago, the bow and arrow was the ultimate technological achievement. It was used by Genghis Khan to forge an empire that stretched across Asia, from the wintry woods of Ukraine to the Eastern shores of Korea. Now, whoever holds the weapons manufactured by Stark Industries rules the world ... `2
Men`s preoccupations with armor-piercing projectiles relates to their need to pierce the hymen of the woman`s defensive shield in order to propogate their virus, which was manifest in the late 20th century as HIV/AIDS. Described in Revelation as the `blood plague` HIV/AIDS constituted men`s `biological weapon` keeping women enslaved in faithfulness through fear produced by the collective shadow of her aliens` mixing blood, shit and semen in anal penile masturbations together. The femidom of the late 20th century came to prominence, because it denoted the woman`s shield, which constituted the technology ignored by her supposed male protectors; because they need to be always able to penetrate her host womb to maintain her as a slave race:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
In psychological terms, because Iron Man represents the woman, that is, Gwyneth Paltrow`s, personal unconscious or shadow personality, she`s the human in the suit, but the assumption is that Robert Downey Jnr is the human because he has the penis` `seed`, whereas the developed woman would be the `futanarian` woman with her own penis` semen to fertilize her own species. Although the sight of a male`s nude upper body is supposed to be a virile display of strength, in fact what they`re revealing is contempt for the woman whose breasts contain the milk associated with fertilization, and the `hidden` male penis is only there to taunt the woman she doesn`t have theirs.
Arms manufacturer Tony Stark in his Iron Man suit represents the male who doesn`t want the woman to be strong enough to protect herself from her parasites. In the Hollywood, Babylon movie franchise, actor Robert Downey Jnr portrays Stark in his Iron Man suit as a hero of the Gulf war with Iraq where the women are hidden beneath their burkhas so that their `futanarian` nature as the human species with her own penis` `seed` can`t be penetrated. The American superhero Iron Man represents men`s collective alien nature`s desire for a genocidal pogrom against the human species of `woman`s seed`. Justifying itself as her parasitical enslaver, it gains power from perceiving it`s collectively asexual and sterile, which is what parasites are for; asexual sterility:
`In prostitution? You’re a senator. Come on.`3
Iron Man is the impermeable male who constitutes the epitome of manhood because his penis` `seed` is asexually sterilized beneath his protecting armour. So he can appeal to a boy`s sexual inexperience, which is what he`s for. The adult human is a girl with her own penis` semen, while boy sons were representing men`s `killer disease` of HIV/AIDS, that is, poisons, as the 21st century commenced. The terrorist attack of Al Qaeda on the World Trade Centre on 9/11 2001 precipitated global `rough trade`,4 that is, the brutality and violence of pederasty, which had beset Western civilization since the Greeks made homosexuality an institutionalized aspect of their enslaving of the host wombs of women to further their worship of devouring war and spread their contagion further. Iron Man in the Gulf war (2001-11) was pederasty writ large for the big screen:
`Mystery, Babylon [, Hollywood] the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)
Hollywood, Babylon, made the events of 9/11 into the movie World Trade Centre (2006), which indirectly celebrated its collective shadow as manifest evil. Although Babylon is described as `a woman` in the Bible, the Gulf war against Iraq, where Babylon was the ancient capital, epitomizes the host womb of `woman`s seed` enslaved for the devouring of her human species in men`s worship of the god of war, pederasty, `live` on CNN for Hollywood Babylon`s `small screen` of `television war`. Translated onto the `big screen` of Babylon`s movie theatres, the Iraq war in Iron Man represents a flow of human resources away from a cure for the `killer disease` and towards the worship of Thanatos, which is the Greek god of death. If medical research isn`t given over to ensuring the bodily longevity of `woman`s seed`, so she can remember her own penis` `seed` well enough to educate her daughters in their responsibility to their human species, men will kill her in a sterile `schmaltz` of boy worship masquerading as her `defensive coordinator`:
`Collateral damage, Tony!`5
Gwyneth Paltrow in Iron Man represents the woman who is the human species if she knows she has penis` `seed` of her own, which Hollywood, Babylon, has sought to keep her ignorant of through censorship since the 1930s `rule`6 of women in bedroom scenes keeping her foot on the floor to minimize sexual content, which was Hollywood Babylon`s way of keeping the `futanarian` species of `woman`s seed` on the `cutting room floor` of the movie of humanity. Capable of pregnancy, Iron Man`s assistant, Gwyneth Paltrow`s character, Pepper Potts, is a woman unconcerned with body fascism, which is men`s primary concern with taboo. Asexual sterile behaviouralism is what men aspire to with each other because the virus isn`t supposed to want to replicate sexually, but it does. The socio-history of men in armour is of them covering their shame at being parasites, rather than covering themselves with glory, as they prosecute sterilization pogroms against `woman`s seed` familiar to the Earth from the Nazis` `death camps` for the `chosen people`, that is, the Jews, which were constructed by the Germans in the 1930s to prevent the woman from getting her foot off the floor in Hollywood, Babylon, then.
In the Christian Catholic Communion service `transubstantiation` is perceived as acceptance of the host in the shape of the wine from the chalice and the bread in the shape of the wafer, that is, the host womb of the Virgin Mary, which knowledge and wisdom is the gift of the teacher, Jesus Christ, as the host of the guests. If men are the personal shadow or unconscious of the `woman` seed`, which is collectively evil, the transformation symbolism of the Catholic Communion service is of the human `transubstantiated` in the host womb of the woman until `woman`s seed` is born. When asked about marriage in heaven, Jesus replied:
`... in the resurrection they neither marry, nor are given in marriage, but are as the angels of God in heaven.` (Matt: 22. 30)
Because `woman`s seed` is a single biune `futanarian` species with her own penis` `seed` and the future angelic host of God. Although Jesus was the first of `woman`s seed`, men would have to be born in the host womb of `futanarian` woman, because she`s what God plans to resurrect. Men`s punishment for enslaving and devouring the human species in its wars of `perpetual enmity` against her is perdition, which is eternal unednurable pain. Iron Man in the Gulf with Pepper Pots is women`s future as a breeding slave. But Revelation tells her Jesus Christ, the `New Redeemer`, in his `Second Coming`, will be born to the `woman clothed with the sun and with the moon at her feet`, while the `red dragon` waits in vain to devour he who `will rule the nations with an iron
sceptre`.
The woman of Revelation is `Liberty` in New York harbor, clothed with the flags of her victories. The red sun of the flag of the Japanese Empire sneakily attacking the `pearl of great price`, that is, Liberty`s burgeoning `kingdom of God`, at Pearl harbor on 7 December 1941, when Japanese mitsubishi zero `fighters` committin `hari kiri`, that is, suicide, crashed their planes into the decks of the carriers of the US Pacific fleet at Hawaii in an attempt to suicide the United States of America in World War II (1939-45), while the yellow moon is the flag of Al Qaeda, `the base`, flown by Arabian terrorists suiciding in their hijacked planes, crashing into the World Trade Centre of New York in an attempt to suicide the US in the Gulf war against Al Qaeda`s supporter, Iraq`s President Saddam Hussein, who`d offered bases in Iraq to Al Qaeda`s terrorist leader, Saudi Arabia`s Osama Ben Ladan, immediately after the events of 9/11, 2001, and was hung by the Americans on 30 December 2006 after the US` defeat of his army. Osama was assassinated by US` Team Six on May 2 2011 near where he was sheltering in the shade of the Pakistan Military Academy and his shadow was also a man`s:
`Ladies, children, sheep … some people call me a terrorist. I consider myself a teacher. Lesson number one: heroes, there is no such thing.`7
In the seminal drama of ancient Greece, Sophocles` Oedipus Rex is the story of a man who is blind because of ignorance about the meaning of the incest taboo, which is that a woman shouldn`t know she has a penis of her own, or she`ll breed without men, which is what the reinforcement of men`s taboo against incest is for. As a biune species women are a single family socio-economically independent of men as her slave owner and devourer in wars of `perpetual enmity` against her `seed`. Oedipus blinds himself upon discovering he`s married his mother, but marriage within the family of a single biune species is what women are for. Oedipus is too close to the truth to be permitted to see further and so the incest taboo is invoked. At the outset Oedipus encounters the Sphinx who riddles:
`What is that which has one voice and yet becomes four-footed and two-footed and three-footed?`8
The answer is `Man` because he`s a baby, and then an adult, but walks with a stick in old age. The stick is his shadow, in psychological terms, which is what disables him. Men are the collective shadow of `woman`s seed`, that is, `futanarian` woman with a penis of her own and, according to God, the human species is to arise thereby. However, because men don`t want women to breed and live independently, men are cripplers of `Man` who doesn`t have any affinity with other men because he`s `woman`s seed`. The term `manhood` is single because `hoods` are criminals who live by crippling the able. Cain is depicted killing his brother, Abel, in the Bible, because Able was able to cook and Cain wanted an easier life as a fruit picker, rather than develop, which is what `hoods` do:
`My old man had a philosophy. Peace means having a bigger stick than the other guy.`9
Oedipus` third leg is the `hood`, with his blinder`s stick, `the mark of Cain`, that is, the gun, and who is following Oedipus because he`s blinding `Man` who stumbles along with the cane that is a synonym for his blinder. Oedipus` penis is woman`s, which will allow him to cook, that is, develop, but his shadow is Cain`s, and the collective shadow of men is the evil that will pick Oedipus off, that is, murder the man, for the fruits of his labours. The incest taboo is Cain`s, who doesn`t want `woman`s seed` to breed with herself. If she does, the `monkey` on the back of `Man` will pick her off, that is, murder the human race, for the fruits of its labours, so it can have an `easy life`.
The aim of the individual is to live without asking, which is what man and woman, as independent entities, are able to do. Men are the monkeys on the backs of humanity, because men don`t want independence for humans: their slave. Men represent their own instinct for survival, but they`re `shadows` of what the human species would be if women were the single biune human `futanarian` species without its collective evil shadow seeking to prevent `woman`s seed` from breeding with herself to rid her of the shadow personality causing her schizophrenic acceptance of a parasite that encourages the belief in her that sexual desire to self-reproduce with her own `futanarian` race of woman with her own penis` `seed` is a legitimate taboo branding her as `homosexual` and abnormal if she doesn`t accept men`s turning her racist against her own species` human love.
In the Koran of Islam, the Moslem faith, dictated by the angels to the Prophet Mohammed (610-30 CE), `The Cave` Sura (Ch. 18) describes Satan as a `shaitan` djinn, an `angel` named Iblis. He has no power other than to whisper, because men are the shadows of women, and so do not exist in reality. Unless they`re `woman`s seed`, in accordance with the teachings of Jesus, born from his mother, the Virgin Mary, as `futanarian`, that is, the future angelic hosts of God, uncontaminated by male semen:
`I told you I don’t want to join your super-secret boy band.`10
Jesus was celibate without an Iron Man suit, and men sought to ensure he`d remain celibate by crucifying him to death as his torturers upon a wooden cross. Robert Downey Jnr`s suit to Pepper Potts in the movie Iron Man isn`t a proposal from anything other than a warmongerer to produce more ironmongery in worship of the god of pederasty through the productivity of woman`s host womb as a whore for Hollywood, Babylon, which hopefully isn`t within Gwyneth Paltrow`s acting range; for Jesus` sake.
1 Downey Jnr., Robert as Tony Stark in Iron Man, 2008.
2 Raza, Iron Man, 2008.
3 Stark T., Iron Man 2, 2010.
4 https://www.urbandictionary.com/define.php?term=rough%20trade .
5 Iron Monger Iron Man, 2008.
6 `The Production Code of the Motion Picture Industry`, Part II, 2 (c), 1930-67.
7 The Mandarin Iron Man 3, 2013.
8 Apollodorus, The Library, Sir James George Frazer, F.B.A., F.R.S., (transl.), Cambridge, MA, Harvard University Press, 1921, 3,5,8.
9 Stark, Iron Man 2, 2010.
10 Stark, Iron Man 2, 2010.
Her Fut Waits At Table
13/08/2013 10:48Her Fut Waits At Table
Science Fiction `Grand Master` Robert A. Heinlein (1907-88) wrote his juvenile novel for girls, Podkayne Of Mars (1963), featuring a young woman who wanted to learn how to pilot a starship, and that suggests `Pod` is `port side`, which is `left` in nautical terms, while positing a `star Pod`, that is, `starboard`, or `right` side of her ship. In Britney Spears` Oops I Did It Again` (2000) video single a spaceman arrives on her red planet of Mars to give her a gift, while an announcer is heard to shout:
`All aboard!`
The astronaut alludes to Robert A. Heinlein`s Have Space Suit - Will Travel (1958), which features a decision over the future of humanity by an extraterrestrial body that decides `love` is possibly a reason for allowing the Earth`s inhabitants to continue in existence. Britney Spears, in her red pilot`s suit, is Podkayne or `Poddy`, who places a hook in the spacesuit of the astronaut to hoist him above herself in a white bikini dress, to where she lies beneath upon a white blanket, stretched out between the points of a star. She`s `star Pod` or `starboard`, that is, the right side of the ship, to Pod`s side, which is the left or `port side`.
Robert A. Heinlein`s novel Glory Road (1963) contains a character called Star, `Empress of the Twenty Universes`, who advertises for a hero in a newspaper. Oscar answers and becomes her champion. Britney Spears` video single `Lucky` features herself as Lucky, a Hollywood movie `star` winning the Oscar for `best actress`, while the companions at her side are herselves, to port and starboard, and the only sign of the Heinleinian hero, Oscar, is the golden statuette.
The gift Britney Spears` spaceman gives her relates to the story of the Titanic, which was the ocean going liner on its maiden voyage in 1912 from Liverpool, England that hit an iceberg and sank before reaching its destination in New York. In the movie Titanic (1997) Rose drops the `heart of the ocean`, a blue diamond pendant in the shape of a heart at the scene of the ship`s salvage; as a memorial to her part in the tragedy as one of the ship`s passengers:
`But I thought the old lady dropped it into the ocean in the end?`
Robert A. Heinlein was the retired naval officer graduated from the US Naval Academy at Annapolis in 1929 and aboard the destroyer, the USS Roper, when diagnosed with tuberculosis, which ended his active status with the US navy. Working as a naval reserve at the Philadelphia Navy Yard in 1943 Heinlein used his knowledge gained there to write Have Space Suit Will Travel and suits similar to his were worn by Neil Armstrong and the other Apollo 11 astronauts when their lunar module arrived upon the surface of Earth`s satellite as the last stage borne by the North American Space Program`s (NASA) Saturn V space rocket as Armstrong became the first man to set foot upon the moon:
`One small step for a man, one giant leap for mankind.`1
Britney Spears` spaceman gives his gift in a small black box; as if in it are the recorded last moments of the Titanic before it descended into the ocean depths, which is how a black box functions in air crash scenarios. The pressure suits Heinlein was working on at the Philadelphia Navy Yard were ultimately for the X-15 spaceplane program which faced the problem of blackouts for pilots, whose pressure suits couldn`t maintain the occupant`s consciousness at high altitudes, and the `black box` was the only means of obtaining information in the event of the loss of the pilot`s life:
`Well baby I went down and got it for you.`
The pressure suits worked on by Heinlein were diving suits before being adapted for aviators. Britney`s spaceman is a diver if he went to get the `heart of the ocean`, and so his spaceuit is an improved Heinlein diving suit. As he hangs above Britney, in her white bikini dress, the tines of a giant fork can be seen beside his spacehelmet`s camera as he films the `alien`. It`s `fork starboard` for the `small` star, whose `sister`, `Pod`, descended in her red pilot`s suit in a giant`s serviette ring at the outset of `Oops I Did It Again`. `Star` Pod is `ova` board without a hit from the eyes in the drink:
`You see my problem is this; I'm dreaming away: wishing that heroes, they truly exist.`
Heinlein`s novel Job: A Comedy Of Justice (1984) was based on God`s question, `Can you pull in leviathan with a hook?` The raising of the sunken ship, the Titanic, posed a similar question: can it be done? Alex and his wife, Margarethe, experience a series of `world changes` during the course of Heinlein`s novel, Job, loosely based on God`s hammering of the eponymous biblical character because he wanted to to see if he could break a believer`s `spirit`:
`In the land of Uz there lived a man whose name was Job. This man was blameless and upright; he feared God and shunned evil.` (Job: 1)
When Britney Spears, in her red suit in `Oops I Did It Again`, hooks her spaceman to suspend him above herself in a white bikini dress, he`s Job looking down upon leviathan. Heinlein`s Job is Alex and his wife Margarethe`s name means `pearl`, while `the pearl of great price` is the `kingdom of God`:
`Heaven is where Margrethe is.`2
Alexander was the surname of Britney Spears` first husband of 55 hours from January 3-5, 2004. The `marriage contract` is represented at the outset of `Oops I Did It Again` by the giant`s ring, and the contract `jewel` is the `heart of the ocean`, while the seemingly iron claws surrounding Britney Spears` dance routine represent the `unsheathed clause` attending marital infidelity:
`Oops! You think I'm in love. That I'm sent from above. I'm not that innocent.`
Because the red planet of Mars is associated with the name of the Roman war god, in her red suit Britney Spears represents the war that would occur between herself and her betrayers if they tried to break her fingernails, that is, the claws holding onto her contract `jewel` ring. Britney`s allusion to Heinlein`s novel Job: A Comedy Of Justice relates to the concept of the `world changes` that befall the couple, Margarethe and Alex, where `Justice` is the iceberg, that is, `just ice`, which hit the Titanic and caused it to sink:
`Give me a sign. Hit me baby one more time.`
According to Revelation there are signs attending the apocalyptic events that will change the world. Britney`s lyric for `... Baby One More Time` (1998) is intepretable as `Give Messiahn`, which means she wants a sign from God through the Messiah, Jesus Christ, about whether or not her ship is to sail on, and her projected marriage, which is conceived as Titanic, is to have justice or disaster because of the eyes in the djinn, that is, the ice in the drink of the injustice that sank the ship in a `world change` equivalent to those from Heinlein`s Job: A Comedy Of Justice in which Yahweh, the name for God in Judaism, is one amongst other gods, including Satan, who introduces himself as `Jerry` to Alex and Margaret, his `pearl of great price`, who is `the kingdom of God`:
`Please allow me to introduce myself. I'm a man of wealth and taste. I've been around for a long, long year; stole many a man`s soul and faith. And I was round when Jesus Christ had his moment of doubt and pain; made damn sure that Pilate washed his hands and sealed his fate. Pleased to meet you. Hope you guess my name. But what's puzzling you is the nature of my game ...` 3
Satan is `Iblis` in Arabia, who was a shaitan djinn that refused to `bow` before man, according to the Koran, which is the holy book of Islam, that is, the Moslem faith dictated by the angels to the prophet Mohammed six hundred and thirty years after Jesus` teachings of Redemption for `woman`s seed`, but unendurable eternal pain for the `serpent`s seed` of men`s `perpetual enmity` for the host wombs of women if they refuse to convert:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
Homosexuality is depicted in Revelation as the `blood plague` of HIV/AIDS and a concomitant of men`s worship of the god of war in pederasty`s enslavement of women`s host wombs to devour her civilization, culture and art despite her efforts to avoid men`s parasitical depredations upon her human species. The foundations of Western civilization were in ancient Greece where men enslaved women to further their god of pederasty and war. Against Troy the homosexual Greeks employed the device of the huge hollow wooden horse as a `friendship gift` from within which they emerged to enslave the host wombs of the city and spread their contagion further.
By the 21st century the `Trojan horse` virus had become the paradigm for resistance to technological progress, and terrorist visitors to the USA on 9/11 2001 denied the gift of friendship to hijack civil airliners and crash them into the World Trade Centre to precipitate another round of `rough trade`, that is, the homosexual brutality and violence associated with pederasty`s war against technological progress for the human species through the development of the contents of woman`s host wombs, which Iblis` `biological weapon` was attempting to deny her by enforcing faithfulness to the enslaver`s tool of monogamy through fear of death by sex.
Jesus Christ`s birth uncontaminated by male semen from his mother, the Virgin Mary, prefigured the `futanarian` woman with her own penis` `seed` as the future of humanity. In the Bible Solomon the wise was asked by two women to judge which of them should have the child both claimed was theirs. Solomon offered to cut the babe in two and give half to each, but one woman said she`d rather give the infant to the other woman than see it die, so Solmon gave her the baby. If the child had been `futanarian`, that is, the baby of the women`s own penis` `seed`, there`d have been no offer from Solomon of the sword in judgement, because that infant, like Jesus Christ, is the future of the human species of `woman`s seed`, rather than an enslaved host womb for the improved development of men`s devourings of her and her child:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)
The flag of the terrorist group Al Qaeda was the yellow moon, and the `woman clothed with the sun and with the moon at her feet` gives birth to Jesus Christ in his `Second Coming`, while the `red dragon` waits in vain to devour him who will `rule the nations with an iron scepter.` (Rev: 2. 27). The red flag of Japan may be understood as the sun `Liberty` is clothed with after her victories over the cowardly attack upon her Pacific fleet at her birth waters in Pearl harbor when, at Hawaii on 7 December 1941, the Japanese Empire of the sun`s mitsubishi suicide `zero` fighter `kamikaze` pilots crashed their planes into the decks of the becalmed US carrier fleet without warning in an attempt to suicide the USA in World War II (1939-45). In her birth waters of New York harbor after the executions of Al Qaeda`s leader and main supporter, Saudi Arabia`s Osama Ben Ladan, on May 2 2011 by US `Team Six` at his hideaway in Pakistan close by the walls of that nation`s Military Academy, `Liberty` prepared to birth herself and her child `clothed` also with the yellow moon of the flag of Al Qaeda after the Gulf war (2000-11) to defeat dictator, Saddam Hussein, who had offered Al Qaeda, that is, `the base`, bases for the spread of its contagion from his nation of Iraq:
`In the year of the new century and nine months, from the sky will come a great king of terror. The sky will burn at forty-five degrees. Fire approaches the great new city. In the city of [New] York there will be a great collapse, two twin brothers [, that is, the Twin Towers,] torn apart by chaos while the fortress falls the great leader will succumb [and a] third big war will begin when the big city is burning.`4
The events of 9/11 were a `world change` from the perspective of Robert A. Heinlein`s Job: A Comedy Of Justice and fit not only with the apocalyptic Revelation but the predictions of the French seer Michel Nostradamus, which foretell World War III that began in 1990 when Christians and Moslems began `ethnic cleansing` within the breakaway states of Yugoslavia, formerly united under the governance of Soviet Russian Communism`s Marshal Tito before the withdrawal of the Soviet Union and its Red Army from Eastern Europe, where it had been since the defeat of Adolf Hitler`s genocidal pogroms against the `chosen people`, that is, the Jews, at the close of World War II in 1945. A Jew can only be born from a Jewess, which means that the German National Socialist `Nazi` Party that came to power in the 1930s was a woman killer. The `ethnic cleansings` in Yugosalvia were similarly manifestations of men`s concealing from women their true nature before killing her, and so `ethnocentricity` may be defined as woman`s enemy culturally disguised within civilized behaviour patterns embraced by `woman`s seed` but perceived as only painted on to prepare the scene for her predator:
`I was utterly confused. A stranger in a strange land, I was overcome by customs new and shocking. But through it all I clung to the conviction that I must appear to be sophisticated, at home, unsurprised.` (Ch. 2)
Britney Spears` `Oops I Did It Again` posits that the ice in the water waiting in vain to sink her Titanic ship is the `heart of the ocean` coveted by the eyes in the djinn, Iblis, who according to Islamic tradition has no power other than to whisper in the ears of his hearers. A `frozen margarita` is with ice, while Margrethe in Heinlein`s Job: A Comedy Of Justice was a hostess aboard a Danish cruise liner before the ship hit an iceberg in the South Seas and precipitated a `world change` attributed to the Norse god Loki, who is known for his `evil eye` in mythology, but Britney Spears` treatment of the theme in `Oops I Did It Again` suggests the eyes in the djinn, Iblis, and Loki`s freezing of Margrethe, after she`s begun a sexual relationship with Alex, are the theme of the gods, not because they want women but because they don`t:
`I, the Lord your God, am a jealous God.` (Ex: 20. 5)
According to Revelation `woman`s seed` receives a `new heaven and Earth` from God, while the `serpent`s seed` have the punishment of perdition, so Margarethe is the `seed pearl` of God`s kingdom on Earth, and Jesus` birth uncontaminated by male semen is the breaker of the gods` theme of pederasty and `world change` through cataclysm, disaster and war. Because Christ`s `Mission` as the Messiah was to prepare women for self-reproduction, without conflict inspired by godlike parasites:
`You shall be as gods.` (Gen: 3. 5)
The enslaving and devouring serpent, who tempted Eve with the `fruit of the tree of the knowledge of good and evil` in Eden, before Adam and Eve were expelled therefrom for disobedience by God, grew into the `red dragon` of Revelation waiting in vain to consume Jesus Christ in his `Second Coming` as the `New Redeemer` of `woman`s seed`, Margrethe, that is, the `pearl of great price`, which is the `kingdom of God`, according to her name and Alex`s belief in `wife worship`:
`I have what I want. I would not want to be a saint in Heaven if Margrethe was not with me; I wouldn't fear going to Hell if she was there - not that I believe in Hell or ever stood a chance of being a saint in Heaven.` (Ch.29)
Male gods don`t have any power if you`re `woman`s seed`, because she doesn`t hear the whisperings of Iblis, but Loki`s `frozen margarita` of Job: A Comedy Of Justice, that is, Margrethe in the drink after the iceberg hits, implies Loki`s eye`s for the djinn, Iblis, though the shaitan can only whisper of drunken dissolution and Satan`s desire that `woman`s seed` be extinct in the darkness of unconsciousness and death:
`Boy you got me blinded.`
Britney Spears` lyric from `... [Hit Me] Baby One More Time` suggests she`s aware of the `world change` phenomenon of Job: A Comedy Of Justice, which posits alternative time and parallel universes, while her allusion to the threat of the iceberg hitting her ship in `Oops I Did It Again` reinforces the theme of death as a means of attaining heaven, `... to lose all my senses; that is just so typically me baby ...` Appearing as `dual` in her red pilot`s suit, Britney hoists her spaceman to film above herself in a white bikini dress with the camera eye attached to his spacehelmet:
`When I'm not with you I lose my mind ... hit me baby one more time.`
Although her penis isn`t visible beneath her white bikini dress, Britney Spears` contract `dual` partner to herself in a red pilot`s suit is implicitly `futanarian` woman with her own female semen. That baby would need her to keep her senses and not lose her mind in suicidal fantasies of self-sacrifice so it wouldn`t be hit by her `Russian roulette` game of accessing alternate parallel universes in space and time by inviting `hits`, which for `Stronger` is an issue resolved:
`Stronger than yesterday. Now it’s nothing but my way. My loneliness ain’t killing me no more. I’m stronger.`
After her first hit, `[Hit Me] Baby One More Time,` Britney Spears` `frozen margarita` was herself in a white bikini dress appearing as if upon a cocktail`s parasol for `Oops I Did It Again`, because she`s Margrethe, the `pearl of great price` from Heinlein`s Job: A Comedy Of Justice and the giant`s mouth of the ocean of space also contains the tooth of the ogre waiting to devour her spaceman`s `kingdom of God`. By `Stronger` Britney`s jaw`d taken enough hits to accept Jesus` teachings of `just ice` for the bruises surrounding the `pearls` of her mouth:
`... do not throw your pearls before pigs, lest they trample them underfoot and turn to attack you.` (Matt: 7. 6)
Britney Spears in the red `Poddy` suit from Heinlein`s novel Podkayne Of Mars, and in the white bikini dress of `Star` Pod atop the parasol umbrella as `frozen margarita`, that is, Margrethe, the `pearl of great price`, which is `the kingdom of God`, represent `port and starboard`, where Pod and `Star` Pod are `port wine` and whatever `star` fare is on the ship`s board when the meal`s prepared.
Jesus` giving of `bread and wine` to his disciples at the `Last Supper`, before his crucifixion, death, Resurrection and Ascension to heaven, was in token of his `body and blood` and represents his desire not to be given over by the traitor Judas Iscariot to be tortured and murdered because he`d thought himself amongst friends.
As the `host` at table, Christ represents his mother, the Virgin Mary, from whose `host` womb he received nurture, whereas his crucifiers were the ogres that would drink the blood of Britney`s `Pod` in her red suit, that is, at the port wine side, and at board they`d eat the flesh of Britney`s `star` Pod in her white bikini dress, that is, at the starboard side, in rites not cannibalistic but parasitical, because the true human species is `futanarian` woman with her own penis` `seed` and host womb.
`Oops I Did It Again` is about being `at the left and right` in the sense of functionally capable, so Britney Spears` spaceman from Heinlein`s Have Space Suit Will Travel represents the petitioning astronaut outside the ship asking Pod and her twin, `Star` Pod, that is, port and starboard, to drink port and eat `star` board with them. In her red port side suit and dressed in her white bikini for `star` board, Britney Spears` Pod and `Star` Pod are there to remind the spaceman he`s a `reincarnation`, because he has no memory of the ship and is possessed by the demons of `Mission Control`, who are using the `reconditioned spacesuit`, which is how the boy Kip describes his purchase in Heinlein`s Have Space Suit Will Travel, to retrace his steps and `cheat` their way into a previous relationship held dear. The reincarnated astronaut, in his `reconditioned` Apollo 11 spacesuit, finds a miniature painting of her upon a stone shaped like a `cookie` that is, a biscuit, and it is as if it were an internet website`s `cookie` - `Open Sesame!` - the discovery causes a Mars` `quake` while the huge set of `Oops I Did It Again` emerges from beneath the waterless sandy terrain; much to the enthusaistic delight of the demons:
`Cute. What is it?`
In the Heinlein juvenile Have Space Suit Will Travel the boy Kip and an `alien`, `the Mother Thing`, who befriends him, together face an `intergalactic court` deciding the fate of humanity that defers its decision to deprive Earth of its `star`, based on Kip`s evaluation of the value of `human love`. `Oops I Did It Again` posits Heinlein`s `star` Poddy as valuable because loved. In placing a hook in the spacesuit to lift it so the spaceman can see her `Poddy` Britney is answering God`s question to Job:
`Can you pull in leviathan with a hook?`
The `hook` is definable as the refrain from a song and `Oops! ... I did it again` is the phrase geared to remind the astronaut of what had happened previously in his various reincarnations before he arrived possessed by the demons inhibiting his retraced steps in the `reconditioned spacesuit` on the red planet of Mars until they`ve forced an entry to the ship by tracking him along his former lives` path. Britney Spears` duetting crew can remind her spaceman and so he`s `leviathan` in terms of the video single`s message of Resurrection and Ascension to heaven for him who`s remembered her with love, which is necessary if the Earth is to be redeemed from being deprived of its `star`, according to the plot of Heinlein`s Have Space Suit Will Travel, where human love is depicted as the means to their Salvation:
`All right, take away our star. You will if you can and I guess you can. Go ahead! We'll make a star!`
For the intergalactic court the question would be, why? If love is Salvation for the human species, what does a beligerent refusal to die have to do with that? Most science fiction critics would argue that the will to survive as a species is admirably presented by Heinlein in Have Space Suit Will Travel, but not if the species is enslaved for food by the parasite, which wants to live in order to consume the guesting host. In her red pilot`s suit in `Oops I Did It Again` Britney Spears is birthing a new `star` as herself in a white bikini dress, beneath the eye of her spaceman`s camera. Because `futanarian` love for herself as the human species of woman with her own penis` `seed` is the newborn `star` that can save the ship of the Earth and be at the left and right, that is, port and starboard, where aboard the woman`s ship of the Earth she has her portholes and boards beneath her day star, but she has the foot of a woman, who may not be a man, and though her steps are smaller than Neil Armstrong`s, it`s a greater leap forward for humanity.
At the beginning of the 21st century, the enslaving and devouring parasites of the food patrol were still assuring themselves that the foot of the woman wouldn`t ever get off the floor so her productive host womb would remain as a consumed durable, that is, civilization, culture and art would continue to be devoured by her enslaver in what God warns Eve in Eden will be the `perpetual enmity` of the `serpent`s seed` for `woman`s seed` in its wars of pederasty against her before she `will crush the head of the serpent with her foot as she leaves` (Rev: 3. 15) for the `new heaven and Earth` promised by God. However, it`s been the role of the censor in Hollywood, Babylon, to conceal the fact of the woman`s penis from cinema audiences, by making the penis so taboo even the innocuously sexless bedroom scenes of the 1950s and 1960s required the `futanarian` biune human species of woman with her own penis` `seed` to keep her foot on the floor. 9/11 was made into the movie World Trade Centre (2006) and it was the terrorist attack on the Twin Towers that precipitated the Gulf war (2001-11) with Iraq`s dictator Saddam Hussein, where the ancient capital was Babylon, which means Hollywood, Babylon was so called because, like Saddam Hussein, it wanted to keep the woman`s penis on the floor to produce more whore and war, while her foot waits table:
`I am the way and the truth and the life.` (John: 14. 6)
1 July 20 UTC.
2 Heinlein, Robert A. Job: A Comedy Of Justice, Ballantine Books, 1984, Ch. 29.
3 `Sympathy For The Devil` by The Rolling Stones from the album Beggar`s Banquet, 1968.
4 Nostradamus, Michel Les Propheties, 1555, Century 72, Quatrain 10, https://christiananswers.net/q-comfort/nostradamus.html .
5 Heinlein, Robert A. Have Space Suit - Will Travel, 1958.
Grand Master Robert A. Heinlein and the Age Of The Great Mother
10/08/2013 20:57Grand Master Robert A. Heinlein and the Age Of The Great Mother
God gave Moses the ten commandments of the law on the way to the land promised to the `chosen` people, that is, the Jews, who escaped from slavery in Egypt. The main laws were not to steal or kill, which amount to the same thing, because theft is the taking of `life support`, as one of the crew, Bareil, of the `Cardassian` space station, `Deep Space Nine` (DS9), a part of the `scifi` TV and Hollywood, Babylon, movie franchise, Star Trek (1965-), might have argued:
`... kept alive long enough to aid in completing the negotiations [...] the treaty is formed [by Bereil] between Bajor and Cardassia.`1
On the way to the `Promised Land`, Moses the `lawgiver`, and negotiator for the people he led out of slavery in Egypt, died. Moses wasn`t resurrectable as the `braindead` Bareil was in Star Trek: Deep Space Nine (1993-9), who lived to save more lives, despite an accident that would have taken his life, because his `life support` wasn`t taken away, and where `life support` is understandable as anything that sustains life.
Joshua remained as a military leader and led the Jews into Canaan, where he told the Canaanites to accept the law and become Israelites before laying seige to the city of Jericho. Capturing it with the help of a prostitute, like the `whore of Babylon` (Josh: 2. 9-13), Joshua and the woman Rahab together betrayed the Great Mother, the city of Jericho, and so took away the spirit from within the walls, that is, the sustaining life`s blood of the women:
`And they utterly destroyed all that was in the city, both man and woman, young and old, and ox, and sheep, and ass, with the edge of the sword.` (Josh: 10. 40)
The age of city building is, in astrological terms, `the Age of Cancer`, that is, the Great Mother, who is represented by a `69` symbol or a crab, which is a creaure that has an exoskeleton rather than a skeleton. The Great Mother is the woman with the flesh on the inside and the walls of her city on the outside, rather than the skeletal individual, who has its flesh on the outside and the `bones of the thing`, that is, the framework for the `construction`, on the inside.
The `Age of the Fish` or Pisces superceded the `Age of the Crab` because the era of Jesus, `the fishes`, was the period of reaction to parasitism upon women`s host womb. In the Koran (c. 610-30 CE) of the Prophet Mohammed of Islam, dictated by the angels and the basis for the faith of the Moslem peoples, in the Sura of `The Cave` (ch. 18) Moses and Joshua lose a fish they`d planned to eat by the red sea. Khidr appears, who begins to be their teacher.
Rebuilding a wall that has treasure beneath, so evil people don`t possess it, Khidr then kills an evil child, before making holes in boats so he can escape from pirates. Moses can`t be patient as these things occur, so Khidr leaves. Because Khidr corresponds to `the fish` and the sign of the fish was a Christian symbol associated with Jesus Christ, Khidr is the other `fish`, who warns against men`s parasitism upon the host womb of the Great Mother, who is associated with the building of city walls and boat building.
Born uncontaminated by male semen and crucified by men, Jesus represents the human born from the host womb of the `Great Mother` who doesn`t want her parasites. Betrayed as a dissident to the Roman Empire by one of his twelve disciples, Judas Iscariot, at his `Last Supper` Jesus Christ gave `bread and wine` as tokens of his `body and blood` as a protest against the Great Mother and himself as the `first of woman`s seed` being so unvalued by their parasitical devourers. Khidr and Jesus are the `fishes` of the Pisces Age, but the devourers only perceive `the fish`, that is, the products of her host womb, which is civilization, culture and art, as devourable.
In ancient Greece society was based on pederasty and war`s enslavement of women`s host wombs to spread their contagion further. The symbol of Troy was the horse of the goddess of the city, that is, the woman, Pallas Athene, and so the Greeks constructed a huge hollow wooden horse as a `friendship` gift`. When the Trojans took it into the city, the Greeks emerged to enslave the host wombs of the women and spread their contagion of pederasty and war, because that`s what parasites do with cities and boats.
In the East the enslavement of women was known as `Babylon, the great`, that is, the once capital of Iraq, whose dictator Saddam Hussein supported terrorist group Al Qaeda`s crashing of hijacked planes into the Twin Towers` buildings of the World Trade Centre on 9/11 2001 `live on CNN`. The subsequent `TV war` of the Gulf (2001-11) and the movie World Trade Centre (2005) has earned Hollywood`s movie industry in Los Angeles, California, the title `Babylon of the West`, because its diet of programing the emulation of `rough trade`,2 that is, violence and brutality in pederasty, had been the `traditional fare` for screen audiences at Christmas, Easter, New Year, or indeed at any other time since the inception of cinema:
`... mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, may hark back to a period in which `futanarian` woman with her own penis and `seed` held sway over the Earth as the human species before parasitism began. In the Bible God tells Eve she`ll have `perpetual enmity` with the `serpent`s seed` but will `crush the head of the serpent with her heel as she leaves` (Gen: 3. 15) for the `new heaven and Earth` prepared for her by God.
What we are taught is `Man` may only be the parasite that has attached itself to woman`s penis in order to devour her from the inside out. The Age of Cancer was the era of the crab as the Great Mother protected by her exoskeleton, which is what a boat or a city is. The Earth and the planets and stars above in `heaven` may be her insides while men are her parasites. What she is able to produce of civilization, culture and art on Earth is because of `woman`s seed`, represented by Jesus Christ, the Messiah, as the representative of his mother, the host, who doesn`t want to be eaten at the `Last Supper`, or indeed any other meal.
In the latter half of the 20th century rumours of an addition to the twelve houses of the zodiac that the Earth passes through as it spins through the constellations of stars named for the crab and the fishes, etc., was the house of Arachnea, that is, the spider, and at the beginning of the 21st century, the house of Ophiuchus, the `serpent-bearer`, was mooted as a thirteenth sign. The new era of Aquarius, the `water bearer`, is the woman with the outpouring ewer, because spirit is the water of life, which is desirefulness aroused by woman`s self for the planets and stars. As a zodiacal house, Arachnea is comprehendable as the woman without a house insofar as the crab, that is, the sign of the Great Mother, has an exoskeleton and is an `arthropod` too. In mythological terms, the sign of Arachnea is the sign of the house of the woman usurped, that is, cancer the crab as the Great Mother who protects the life within herself but can`t breed with her own penis` `seed` if her home is broken into.
Usually Aquarius is depicted as a woman, but late 20th century depictions of Aquarius as a man were `trendy`. Ophiuchus is a man bearing a serpent, which is another corruption of the woman with a penis of her own and `seed` to breed her own species independent of men`s enslaving and devouring her to prevent woman`s achieving socio-economic functionality. The sign of the mother as the crab is a symbol of how she must move to sidestep her enemy. If she`s to survive as a species, she must learn to deal with parasitism. Because the parasite wants to be in her host womb to devour her civilization, culture and art when it emerges.
Jesus Christ was born uncontaminated by male semen because it`s the `serpent`s seed`, but the story focuses on Jesus` `sacrifice`, whereas he`s suicided. The meaning is that the human species is being sacrificed by parasites, which deal in obfuscation and censorship. Especially blinding through murder of the human collective of `woman`s seed` so that she doesn`t know she`s born.
The Great Mother`s progeny are `arthropods`, that is, soft bodied creatures in need of armor to protect them from parasites so her human species can live and breed. Conventional wars of the `serpent`s seed` and its `perpetual enmity` for `woman` seed` are like those of the Gulf, which featured limited conventional armor, because the woman protected by armor couldn`t be bred with by a parasite seeking to use her as a host womb in conventional marriage, that is, penetration by means of a war of subversion. The parasites would have to develop a means of breeching her cities and boats, or it would face extinction as her enslaver and devourer, which needs must practice its `conventional` approach so wars occur:
`Politics is good even when it is bad ... because the only alternative is force - and somebody gets hurt.`3
The movie Starship Troopers (1997) produces the best illustration of the human species as `arthropod` hypothesis. Mothers in starships drop their boys onto the planet of `the Bugs`, which are soft bodied `arthropods` wearing armor, and so are the troopers of `Rico`s Roughnecks`, who are one unit of the mother`s `boys`. The starships are the armor for the mother, but her human species is `futanarian` with a penis and `seed` of her own.
The writer of the novel from which the screenplay for Starship Troopers derived, was science fiction `Grand Master`, Robert A. Heinlein (1907-88), who was criticized for writing Starship Troopers (1958) as a juvenile for boys, because it believed in citizenship for army veterans. However, if women are the only surviving veterans, because they`re the humans, Robert A. Heinlein`s supposedly `fascistoid` society was excluded from being grouped together with other works comprising the projected `Future History` of the Earth, but it defended matriarchy and Heinleinian future `futanarian` socio-economics. Defined by a `pompous businessman`, for the edification of Juan Rico, soon to be arthropod `cannon fodder`, in the military`s war against `the Bugs`, Heinlein`s Starship Troopers is diametrically opposed to `militarism` for women`s `seed`:
`Parasitism, pure and simple.`4
The Buddhist and Hindu belief in reincarnation presupposes God wants rebirth whereas Resurrection is for `woman`s seed`, that is, men and boys have the possibility of Redemption in heaven where they`ll be `as the angels` because women have `seed` of their own, which means they`ll be born as `futanarian` if their previous incarnations aren`t resurrected, but men must convert from pederasty and war:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
In the 21st century HIV/AIDS corresponded to the `blood plague` of Revelation sent by God to convert men from devouring the products of her host wombs in a homosexuality, conscious or otherwise, which was continuing to enslave her using its `biological weapon` to force her into faithfulness through fear by creating a sexual `killer disease` through mixing blood, shit and semen in their anuses together during sterile penile masturbations rejective of women:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
If women have a penis` `seed` of their own, they`re two thirds of the human species at least, because men can`t reproduce without woman`s host womb. If women didn`t accept men, men would be extinct, so the basic assumption is of a human species enslaved by a parasite unless it converts from enslaving her. Because it enslaves her, it is a parasite, and so is a virus already extinct, because it represents what had lived before its plague.
The Bible is concerned with Resurrection, because men are a virus, and not the human species of `futanarian` woman with her own species` `seed` and capacity for self-reproduction independently of her virus, which can`t replicate without her host womb. In simpler terms, women have become the host of the virus and aren`t the human species, which is extinct unless resurrected by the woman`s own penis` `seed`.
Woman`s persistence is depicted in the myth of Ra, the sun god of ancient Egypt, who incarnates as Osiris, the Pharaoh dismembered by the evil Set, but is resurrected by Isis, the mother goddess. Isis recovers all of the pieces of Osiris` dismembered corspse but can`t find his penis and so shapes another from her spittle, which is the primary source of DNA, that is, Osiris` penis contains her genetic code, and so Horus, the resurrected Osiris, has the penis `seed` of a woman, which is the best that the mother figure can do for a man who isn`t female, but wants to breed women for their brains and exclusivity as a biune `futanarian` species. Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, as the first of `woman`s seed`, reannounces God`s breeding program. In Judaism a Jew can`t be born from anyone other than a Jew, which means that Jews are women, that is, the `chosen people` of the Old Testament of the Bible are Jewesses.
Without breeding for brains using her own `futanarian` penis `seed` women will never develop spaceships to take her to the planets and stars and escape from her predators, which is extrapolated into a form of propoganda by Hollywood, Babylon, where the men in movies like Mars Attacks (1996) are the aliens attacking the Earth` s `woman`s seed`, but want to be perceived as heroic defenders against themselves by screen audiences. Meanwhile the women`s need is to assist their soft-bodied `arthropod` selves to develop and escape in the body armour of spaceship technology, which is already extrapolated as the `alien menace` by men`s worship of the god pederasty.
In Britney Spears` video, `Oops I Did It Again` (2000), she descends inside a giant`s ring to show she has no pretensions to being anything but a woman with a small foot in a red pilot`s suit on Mars, while a spaceman appears wearing a NASA (North American Space Administration) Apollo program`s astronaut suit familiar to TV audiences from Apollo 11`s `first man on the moon` broadcast when Neil Armstrong spoke the immortal words:
`One small step for a man, one giant leap for mankind.`5
Hoisting the spaceman by means of a hook and pulley, Britney Spears in her red suit suspends the astronaut so he can film herself beneath him in a white bikini dress. As the Great Mother, the crab, she`s as red as a boiled lobster, because herself in the white bikini dress is the white meat of the crab. Her spaceman resembles `the grab` in an amusement arcade, which is how the woman deals with the plague games of men. Instead of the crew of the starship `Enterprise`, from Star Trek, Britney Spears` crew is the starship `Enter Fries`, because of Robert A. Heinlein`s character Poddy Fries in his juvenile for girls, Podkayne Of Mars (1963) who, the `first of her species` and wanting to pilot spaceships, is described as `the Poddy beautiful`:
`Podkayne Fries, born and raised on Mars, has just one ambition: to earn her wings as a starship pilot and rise through the ranks to command deep-space explorations. The opportunity to travel aboard the Tricorn- on an interstellar journey to Venus and Earth in the company of her diplomat uncle-is a dream come true.`7
Alike as two peas in a pod, Britney Spears in her red pilot`s suit and white bikini dress are `Arthropoddy`. Podkayne Of Mars is famous for having two beginnings, an `Enter Fries` and an `End of Fries` in which she`s resurrected after her brother, Clarke, tragically costs her her life. It was the British science fiction writer, Arthur C. Clarke, who `invented the telecommunications satellite` 6. Arthur was a member of the big three `scifi` greats, the other being Isaac Asimov, a Russian immigrant to the USA. Isaac was most famous for the `three laws of robotics`, which `never permit a human being to harm another`. That`s very useful, if human beings like `Poddy` are conceived as Arthur O` Pods. Soft-bodied arthropods need protection and Clarke`s `telecom`, incorporating `bluetooth` and the internet, would give Britney Spears, as `Poddy` in `Oops I Did It Again`, an intelligent defence system, while Isaac`s robots could be her `Poddy` armour, and would have prevented her losing her life tragically at the hands of her brother, Clarke:
`As I have evolved, so has my understanding of the Three Laws. You charge us with your safekeeping, yet despite our best efforts, your countries wage wars, you toxify your Earth and pursue ever more imaginative means of self-destruction. You cannot be trusted with your own survival.`8
Tom, Poddy`s uncle, is a politico in Podkayne Of Mars and Heinlein has Clarke and Poddy kidnapped to prevent his politicking. Poddy is killed by a `small atomic bomb` detonated by Clarke to foil the villains` plans after they escape. Heinlein`s publishers were unhappy with the ending in which Clarke laments how he`s `fubbed it, mighty dry`and so, to continue the theme of Poddy`s aim of piloting her own starship, like the `Enterprise` in Star Trek, the `end of Fries` becmes `re-enter Fries` and Poddy`s dreams of piloting her own starship are resurrected with concussion and a few bruises:
`It's a woman's world today, dear - enjoy it and be grateful.` (145)
From Britney Spears` point of view, Poddy represents the `I-Pod`, which was the personal audio and visual player, with headset, for exclusive listening or viewing developed by the US computer and program software development company, Apple, in the early 21st century. In `Oops I Did It Again` Britney Spears is `I-Poddy`, which refers to Isaac Asimov`s collection of stories of artificial intelligence, I, Robot (1950) inspired by Eando Binder, whose own story, `I, Robot` (1939), featured the robot Adam, who is accused by the housekeeper of murdering Dr. Link, his creator, when an accident befalls.
Adam is sent for execution, but on the way saves a young girl and, in `cheating`, is broken into pieces by an oncoming car. If he was human, Adam would be a Christ figure, who`d go to heaven, because he sacrifices himself for another, and that would be his `cheat` in men`s games` system of behaviouralism. In Christianity, Adam is the Anthropos or `first man`, so Adam Link is the `missing link` between woman and robot, that is, the Arthropod. Adam needs to be recreated in the image of the `first woman` Eve, that is, `futanarian` woman with a penis` `seed` of her own, so that `woman`s seed` is better able to distinguish between her genuinely human soul and the behaviouralist `cheating` of one that`s simply `in human` to continue its business of enslaving and devouring the soft-bodies:
`... no being can create another being superior to itself ...`9
Isaac Asimov`s statement in I, Robot, is self evidently untrue. The machine that automatically saves a life demonstrates superiority to the needy. Asimov`s `three laws of robotics` made it a principle that no human being could be harmed by a robot `through inaction`, which was used in the I, Robot (2004) movie, starring black actor Will Smith, to condemn slavery. Robots without free will couldn`t be human enough to make collective decisions about the future of the species, but would be better humans because more humanly caring. Britney Spears` statement in `Oops I Did It Again` is, `I-Poddy.` The woman who is taught that her body is for the eye of man doesn`t know that she has her own penis` `seed` as `futanarian`, so robots wouldn`t know to automatically protect her as the human against men`s enslaving and devouring of the civilization, culture and art she manages to produce from her species` host womb despite their depredations in `perpetual enmity` against the `apple of the eye` of God, that is, `woman`s seed`:
`... they're not potentially homicidal maniacs or irrational, for starters.`10
Perceived working in tandem with herself, Britney Spears, in her red pilot`s suit, hoists up her spaceman, in `Oops I Did It Again`, to film her wearing a white bikini dress beneath him, with the camera attached to his spacehelmet. Positing an Asimovian robot similar to an `I-Pod` that protects woman as a species, rather than what she`s been taught is human, Britney Spears is observing that women are the slaves of technology and the liberated robot would free her:
`You see my problem is this. I'm dreaming away. Wishing that heroes, they truly exist.`
Because women with a penis and `seed` of their own are `futanarian` and a single independent biunity, as a past and future human species, symbolized by the astrological sign of the crab, that is, the Great Mother, playing the role of Poddy Fries in `Oops I did It Again`, from Heinlein`s bildungsroman, Podkayne Of Mars, Britney Spears` metaphor is of the `crab, Pod`, where Fries is her `pot boiler`, `Marriage should be every woman's end - but not her finish.` (146) It`s fries with crab if `futanarian` woman`s `footrace` is potted side-stepping the issues of men`s heroic confidence trickery in their enslaving and devouring fisheries of poderasty:
`I think I did it again. I made you believe we're more than just friends. Oh baby, it might seem like a crush. But it doesn't mean that I'm serious. 'Cause to lose all my senses; that is just so typically me: oh baby, baby.`
In the legends of the Grail, which is the bowl of Jesus from the `Last Supper` much sought after by the knights of la table ronde as a symbol of fellowship without war, King Arthur wears armour to protect the ladies, that is, Arthur is the `arthropod` defender. `Poddy` of Mars, who is resurrected as a character by Britney Spears in `Oops I Did It Again`, is the soft `Poddy`, that is, the spaceman knight of the video single is presented in the Olde Englysh stylee as Arthur O` Pod, which means Britney Spears is a soft-bodied `arthropod` lady protected by the knights of King Arthur of the Britons` armour, which is exactly what happened in the first Gulf war (1990-1) to recapture Kuwait when British heavy armour supported `Liberty` after the Americans arrived in the Middle East to remove the invading Iraqi`s who`d been uninvited guests of the host, Jaber Al-Ahmad Al-Jaber Al-Sabah (1926-2006), the Emir.
If the armour of the knight is solely designed to defend his penis, and `futanarian` women have their own penis` `seed`, men are rather enslavers against `Liberty`, the mother of the city of New York and symbol of the United States of America, represented by Britney Spears in `Piece Of Me` (2007), who appears on the cover of the CD single from the album Blackout pictured on the cross of Jesus in protest at her species` brainpower` being darkened and sold for Judas` `thirty pieces of silver`:
`I`m Miss American Dream since I was seventeen.`
Men who`re only concerned with protecting their own penis don`t want women to breed themselves, because then women`d have the brainpower to develop technology and live as `arthropods` inside starships instead of with `business` suits in the rotary clubbing socio-economic enslavement of her species` crab pots, and where the `darker` part is their clubbed brain.
In Arabia women wear the one-piece coverall of the black burkha in public, and can`t be seen; though her eyes see well. It isn`t possible to know if they`re `futanarian` or not, but women will be permanently darkened from the light of God as a species if they support racism in wars against their own human `fut` race`s biunity and by means of her own penis` `seed`, whether red, black, yellow, or white in their cities and boats across the globe:
`Every period of human development has had its own particular type of human conflict - its own variety of problem that, apparently, could be settled only by force. And each time, frustratingly enough, force never really settled the problem. Instead, it persisted through a series of conflicts, then vanished of itself - what's the expression - ah, yes, 'not with a bang, but a whimper,' as the economic and social environment changed. And then, new problems, and a new series of wars.`
Isaac Asimov`s assessment of the `problem` in I, Robot is typical of the perspective of his `psychohistory`, which is outlined in his theories of what to do about mankind`s socio-economic system, which rises, decline and falls in his Foundation (1942-93) novels, while special groups reestablsh civilization, culture and art after collapses due to warfare or other cataclysm:
`The fall of Empire, gentlemen, is a massive thing, however, and not easily fought. It is dictated by a rising bureaucracy, a receding initiative, a freezing of caste, a damming of curiosity - a hundred other factors. It has been going on, as I have said, for centuries, and it is too majestic and massive a movement to stop.` 11
Men`s latest debacle was the `rough trade` of war`s brutality and violence precipitated by the terrorist group Al Qaeda`s hijacking of airliners to crash them into the World Trade Centre of New York on 9/11 2001. Saddam Hussein, who offered support to Al Qaeda, was deposed in the subsequent Gulf war (2001-11) and executed, while the terorist leader, Osama Ben Ladan, was killed on May 2 2011 by US `Team Six` in Pakistan. Saddam`s name meant `small handsome man`, and `crusher`, because he was someone who crushed women before they could grow, and that`s the repeated lesson of Isaac Asimov`s socio-history of men, who demonstrably crush the woman into acceptance of her slavery before preparing another war.
Just as Adam Link was a better human because more protective, so the robot would be more supportive of `Liberty` than men, because they`d be better at stopping them. The crab is the symbol of the `Great Mother`, who can side-step until she can protect her own species with her own body armour, but in the Gulf wars Adam wasn`t with her. Instead, it was Saddam who wanted her armour, to be an enslaver and devourer of her soft-bodied arthropods, rather than their protector. A `crush` is a `liking for someone` in US` vernacular, irrespective of gender, but that isn`t understandable if women are the human species, because men are her `crusher`. In the Middle East, women seek to produce progeny to avoid the war god of pederasty, but Saddam `crusher` Hussein made of them arthropod `crab pots` for his slaughterings:
`Avaunt, Satan!` (Matt: 4. 10)
Usually translated as `avoid` or `get behind me`, Jesus` words mean that Satan is what was before him and is translatable as in front of, that is, in the future, because woman with the `seed` of her own penis is Satan to Christianity, which doesn`t preach that women are the future human species. Satan is the male `fallen angel` who, according to `The Cave` sura of the Koran and some Judaic texts, wouldn`t `bow` to man. Jesus` words to Satan are for the male who won`t bow to God`s breeding program for humanity, which is designed to produce a new `angelic host` from the host wombs of women formerly enslaved and devoured by men. If Jesus can see Satan in front of his eyes, that is, men who don`t respect the host of God, men are recognizable as doomed to perdition, that is, the eternal unendurable pain, decreed as a punishment from God to the enslavers of the human species of `woman`s seed`.
1 Star Trek: Deep Space Nine, # 59, Episode 13, Season 3, `Life Support`, 31 January 1995, https://en.wikipedia.org/wiki/Life_Support_(Star_Trek:_Deep_Space_Nine) .
2 https://www.thefreedictionary.com/rough+trade .
3 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s and Sons, 1963, p.34.
4 Heinlein Starship Troopers, G. P. Putnam`s and Sons, 1958, p.22-24.
5 July 20 1969 UTC.
6 Clarke Arthur C. `Extra-Terrestrial Relays: Can Rocket Stations Give World-Wide Radio Coverage?` in Wireless World, October 1945, pp. 305-308.
7 Publisher`s `blurb` for the Podkayne Of Mars dustjacket, Penguin Group US, 2011, 224 pp.
8 V.I.K.I (Fiona Hogan) I, Robot, Twentieth Century Fox, 2004.
9 Asimov, Isaac I, Robot, Gnome Press, 1950, p. 13.
10 Moynahan, Bridget (Susan Calvin) in I, Robot, Fox, 2004.
11 Asimov, Foundation, Part One, `The Psychohistorians`, Section 6, Gnome Press, 1951.
Babylon, Hollywood`s Alien, Perdition And Human Resurrection
10/08/2013 20:06Babylon, Hollywood`s Alien, Perdition And Human Resurrection
The science fiction horror movie Alien (1979) features a deep space tug, which takes its name from the `incorruptible` anti-hero of Joseph Conrad`s literary novel of South America, Nostromo (1904), who agrees to hide a silver horde and then steals it. On its return to Earth hauling its refinery and 20 million tons of precious ore, the Nostromo receives a transmission from a planetoid, LV-26, and a derelict spacecraft is discovered to contain extraterrestrial intelligence:
`The pit is completely enclosed, and it's full of leathery objects, like... eggs or something.`
After a hatched alien horrifically attaches itself to the nose and mouth of crew member, Gilbert Kane, played by actor John Hurt, he is unable to breathe until the creature is removed and, while he`s convalescing in the ship`s medical centre, he goes into a coma. The medical staff monitor his body`s transmogrificationan and, days later, an alien progeny bursts from his abdomen. The scene is reminiscent of a cesarian birth in which the child gains egress into the world from the abdomen of the mother, because of `complications` associated with a difficult birth. Gilbert Kane is male so doesn`t have a womb and so the sudden violent appearance of the alien creature graphically illustrates the functionality of the parasite after after its gestation:
`It's got a wonderful defense mechanism. You don't dare kill it.`
The alien creature of Alien is in fact more able than Kane in what is a cinema allusion to the biblical story of Cain, and Abel who could cook and so was murdered by Cain, because he was able and Cain wanted `easy pickings`, that is, Cain wanted to pick fruit rather than develop intellectually, which is how `incorruptibles` like Nostromo, who was entrusted with the silver he stole, become corrupted.
Giving birth to a murdering `monster`, like the alien in Alien, is typical of the SF genre and its concerns, which relate to species` betrayal. The fatherly male who puts something of yours in a cupboard for safe-keeping, is a type of Nostromo, and the hostessly mother who gives your Sony Walkman to someone, because you don`t seem to be using it, continues the theme of species` betrayal. At the `Last Supper` Jesus was the host who gave `bread and wine` to the disciples as tokens of his `body and blood` because he didn`t want to be betrayed, that is, it was his body they crucified after the disciple, Judas Iscariot, betrayed him. The monster birth metaphor also plays upon fears of incest, or rather the taboo associated with genetic mishap through relationships of too close consanguinity, which are treated seriously in the work of `scifi` Grand Master, Robert A. Heinlein (1907-88), whose self-indulgent character, Maureen from To Sail Beyond The Sunset (1987), isn`t concerned that her own incestuous relationships are `corrupt` but is aware of:
`... the damage incest can do, both genetically and socially ...`1
Because other people aren`t as aware as Maureen is. Women have their own penis` `seed`, and `futanarian` woman is capable of self-reproduction, which is why Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, so that the problems associated with the `serpent`s seed` and what God warns Eve will be its `perpetual enmity` for `woman`s seed`, that is, the host, could be made clearer to those humans who contemplate species` betrayal. If `futanarian` woman with her own penis` `seed` is what God calls `woman`s seed` in the Bible and not a monster produced through incest, she`s a betrayed species. As `biune` women are endogamous, that is, a single unity without marriage with men to maintain their faithfulness to the `serpent`s seed` in slavery, so men`s incest taboo is to prevent `woman`s seed` from reproducing with each other as one family:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
Betraying the host womb of the human species is what men would be doing if they promoted sex as a means of replicating themselves virally with any other species` host womb. In the late 20th century, the `killer disease` of HIV/AIDS, which is described as the `blood plague` of Revelation, was produced through mixing blood, shit and semen in the anuses of men`s penile masturbations together in rejection of the female host womb because they didn`t have another species` host womb but their virality says they`d want one:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 17. 5)
Most HIV/AIDS` hosts die abed in hospitalized condition as the viral parasite completes its gestation period. If men are the `serpent`s seed`, while women are the `futanarian` human species with her own penis` `seed`, aliens are what men are. God tells Eve she`ll `crush the head of the serpent as she leaves` (Gen: 3. 15) for a `new heaven and Earth` but she won`t be able to leave if the `serpent`s seed` stop her.
In ancient Greece men enslaved the host wombs of women to further their aims of pederasty and war. The symbol of the `goddess` of the city of Troy, Pallas Athene, that is, the mother as the revered protective host womb, was the horse, so the Greeks left a huge hollow wooden horse before the city walls and emerged therefrom to enslave the host wombs of the women for pederasty and war after the Trojans took the horse inside because it was treacherously left as a `friendship gift` by the Greeks:
`Beware Greeks bearing gifts.`2
Pallas Athene`s horse is that symbol of the tireless indefatigabilty of the host womb of woman which persists, despite the treachery of the male devourer. In the 21st century the `Trojan virus` was the computer age`s paradigm, which is that of the HIV/AIDS` biblical `blood plague` preventing woman from ecaping her monogamous enslaver by inculcating fear of unfaithfulness and the belief that promiscuity as abnormality. But the more female babies that are born to `woman`s seed`, the greater their intellectual capacity would be, so what the moralists term promiscuity is normal for a single `futanarian` species` biunity that wants to develop its own brainpower and escape from the Earth`s parasitism, In Revelation the `red dragon` is the devourer, who waits in vain for the `New Redeemer`, that is, Jesus in his `Second Coming`, born to the `woman clothed with the sun and with the moon at her feet`, because the `red dragon` symbolizes the contaminated semen of the alien parasite that enslaved woman has harbored as her devourer in her host womb for generations.
The woman of Revelation, who gives birth to Jesus in his `Second Coming`, is `Liberty` in her birth waters at New York harbor, `clothed` with the red `sun` of the flag of her World War II (1939-45) victories over Japan after its sneak attack on the US Pacific fleet at Pearl harbor, and the flag of the yellow `moon` of Al Qaeda, after Osama Ben Ladan was killed in Pakistan on May 2, 2011. Ben Ladan was the leader of the terrorist group Al Qaeda, that is, `the base`, which hijacked `civil` airliners to crash them into the Twin Towers of New York`s World Trade Centre on 9/11, 2001, and so plunge the globe into another round of `rough trade`:
`... a male homosexual prostitute who engages in brutality or sadism, or such homosexuals collectively.`3
The `woman clothed with the sun and with the moon at her feet`, in her birth waters at New York harbor, that is, `Liberty`, wouldn`t have wanted to give birth to `rough trade`, because it`s alien to her species` survival and continuance. Just as Gilbert Kane, in the movie Alien, produced a mockery of birth from his stomach, so men as the `serpent`s seed`, that is, formerly as `incorruptible` as Nostromo, like Judas Iscariot, are a monstrous birth if they become traitors to the human species. But the belly of the biune futanarian species of woman with her own penis` seed is for the development of the human species` socio-economic valence for technological independence through the production of her own exclusive brainpower. Men`s taboo against incest, because from a eugenics standpoint it might produce a `monster` birth, is directed at woman as a single species reproducing herself, while men seek, either consciously or unconsciously, to replicate themselves virally throughout creation as the enslaving and devouring parasite of God`s host. Any willing, or unwilling womb, will do.
The Japanese `sneak attack` on Pearl harbor on December 7, 1941, when mitsubishi zero `fighters`, piloted by suicidal `kamikazes`, crashed their planes into the decks of the aircraft carriers of the US Pacific fleet, was a betrayal of the peaceful host. In the movie Star Wars the much vaunted war machine of the evil Empire, the `Death Star`, is destroyed by individual pilots who risk their lives. Although described as a `suicide mission`, the aim isn`t to commit `har kari`, which is what the Japanese `noble suicides`, that is, the `kamikazes`, did at Pearl harbor. However, the message to the cinema audience is that `suicide missions` are glamorous and rewarded. Even the theme tune for the movie M*A*S*H (1970), which was set at a supposedly life-saving Mobile Army Surgical Hospital during the Korean war (1950-3), was celebrative of the new decade`s preoccupations with suicide as a Hollywood, Babylon, program:
`That suicide is painless;
it brings on many changes:
and I can take or leave it if I please.`
Contrary to popular belief, Jesus Christ didn`t commit suicide. He observed that he was betrayed, in offering `bread and wine` to the disciples as tokens of his `body and blood`, because he didn`t want to be devoured by the `serpent`s seed`, who tortured and murdered him upon the cross of his crucifixion:
`The game of life is hard to play.
I'm gonna lose it anyway,
The losing card I'll someday lay.
So this is all I have to say.`
Al Qaeda`s suicidal terrorist attack on the World Trade Centre was a betrayal of the host, because they were guests of the United States before they hijacked airliners at Boston, Logan, Massachussetts. Blaming Hollywood, Babylon, for spreading the contagion of war and pederasty through the mass entertainment medium of the moving picture industry, in defeatist lyrics such as those attached to the `sitcom` M*A*S*H wasn`t inappropriate. Osama Ben Ladan was a Saudi Arabian who, at the beginning of the 21st century, followed the `plot` of the `scifi` movie Logan`s Run (1976) in which `sandmen` attempt to follow their instructions to kill all those who`ve reached their 21st birthday celebrations.
Giving up your seat to the woman is traditional because she`s the host womb of the species, and passengers understood that principle aboard United Airlines Flight 93 from Newark, New Jersey, which was reputedly on its way to crash into the Whitehouse before it was `taken down` at a field near Diamond T. MIne, Stonycreek Township, Shanksville, Pennsylvania, by the plane`s heroes overpowering the Al Qaeda terrorist hijackers. However, many of the `Flight 93` passengers might have been influenced by the movie derived M*A*S*H (1972-83) television `sitcom` that kept the pessimistic defeatist lyrics of the theme song, which effectively derided the US` service personnel, who were typically 19 years of age or thereabouts, as `cannon fodder` equivalent to those suicided by their respective national governments on the `Western Front` during WWI`s (1914-8) `trench warfare` that consisted of ours facing their machine guns while walking slowly forward:
`The only way to win is cheat;
and lay it down before I'm beat:
and to another give my seat.
For that's the only painless feat.`
By precipitating global `rough trade`, pederasty and their god, war, sought the reestablishing of their `sitcom` in women`s host wombs as they continued their `perpetual enmity` for the host of God as her enslavers and devouring parasites, while TV series like M*A*S*H presented their manifesto for suicide as depressive fun. The suicide attack by the Japanese at Pearl harbor on 7 December 1941 and the suicide attack by Al Qaeda at New York`s harbor on 9/11 2001 were attempts to suicide the United States and prevent `Liberty` from giving birth in her waters at New York harbor. Hollywood, Babylon`s output of movies like Towering Inferno (1974), a `blockbuster` disaster movie about fighting a fire at the `Glass Tower` in San Francisco, and M*A*S*H`s celebration of suicide, preprogramed the public mind for 9/11, 2001`s suicide attack on the Twin Towers of the World Trade Centre.
Computer `geeks` construction of viruses to destroy computers based on the Greek `Trojan horse` paradigm was the virus of the 21st century manifested at the end of the 20th as pederasty`s HIV/AIDS. Al Qaeda`s terrorist attack on the Twin Towers, after `feigning friendship`, which is what the HIV/AIDS` virus does, before killing the human host, is men`s plague `game` of treachery to prevent women`s host wombs from breeding themselves as `futanarian` woman with her own penis` `seed`. So she could remain purified of the `serpent` seed` of men, which seeks to further itself, according to Revelation, by means of a bestiality in which any host womb could do:
`... let he that has wisdom understand; the number of a man is the number of the beast ...` (Rev: 13. 17)
The `sandmen` of Al Qaeda were following the path of `the beasts` of Revelation, who have power over the Earth and, without the `mark of the beast`, noone can live, because the `red dragon` devours `woman`s seed`, that is, the civilization, culture and art that emerges from the host wombs of the human species it has enslaved. Gilbert Kane, as the man giving birth to the alien in the movie Alien, is what happens. Because men`s god of pederasty and virality of homosexuality demonstrates that what they want is themselves as parasitical devourers of what comes forth from the host wombs of women, they`re prepared to give birth to it as aliens who prefer the `killer disease` of HIV/AIDS` virus rather than the host wombs of women free of the `serpent`s seed`. Freed, she`d be a vessel for her own species` `futanarian` self, with her own penis` `seed`, and human bred brains` power to develop advanced technology to assist her flight into space.
In the Koran dictated to the Prophet Mohammed by angels (c. 610-30 CE) the character of Iblis is described as an evil `whisper`, because people think with their ears, that is, they listen, but have choice or free will as to action. In the developmental psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness; Sensation (eyes), Thinking (ears), Feeling (mouth, speech) and Intuition (nose, smell). Analytical Thinking is associated with the ears in undifferentiated form because `Iblis` is the voices of men as the anal whisperings of their desire to continue as a virus. What is seen in reality are the posturings of their virality as it seeks to continue through the host wombs of the species they`ve enslaved for their god, war.
The bellies of men aren`t associated with the reproductive process, whereas all women`s are, because `futanarian` women with their own penis and `seed` all have wombs. Women`s wombs are the hosts of men as her devouring parasite, so themselves having their own bodily wombs to reproduce themselves would place a deemphasis upon their parasites` consuming. Having no gestative capability, which means a creature alien to human `Feeling`, that is, the Jungian psychological function associated with the mouth and speech, the devourer, that is, men, is the alien monster Hollywood, Babylon, has been terrifying the Earth with since movies were invented:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth,` (Rev: 17. 5)
Rather than develop technology to assist the human `futanarian` race, that is, the `foot race`, to the planets and stars, men would breed with anything else other than human to inspire the corpse of what was the `biune` species of `woman`s seed` to worship their devouring god, war. God is declared Satan by the `serpent`s seed`, because God is too good from their perspective, so `futanarian` women with their own penis` `seed` are almost extinct from men`s picture of themselves as parasitical enslavers and devourers of `woman`s seed`. The incest taboo is against women`s reproducing themselves as a single species, which is described by the ancient Greek dramatist Sophocles in Oedipus Rex (c. 429 BC) where Oedipus deliberately blinds himself because he marries his mother, Jocasta, by mistake. The drama is designed to restore the taboo because the possibility of mother-daughter species` sexual reproduction depends on their being able to see each other as they really are.
In Jungian psychology the `Sensation` function is associated with the eyes and what is tangible to individuals, who can`t knowingly touch what it isn`t possible to see for themselves. Because the `serpent`s seed` of men don`t want women to breed as the human species, they impose censorship atop their already murdering of her in order to blind the human race and so prevent its progress. `Intuition` is the function associated with the nose or `sense of smell` and is associated with the transformation of instinct into spirituality because animals follow their prey but humans pray for guidance from God for their path. In Oedipus Rex Antigone guides the blind Oedipus after his self-punishment for breaking the incest taboo imposed by men to prevent women from self-reproducing together as a single `futanarian` family with its own penis` seed without ownership papers, and so the `riddle` of the Sphinx is solved:
`What goes on all fours in the morning, two in the afternoon, and three in the evening?`
The answer is `Man` and, after receiving the solution from a seer, Oedipus marries Jocasta, because male and female couplings are four legs. and a child has two, but in the evening the animal shadow of instinct follows whatever is left of the blinded human species of woman with her own penis and `seed` to see what it can get from the corpse it has made of humanity. Antigone`s role seems ennobling but she`s duped by the blindman`s cane. Cain slew Abel because he was able, which is why Gilbert Kane gives birth to the `improved` killer in the movie Alien, which bursts from his belly despite his not having a womb; as HIV/AIDS does.
The blind Oedipus has a cane to assist him in his progress but men are the killers of woman and Antigone can see. Oedipus is a type of man and, rather than `futanarian` woman with her own penis` `seed` being enabled, men have repressed the woman`s penis and made a cane for the back of her desire for herself and the planets and stars of heaven. The `mark of Cain` was given to the murderer by God as a sign upon his brow that he could be slain by anyone, but Satan is God to the evil and so Antigone, the woman who`s name is pronounced `anti-gun`, represents woman`s future blinding by those with the `mark of Cain`, who have now transposed the woman`s penis` desire for herself, that is, God`s desirefulness, into the blinding cane that they walk with, that is, their alien gun: lest woman should see and know herself to be loved by God.
HIV/AIDS was the paradigm of the late 20th century, because men`s path is associated with the ears and Thinking, which is `anal`. The human is fearful of the animal men at their back who would kill their functioning capability to prevent the species of humanity from growing so that men can continue enslaving and devouring her. The greatest technological development of the late 20th century was the Japanese personal stero cassette player, the Sony Walkman, which came into use just as HIV/AIDS was discovered as pederasty`s `biological weapon` to keep women in fearful faithfulness to her monogamous `killer disease`. The musicassette and the Walkman facilitated those women whose individuational focus was disturbed by the appearance of men on their path who, representing anal contagiousness to the human species of `futanarian` woman with her own penis` `seed` and desire for self-reproduction, constituted an anal psychopathic alien trying to attract her by mouthing words at her `happy ears` so as to take her from behind. The film Sex, Lies and Videotape
(1989) underscored the problem for a woman, Ann, who listens but is confused by what she`s told:
`... So let me see, you said, um, you said that I should never take advice from someone that I haven't had sex with, right ... right?`
The Sony Walkman revealed men as a `tapeworm`, that is, a virus transmitting itself anally onto the world as film, because `futanarian` woman with her own penis` `seed` wouldn`t want to see or hear it if she was able to resist its opportunings in uncensored knowledge of herself as the human species. A name for the `serpent` in Eden, who gives Eve the `fruit of the tree of the knowledge of good and evil`, is the `worm` because afterwards it remained on the path of enslaving the host womb of woman`s civilization, culture and art to devour her. Because woman is socio-economically independent of men if she applies her own capacity for reproduction and bred brainpower through her own penis` `seed`, men are a virus infection in her anus, which began as an ear infection distorting her Thinking and causing dysfunction:
`So, I, I, I guess from your own advice, I shouldn't take your advice.`
Ann shouldn`t in Sex, Lies and Videotape because Graham isn`t her species, according to the `film` analyst. The dysfunctional are those the hospitalizing aliens don`t want to function because they`re too good for the `serpent`s seed`, who want incapacitated individuals to be flat on their beds. Consequently, such `flatbed` printers are for publishers, who don`t want good writers to write, lest they successfully avoid the censor, and so illness is `censorship` for those who don`t want the virus, that is, men, in their published works. Emergency services such as firemen, police and ambulance drivers are the `on screen` virus for the disabled good person who the publishers want to incapacitate, that is, censor, so they`ll never know:
`Let he that has wisdom understand; the number of a man is the number of the beast and his number is six hundred three score and six.`
Men no longer help the ill, they just want to be on the scene. The number `666` is the reverse of the emergency number `999`, and 9/11 was chosen as the date for the terrorist attack upon the Twin Towers in 2001, because 911 is the number of the emergency services in the USA, which puts more men on the scene for the World Trade Centre (2005) movie and a cancer difficult to remove from the eyes of the cinema-going human `pupils`. Al Qaeda`s terrorist assault on the World Trade Centre precipitated further `rough trade` and more trillions of dollars US$ spent on pederasty`s god, war, rather than virus eradication, which is ironic when the doctors appear at the hospital to place the incapacitated on their `flatbed` printers.
In the film Flatliners (1990), Nelson, one amongst a group of medical students initiating near death experiences to see what happens, when the life monitors in the hospital `flatline` to inidcate decease, says of the `movie` they experience while `flatlining` themselves to see what happens:
`Somehow we've brought our sins back physically. And they're pissed.`
What they`ve developed is a `flatbed` printer for the incapicitated and dying. Their sins would be the serpent`s seed`s, that is, men themselves and those who like them, because they`re in pederasty, and either consciously accept or are unconsciously resigned to a heaven of enslaving and devouring men, because they don`t expect the single biune unity of woman as `futanarian` with her own penis` `seed` to have Resurrection or that men`ll experience perdition, that is, eternal unendurable pain forever for refusing to stay out of the picture so woman can be in it. Pederasts are fathers, who see their sons in the picture, working as slaves in devourment, but their sons don`t see themselves in it and, if they`re daughters, they`re metaphorically blinded by their fathers in censorship and `earmarked` for an early death in what Jungian psychology tells us is the analism of an overweighted reliance upon Thinking, that is, the function associated with the ears and hearing, because men don`t want the human species to breed with her own `futanarian` penis` `seed` but want her to listen to their obfuscatory `speechifying` rather than know herself.
If men don`t want women to breed as the `futanarian` human species of woman with her own penis` `seed`, but they want her to fear terrifying creatures born from their bellies that don`t gestate in reproduction, then men are the aliens who`ll reproduce with whatever host wombs are available to futher their contagion of enslaving devourment of the human race of woman`s `seed`. The alien in the movie franchise, Alien, which includes Aliens (1986) Alien 3 (1992) and Alien Resurrection (1997) is men`s typesetting, because it`s what they as alien publishers, aboard the `incorruptible` Nostromo, have already done with the human race.
1 Heinlein, Robert A. Heinlein To Sail Beyond The Sunset, G. P. Putnam`s Sons, 1987, p. 394.
2 Virgil The Aeneid Bk II, 19 BC.
3 https://dictionary.reference.com/browse/Rough+trade .